Aesthetics Commons^™

"Sickness Among The Slaves" Undermining Pathologies Of The African In Olaudah Equiano's The Interesting Narrative, Tara Czechowski

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Index

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

"Neither A Saint, A Hero, Nor A Tyrant", Angelo Costanzo

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Olaudah Equiano African Or American?, Brycchan Carey

1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Fictionalia As Modal Artifacts, Jeffrey C. Goodman

Faculty Scholarship

There is much controversy surrounding the nature of the relation between fictional individuals and possible individuals.  Some have argued that no fictional individual is a possible individual; others have argued that (some) fictional individuals just are (merely) possible individuals.  In this paper, I offer further grounds for believing the theory of fictional individuals defended by Amie Thomasson, viz., Artifactualism, by arguing that her view best allows one to make sense of this puzzling relation.  More specifically, when we realize that the view allows for an identification of merely possible individuals with fictional individuals, we see that the utility, and hence …

Report: The Xviiith International Congress Of Aesthetics- "Diversities In Aesthetics" (Peking University, Beijing, China, 9-13 August 2010), Michael Ranta

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Why Beauty Still Cannot Be Measured, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

This article focuses on the question of whether the latest results achieved in sciences such as evolution studies and brain research can help us understand the nature of aesthetic judgments. It suggests that such approaches may offer interesting insights for understanding many problems in aesthetics, but for clarifying aesthetic judgments one needs a philosophical point of view. Aesthetic judgments cannot be proven right or wrong by scientific methods, and beauty or other aesthetic qualities cannot be directly measured. The “method” of both making and analyzing aesthetic judgments is discussion, and the article clarifies why this is still the case, even …

The Third Tear In Everyday Aesthetics, Katya Mandoki

Contemporary Aesthetics (Journal Archive)

Although totally overlooked by mainstream aesthetic theory, various paths were nevertheless left open for addressing everyday aesthetics, a natural yet surprisingly controversial topic. Why they were never taken until recently, when the theme of everyday aesthetics is now becoming fashionable, can be explained not only by the obvious fact of philosophical aesthetics’ restrictive focal point on art but, among other reasons, by a kind of fetishism that demands an object of recognized value for legitimating an aesthetic inquiry. This new popularity entails, however, certain theoretical risks such as clinging to traditional art-centric and beauty-centric categories to explain the everyday and …

Laurent Stern's Interpretive Reasoning, Mary Wiseman

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Interpretations: Deep, Reasonable, And Free, Paul Guyer

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Nightwatch, Justin Winkler

Contemporary Aesthetics (Journal Archive)

In this essay I examine the features of night, in particular, urban night. I try to highlight the epistemological divide between day and night, light and darkness. Even as light-based experiencing, acting, and thinking, and their cultural tools colonize urban night, nocturnal elements relate dialectically to our daytime reasoning. I conclude with the question of whether a kind of half-tone thinking contained in a trialectic of light, twilight, and darkness would be capable of appreciating the peculiar qualities of night.

The reveries of the weak light guide into the innermost recesses of the familiar. It looks as if there are …

Another One Bites The Dust!, Gabriela Salazar

Contemporary Aesthetics (Journal Archive)

The contemporary landscape is rife with ruins, from circumscribed tourist attractions to urban decay and demolition sites. When examined, our aesthetic experience of these sites ranges from historical distancing to the sublime and, when found in our local communities (e.g., Providence, RI), to discomfort, displacement, and horror. In particular, this paper is interested in how certain forms of demolition, from slow and messy to explosively dramatic, can be understood as compressed and heightened experiences of the traditional sublime ruin. Additionally, as contemporary artists often use the vernacular of the ruin in their work, this paper considers how three artists, Gordon …

The Curatorial Muse, Michael J. Kowalski

Contemporary Aesthetics (Journal Archive)

An appreciation of the tension between the predicate, "to curate," and the subject, "the curator," is essential to understanding the convergence of creation, criticism, and administration in the graphic arts of our time. Curators were ideally positioned to step to the fore when the idea-versus-object dichotomy began to collapse in the work of Duchamp. The roots of activist curating can be found in Western Classical culture. The prevalence of conceptual art at the end of the twentieth century, combined with the explicit denigration of physical craft by artists, created a void into which activist curators moved. The curator's role as …

Sailing The Seas Of Cheese, Erik Anderson

Contemporary Aesthetics (Journal Archive)

Memphis Elvis is cool; Vegas Elvis is cheesy. How come? To call something cheesy is, ostensibly, to disparage it, and yet cheesy acts are some of the most popular in popular culture today. How is this possible? The concepts of cheese, cheesy, and cheesiness play an important and increasingly ubiquitous role in popular culture today. I offer an analysis of these concepts, distinguishing them from nearby concepts like kitchy and campy. Along the way I draw attention to the important roles of cultural/historical context, background knowledge, and especially artist’s intentions as they are relevant to aesthetic assessments involving cheese and …

Musical Presence: Towards A New Philosophy Of Music, Charles Ford

Contemporary Aesthetics (Journal Archive)

Most recent writings about the philosophy of music have taken an analytic or linguistic approach, focusing on terms such as meaning, metaphor, emotions and expression, invariably from the perspective of the individual listener or composer. This essay seeks to develop an alternative, phenomenological framework for thinking about music by avoiding these terms, and by extrapolating from the writings of Hegel, Husserl, and Heidegger. On the basis of discussions of musical time, its multiple levels of matter, and its internal dialectics, the essay presents a particular understanding of “style” as the primary basis for mediation between production and reception. It concludes …

The Value Of Fictional Worlds (Or Why 'The Lord Of The Rings' Is Worth Reading), James Harold

Contemporary Aesthetics (Journal Archive)

Some works of fiction are widely held by critics to have little value, yet these works are not only popular but also widely admired in ways that are not always appreciated. In this paper I make use of Kendall Walton’s account of fictional worlds to argue that fictional worlds can and often do have value, including aesthetic value, that is independent of the works that create them. In the process, I critique Walton’s notion of fictional worlds and offer a defense of the study and appreciation of fictional worlds, as distinguished from the works of fiction with which they are …

Water And Stone: Contemporary Chinese Art And The Spirit Resonance Of The World, Mary Bittner Wiseman

Contemporary Aesthetics (Journal Archive)

My claim that the new art in China operates at the level of matter and gesture, below that of discourse, is twofold. First, much of the art that is being made exemplifies principles articulated by Hsieh Ho (fifth century) and Shih Tao (seventeenth century) and refracted through the changes wrought by Mao in 1949 and Deng in 1979. Through their art, experimental Chinese artists ask what can art be in a world turned upside down, and what can it be to be artist in such a world and, in particular, to be a Chinese artist.

Second, in the course of …

Embodied Cognition As Refutation To Langer's "Illusory Powers": "I Move, Therefore, I Know", Ruby Amanda Montana

Open Access Theses & Dissertations

Thesis Objective: To refute Susanne Langer's notion within her philosophy of dance which holds that emotional forces in dance are solely "virtual" and thus illusory. I plan to do so by means of the growing research in the branch of cognitive science known as Embodied Cognition.

In Brief: Susanne Langer, one of the most prominent philosophers of Aesthetics, contends that dance is able to express emotions as an external force, while creating what she calls a "primary illusion". Langer attributes gesture as the basic abstraction whereby the dance illusion is made and organized. Furthermore, she contends that dance is not …

Media Effects: Cultural Appropriation And Attitudes Towards Cosmetic Surgery, Darlene Shauntanese Lee

Wayne State University Dissertations

The current study investigates media's influence on Caucasian women to culturally appropriate the physical features generally ascribed to African American women through non-surgical and or surgical cosmetic procedures and vice versa. Participants were 26 African American women and 54 Caucasian women who had previously undergone either non-surgical or surgical cosmetic procedures. Results indicate that African American women were more likely to culturally appropriate than Caucasian women. For African American women high media exposure to cosmetic surgery media messages played a significant role in the cultural appropriation process. Results also indicated that Caucasian women culturally appropriate at the same level, whether …

Aesthetics And The Philosophy Of Art, 1840-1900, Gary Shapiro

Philosophy Faculty Publications

The question can be raised whether the category or discipline of philosophical aesthetics existed before the eighteenth century. Unlike "logic:' "ethics:' and "physics:' a traditional Stoic division of philosophy with great staying power, "aesthetics" is clearly a product of modernity. As Paul O. Kristeller demonstrated in "The Modern System of the Arts:' it was in the eighteenth century that the idea of the aesthetic as a distinctive human capacity and the parallel consolidation of the notion of the fine arts crystallized in the writings of (mostly) French, German, and English philosophers and critics. The modern concepts of art and aesthetics …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Interpretation, Sincerity & "Theory", John Gibson

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Home Life: Cultivating A Domestic Aesthetic, Jessica J. Lee

Contemporary Aesthetics (Journal Archive)

Home Life is an exploration of environmental aesthetics as it applies to the domestic realm. I consider Kevin Melchionne’s argument that through notions of taste, grace, and performance, everyday domestic chores can become heightened artistic practices. I argue that this does not go far enough in overcoming the traditional view of art as aesthetically superior to popular or everyday artefacts and practices; rather, it encourages the limitations of traditional aesthetics values within the domestic setting. Through examples, including Pauliina Rautio’s study on laundry, I consider the possibility that domestic practices are made up of actions that are not performed with …