Aesthetics Commons^™

"All Ardour, All Intrepidity" William Beckford At The Strawberry Hill Sale, Stephen Clarke

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Index

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Book Reviews

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Pretense Theory And The Imported Background, Jeffrey C. Goodman

Faculty Scholarship

Kendall Walton’s pretense theory, like its rivals, says that what’s true in a fiction F depends in part on the importation of background propositions into F.  The aim of this paper is to present, explain, and defend a brief yet straightforward argument – one which exploits the specific mechanism by which the pretense theory says propositions are imported into fictions – for the falsity of the pretense theory.

Aura, Self, And Aesthetic Experience, Marshall Battani

Contemporary Aesthetics (Journal Archive)

Aesthetic experiences are generated in encounters with cultural objects and such experiences are marked by the free play of cognitive and numinous experience unstructured by concepts. Kant’s famous three types of pleasure, made infamous in social theory by Pierre Bourdieu, are examined in relation to the critical theoretical concept of aura, the social psychology of “flow,” and cognitive explanations of perception to explain experience in aesthetic fields. Theories of aesthetic experience developed at the crossroad of critical social thought and cognitive science hold promise for a social analysis able to avoid the usual sociological pitfalls of either ignoring aesthetics or …

City Walks And Tactile Experiences, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

This paper is an attempt to develop categories of the pedestrian’s tactile and kinaesthetic experience of the city. The beginning emphasizes the haptic qualities of surfaces and textures, which can be “palpated” visually or experienced by walking. Also the lived city is three-dimensional; its corporeal depth is discussed here in relation to the invisible sewers, protuberant profiles, and the formal diversity of roofscapes. A central role is ascribed in the present analysis to the formal similarities between the representation of the city by walking through it and the representation of the tactile form of objects. Additional aspects of the “tactile” …

Introduction, Ananta Sukla

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Editorial Note

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Icon And Image In Modern Thai Art: A Preliminary Exploration, John Clark

Contemporary Aesthetics (Journal Archive)

Thai modern art is marked by the actual deployment of religious or august symbolic icons or the quasi-iconic use of images of variable indexicality in otherwise highly secular contexts. What were the sources for such modern uses and have the semiotic functions of icons shifted? To answer these questions, at least partially, religious functions for images are examined by tracking the use of court images and Buddhist figures.

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Stories In Pictures (And Non-Pictorial Objects): A Narratological And Cognitive Psychological Approach, Michael Ranta

Contemporary Aesthetics (Journal Archive)

Narratological studies have frequently focused upon linguistic structures, considered to be paradigmatic cases of narrativity, while pictorial signs, such as icons and symbols or indices, have received comparably much less attention. In this paper, however, some basic and regularly occurring narrative aspects of pictures and non-pictorial objects will be presented and discussed.

A New Problem For Aesthetics, Kevin Melchionne

Contemporary Aesthetics (Journal Archive)

The essay introduces the problem of aesthetic unreliability, the variety of ways in which it is difficult to grasp our aesthetic experience and the consequent confusion and unreliability of what we take as our taste.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Affirming Difference: Everyday Aesthetic Experience After Phenomenology, Wood Roberdeau

Contemporary Aesthetics (Journal Archive)

This article explores the complex relationships among two different types of critique, the socio-temporal zone known as "everyday life" and the moment of the encounter by those who are encountering art works. It proceeds with a close study of the phenomenology of Maurice Merleau-Ponty and Mikel Dufrenne, and tests their key concepts against generalized contemporary art practices that question a model of the traditional aesthetic experience by suggesting the possibility that within the expanse of postmodernity such a paradigm has shifted, (although it is not completely irretrievable). The paper argues that this shift has been achieved by remobilizing readymade objects …

Disgust And Ugliness: A Kantian Perspective, Mojca Kuplen

Contemporary Aesthetics (Journal Archive)

Contemporary discussions of the problem of ugliness in Kant’s aesthetic theory have, to my knowledge, left unexplored the relation of disgust to ugliness. At most, they have explained away disgust as merely an extreme form of ugliness or displeasure, as Guyer did in his interpretation of ugliness in Kant’s aesthetic theory,[1] and by that strayed from the phenomenological and conceptual uniqueness of disgust in comparison to ugliness, while Kant, as I argue, did not. As a matter of fact, careful investigation of the concept of disgust in Kant’s writing will reveal the distinctive and multifaceted character that he ascribed …

Video Games As Mass Art, Grant Tavinor

Contemporary Aesthetics (Journal Archive)

Videogames are one of the most significant developments in the mass arts of recent times. In commercial terms, they are now among the most prominent of the mass arts worldwide. This commercial and cultural success does not exhaust the interest in videogames as a mass art phenomenon because games such as Grand Theft Auto IV and Fallout 3 are structurally radically different from previous forms of mass art. In particular, the ontology of videogames, the nature and identity of their works, and how they are instanced and evaluated is a departure from the familiar mass arts of film and popular …

Philosophical Hermeneutics And The Ethical Function Of Architecture, Paul Kidder

Contemporary Aesthetics (Journal Archive)

Karsten Harries’ book, The Ethical Function of Architecture, raises the question of how architecture can be interpretive of and for our time. Part of Harries’ pursuit of this question is done in dialogue with the philosophy of Martin Heidegger, whose evocatively expressed ontology of building and dwelling recovered, in philosophical and poetic terms, the power of buildings to symbolize and interpret the most fundamental truths of being and human existence. The present essay identifies contributions to this hermeneutic and ontological approach to architecture drawn from the philosophy of Hans-Georg Gadamer, emphasizing Gadamer’s notions of play (Spiel), symbol, and the …

Nothing But A Pack Of Cards: Semi-Fictitious Persons And Flopping Jellyfish In Elizabeth Bowen, Renée C. Hoogland

English Faculty Research Publications

Taking the wildly conflicting critical evaluations of Elizabeth Bowen's final novel, Eva Trout, or Changing Scenes (1969) as its starting-point, this essay argues against 'interpreting' both the novel and its 'monstrous' heroine in conventional representational terms, to argue, instead, for an appreciation, or experience, of both novel and protagonist as instantiations of a process of becoming along Deleuzian lines. Rather than seeing Bowen's final novel as a (failed) attempt to do what the Anglo-Irish writer's previous work would have suggested this text to do as well, the novel and its eponymous heroine are approached as Bowen's rigorously ethical effort to, …

The Border Mural In The Electronic Age: Xican@ Literacy As Rhetorical Agency, José Angel Maldonado

Open Access Theses & Dissertations

The Border Mural in the Electronic Age is a project that responds to blanket statements, not only about a people's literacy (or illiteracy), but to the ways in which we define and measure literacy in the electronic age. In this study, literacy is located on the US-México border, and this specific location serves as the social, political, and economic grounds on which to study the types of literacies used by the local population. A cultural ecology approach is necessary when studying niche literacies, and in today's world, traditional literacies coexist among emergent forms of literacy most likely attributed to technological …

Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz

Open Access Theses & Dissertations

The art world is not one in which much scholarship has been conducted from a communication perspective. As such, this study attempts to add to the very little body of work that exists in the realms of both art and visual rhetoric. Abstract art, such as that of Wassily Kandinsky, is full of meaning despite the fact that it is nonobjective, and therefore considered meaningless. Using a rhetorical method, I argue that by examining the artwork of Wassily Kandinsky in certain contexts, it is possible to discover the meaning embedded in his abstract paintings, in particular his Compositions and Improvisations.

Everyday, Elsewhere: Allegory In Philippine Art, Patrick D. Flores

Contemporary Aesthetics (Journal Archive)

The essay traces certain contexts of the allegorical impulse in Philippine image making and art, specifically as it marks the self-consciousness of the maker of image and art to render time, place, and event legible. It conceives of it as an aesthetic of migration, prefiguring an elsewhere that is aspired to as well as a phantasm of affinity that describes a present condition. The allegorical, therefore, bears the desire to belong to the world, referencing both the critique of coloniality as well as the possibility of transcending it at the very moment of revealing its ethical failure.

The Role Of Westerners In The Conservation Of Legong Dance, Stephen Davies

Contemporary Aesthetics (Journal Archive)

The image of legong-sumtuosly costumed girl dancers crowned with frangiapanis-is the face of Balinese culture. Yet it is only one of twenty dance/drama genres and prominent in only some centers. Legong, a secular court dance, has often been (and still is) in danger of extinction. Balinese are now less interested in legong than ever before and musicians prefer to play other kinds of music.

Since the 1930s, legong has been presented at tourist centers and by ensembles touring overseas. Western expatriates have founded legong groups and generally brokered the relation between Balines and foreigners. Foreign scholars have studied, recorded, and …

Playing With Shadows, Apinan Poshyananda

Contemporary Aesthetics (Journal Archive)

This essay reflects on the practice of the Indonesian artist Heri Dono, whose exhibition in Tokyo in 2000 is the anchor. It probes the cultural contexts in which the contemporary art of Dono plays out, identifying key trajectories that help clarify the concerns of this particular articulation: the locale of Yogyakarta, the mentality of the Javanese, and the device of the puppet presentation or the wayang, which derives from the ancient epics.[1] All this is located within the scheme of an exhibition of contemporary art and rendered in such a way that it conveys a certain aesthetic of hybridity and …

Politics Of Beauty, Ken-Ichi Sasaki

Contemporary Aesthetics (Journal Archive)

I look back at the history of modern aesthetics to grasp its current situation and to propose its possibilities for the future. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. Our contemporary period shares this character, and it is worthwhile for us to consult its history in order to reflect on our civilization. Aesthetics began with Baumgarten’s proposal, which consisted in a triple subject: sensibility, beauty, and art. His idea was accepted because it responded to the fundamental problems of the period. Sensibility was the only form of cognition of …