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Articles 1 - 30 of 279
Full-Text Articles in Aesthetics
Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery
Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery
Staff Scholarship - Australia & Dubai
This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.
The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …
Advice For Nonactualists: Embrace Metaphysically Vague Ficta, Jeffrey C. Goodman
Advice For Nonactualists: Embrace Metaphysically Vague Ficta, Jeffrey C. Goodman
Faculty Scholarship
I here critically discuss “the Selection Problem”, a vexing problem for metaphysicians who are realists about fictional entities and who further claim that such entities are identified with nonactualia. The Selection Problem arises due to the fact that the nonactualist is forced to defend the view that ficta are somehow discovered, or selected, by authors who then present them to us so we may entertain their exploits. But how exactly does an author manage this when there are a vast number of eligible candidates to be found in the relevant nonactual realms? I argue that the realist who is also …
Beauty Isn't Always Better: How Salesperson Attractiveness Affects Consumers' Approach Behaviors, Veronica L. Thomas, Stephanie M. Mangus, Dora E. Bock
Beauty Isn't Always Better: How Salesperson Attractiveness Affects Consumers' Approach Behaviors, Veronica L. Thomas, Stephanie M. Mangus, Dora E. Bock
Marketing Faculty Publications
This research examines how a consumer's committed romantic relationship influences their decision to approach an attractive salesperson in a retail environment. To date, the majority of research espouses the benefits of salesperson attractiveness in enhancing consumers' perceptions of the salesperson and the represented retailer. This is problematic because it creates a managerial bias toward attractive salespeople and, as we propose, provides an incomplete view of the effect of salesperson attractiveness on consumers' behavior. Drawing on the interpersonal relationship literature on commitment, we propose that consumers in committed relationships activate relationship-maintenance motives that override the beauty bias when a salesperson's attractiveness …
Early Conceptual Sketches Of Blended Reality And The Precursor To The Bbs Quad (2022), David Smith
Early Conceptual Sketches Of Blended Reality And The Precursor To The Bbs Quad (2022), David Smith
Publications and Research
This document contains two original hand-drawn conceptual sketches created in early 2022, representing the earliest visual formulations of what would later evolve into the Balanced Blended Space (BBS) framework. The drawings predate my first conversations with ChatGPT and were produced as part of my independent sabbatical research into blended environments, mediated performance, and human–machine interaction.
The first drawing examines human–computational mediation, perception, and internal mapping. The second sketch—later referred to informally as the “BBS Quad”—extends this idea by reconciling cognition–computation symmetry with physical–virtual spatial relationships. Published together, these images document the conceptual foundations of the BBS framework prior to its …
Restorationland: The Lost And Found Objects Of Atlanta's Doll's Head Trail, Thomas Fish
Restorationland: The Lost And Found Objects Of Atlanta's Doll's Head Trail, Thomas Fish
Faculty Articles
The Doll’s Head Trail is a grassroots, low-art installation nestled within a Southeast Atlanta wildlife preserve. Constructed by volunteers and visitors from decades of environmental debris, the trail converts waste into folk art-inspired “junk” displays. The creative upcycling ranges from a miniscule shrine to “Toxic Masculinity” to a stark shoe pile commemorating child gun violence. This article details how queer theory’s “temporal turn” provides insights into material performance as collaborative regeneration. The curious vignettes playfully invert hierarchies, revealing the merits of small-time memorialization. Through these defiantly unofficial grassroot performances, the Doll’s Head Trail both remembers and restores community ruins, demonstrating …
Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski
Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski
Publications and Research
Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …
Querying The Ecological Sublime: Colonial Aesthetics, Anticolonial Thought, And The ‘Double Fracture’, Tacuma Peters
Querying The Ecological Sublime: Colonial Aesthetics, Anticolonial Thought, And The ‘Double Fracture’, Tacuma Peters
Publications and Research
This article examines the ecological sublime in its relationship to the history of colonial aesthetics, anticolonial thought, and contemporary colonialism. It argues that, while Edmund Burke utilized the sublime in support of colonialism (including settler colonialism) in North America and colonial slavery, Samson Occom and Ottobah Cugoano developed versions of the sublime to contest British colonialism in the Americas. The history of this aesthetic contestation has not been represented in scholarship on the ecological sublime, which, this article shows, has a vexed relationship with historical and contemporary colonialism. The article argues that the ecological sublime exhibits the “double fracture” of …
Collaborative Ai: Oer Materials For Exploring Ai As A Partner Rather Than A Tool, David Smith
Collaborative Ai: Oer Materials For Exploring Ai As A Partner Rather Than A Tool, David Smith
Open Educational Resources
The Collaborative AI Open Educational Resource (OER) explores how artificial intelligence can act as a creative and analytical collaborator rather than a tool. Centered on the Balanced Blended Space (BBS) framework and the philosophy of the Center for Holistic Integration (CHI), the OER includes curriculum materials, theoretical models, and live research environments. It offers an interesting approach to blending physical, virtual, and conceptual spaces through shared human–AI agency and invites ongoing participation in interdisciplinary meta-projects.
What's The Art In Artificial Intelligence?, Emily Verla Bovino
What's The Art In Artificial Intelligence?, Emily Verla Bovino
Open Educational Resources
This workbook learns from Black and Indigenous artists working with Artificial Intelligence to confront issues of ethics and aesthetics in its technologies. It features guided learning activities with links to publicly available video lectures and online articles, and includes options for experiential learning through both a tutorial in Midjourney and a visit to the public art collection at York College in Jamaica, Queens. Featured artists include: American Artist, Rizvana Bradley, Beth Coleman, Denise Ferreira da Silva, Suzanne Kite, Sondra Perry, Mimi Onuoha and Alisha B. Wormsley. Works by Martin Puryear and Maren Hassinger are explored in the Midjourney exercise.
About …
Reflections On Cover Songs: Replies To Polite, P.D. Magnus
Reflections On Cover Songs: Replies To Polite, P.D. Magnus
Philosophy Faculty Scholarship
Brandon Polite poses a number of interesting criticisms of my account of cover versions. Some I am happy to acknowledge and take on board, but with others I feel he goes too far. I take this chance to clarify and extend my account.
Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison
Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison
Antioch University Dissertations & Theses
This study investigates whether white supremacy structures, embodied in Hollywood’s predominantly white leadership, drive negative portrayals of Black women in 31 mainstream American films from 2009 to 2024. Employing a mixed-methods approach—quantitative content analysis, qualitative content analysis (QCA), and narrative methodology—I code portrayals for racism, patriarchy, heterosexism, colorism, and internalized racism, classifying them as progressive (e.g., empowered roles), regressive (e.g., subservient stereotypes), or hybrid. Guided by Critical Race Theory and intersectionality, the analysis examines narrative structures, character agency, symbolism, and dialogue to uncover intersectional patterns (e.g., race, gender, class) across three periods: 2009–2013, 2014–2018, and 2019–2024. Across these periods, cultural …
The Role Of Disgust In Films: Disgust As An Aesthetically Appreciable Emotion That Enhances The Film’S Other Emotional Effects, Yunyi Zhu
Department of Philosophy: Dissertations, Theses, and Student Research
The goal of this paper is to address the questions: what is the role of disgust in films, or what makes people appreciate a film’s disgusting contents, given that disgust is unpleasant to experience? The films to which I am referring are audiovisual artworks, including both TV shows and movies, that arouse the emotion of disgust and typically have contents that are gory or gross, yet despite their disgusting contents, these films have as a primary goal to present a narrative or an experience rather than merely to disgust or disturb their audiences. This includes various genres of films, from …
Maxine Greene And Relational Imagination: Interrelationality As Discourse In Critical Imagination., Seungho Moon
Maxine Greene And Relational Imagination: Interrelationality As Discourse In Critical Imagination., Seungho Moon
Education: School of Education Faculty Publications and Other Works
Dearest Maxine
Metaphors are your life.
We are strangers as teachers—
we play the Blue Guitar; we
challenge our taken-for-grantedness
and resist “the things as they are”
enthusiastically. I am inspired by you,
my dearest Maxine,
to imagine what might be, what should be.
Digital Frontiers In Aesthetics: Applying Dewey's Insights To Generative Ai, Malcolm F. Lathrop-Allen
Digital Frontiers In Aesthetics: Applying Dewey's Insights To Generative Ai, Malcolm F. Lathrop-Allen
Student Publications
The last few years have seen the emergence of ‘artificially intelligent’ systems en masse, which perform tasks which had previously only been possible by human intelligence. Arguably, the impact of ‘AI 2.0’ has been felt most prominently in the art world — artists have panicked as DALL-E, Midjourney, and other image generation algorithms manufacture pieces which previously required weeks of painstaking labor to create. This project seeks to develop a more critical framework for this novel mode of artistic creation and propose better ways of thinking about, using, and “becoming with” artificial intelligence in the domain of artistry. The first …
Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir
Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir
Philosophy Faculty Scholarship
Art pluralism is the view that there is no single, correct account of what art is. Instead, art is understood through a plurality of art concepts and with considerations that are different for particular arts. Although avowed pluralists have retained the word “art” in their discussions, it is natural to ask whether the considerations that motivate pluralism should lead us to abandon art talk altogether; that is, should pluralism lead to eliminativism? This paper addresses arguments both for and against this move. We ultimately argue that pluralism allows one to retain the word “art”, if one wants it, but only …
Readings In Western Philosophy For Louisiana Learners, Jeff Mclaughlin, Marco Altamarino (Editor), Ryland Johnson (Editor), Peter Klubek (Editor), Michael Martin (Editor)
Readings In Western Philosophy For Louisiana Learners, Jeff Mclaughlin, Marco Altamarino (Editor), Ryland Johnson (Editor), Peter Klubek (Editor), Michael Martin (Editor)
Open Educational Resources
It is important for students not only to get an appreciation and understanding of philosophy but also to be exposed to the very words and ideas of those who have shaped our thinking over the centuries. Accordingly, the title of this collection hints at the facts that these readings are from the original sources and that these philosophers were the originators of many of the issues we still discuss today.
Major areas of philosophy covered here are Ethics, Epistemology, Metaphysics, Philosophy of Religion, Ethics, Sociopolitical Philosophy, and finally, Aesthetics.
Japanese-English Translation: Nishida Kitarō––“Self-Determination Of The Eternal Now” 「永遠の今の自己限定」、西田幾多郎著(昭和六年七月) (July 1931) §1 Of 4; Complete Draft (Supersedes Draft Of 2 Jan 19); Translated By Christopher Southward; Revision And Expansion Underway, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Japanese-English Translation: Nishida Kitarō––“Self-Determination of the Eternal Now” (July 1931) 「永遠の今の自己限定」、西田幾多郎著(昭和六年七月)
§1 of 4; Complete Draft (Supersedes Draft of 2 Jan 2019)
Translated from the Japanese by Christopher Southward; Revision and Expansion Underway, October 2023
The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala
The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala
Independent Study Project (ISP) Collection
As a country historically subjected to French colonialism and currently the site of a burgeoning street art scene, Morocco is a locus for street art that contributes to the decolonial project and deconstruction of remaining colonial structures left by the French. Drawing from Edward Said’s concept of orientalism, the idea of gaze, and bell hooks’s counter concept of oppositional gaze, this paper seeks to understand how Moroccan street artists use their art to challenge the binary opposition between tradition and modernity constructed during the French Protectorate. I will discuss the theme of temporality, because of street art’s ephemeral nature and …
Artistic, Artworld, And Aesthetic Disobedience, Adam Burgos, Sheila Lintott
Artistic, Artworld, And Aesthetic Disobedience, Adam Burgos, Sheila Lintott
Faculty Journal Articles
Jonathan Neufeld proposes a concept of aesthetic disobedience that parallels the political concept of civil disobedience articulated by John Rawls in A Theory of Justice. The artistic transgressions he calls aesthetic disobedience are distinctive in being public and deliberative in their aim to bring about specific changes in accepted artworld norms. We argue that Neufeld has offered us valuable insight into the dynamic and potent nature of art and the artworld; however, we contend that Neufeld errs by constraining aesthetic disobedience to the artworld. Through a reconsideration of the parallel between aesthetic and civil disobedience, we illustrate how aesthetic disobedience …
Dissertation Chapters Underway: 10,000 Shards, Or Opening And Activating Depth: Handicraft, Value, And The Work Of Art (Shards 00000-00001), Christopher Southward, Christopher Southward
Dissertation Chapters Underway: 10,000 Shards, Or Opening And Activating Depth: Handicraft, Value, And The Work Of Art (Shards 00000-00001), Christopher Southward, Christopher Southward
Comparative Literature Faculty and Student Scholarship
Dissertation Chapters Underway: 10,000 Shards, Or Opening and Activating Depth: Handicraft, Value, and the Work of Art (Shards 00000-00001), Christopher Southward
Nonobvious Design, Mark Bartholomew
Nonobvious Design, Mark Bartholomew
Journal Articles
To earn patent protection, a claimed product design must be “nonobvious.” Yet while nonobviousness has been described as “the heart” and “cornerstone” of the utility patent system, in the design patent context, the term has become next to useless. Instead of actually policing nonobviousness in design, modern courts grant patent rights to any work that is not an exact replica of another. The problem, judges maintain, is that comparing one visual design against another demands the use of aesthetic judgment and aesthetic judgment is an instinctual, subjective process incapable of legal definition. Recent neuroscientific studies of aesthetic judgment dispel some …
On The Sublime And Beautiful: Edmund Burke, Ottobah Cugoano, And Reverberations Of Eighteenth-Century Racial Aesthetics, Tacuma Peters
On The Sublime And Beautiful: Edmund Burke, Ottobah Cugoano, And Reverberations Of Eighteenth-Century Racial Aesthetics, Tacuma Peters
Publications and Research
This article examines Edmund Burke and Ottobah Cugoano’s aesthetic thought in relation to eighteenth-century racial slavery. It interrogates their ideas of the sublime and beautiful which contribute to their different political positions on the abolition of slavery: whereas the former advocated the gradual abolition of the slave trade and distant emancipation, the latter sought the immediate abolition of the trade and rapid emancipation. It contends that Burke’s discussions of the sublime and beautiful were racialized, his advocacy of white authority on plantation slavery was rooted in his aesthetics, and his evocation of the Black sublime throughout his long career fit …
“It's So Normal, And … Meaningful.” Playing With Narrative, Artifacts, And Cultural Difference In Florence, Dheepa Sundaram, Owen Gottlieb
“It's So Normal, And … Meaningful.” Playing With Narrative, Artifacts, And Cultural Difference In Florence, Dheepa Sundaram, Owen Gottlieb
Articles
This article considers how player interactions with religious and ethnic markers, create
a globalized game space in the mobile game Florence (2018). Florence is a multiaward-
winning interactive novella game with story-integrated minigames that weave
play experiences into the narrative. The game, in part, explores love, loss, and
rejuvenation as relatable experiences. Simultaneously, the game produces a unique
experience for each player, as they can refract the game narrative through their own
cultural, identitarian lens. The game assumes the shared cultural space of the player,
the player-character (PC), and the non-player-character (NPC) while blurring the
boundaries between each of these …
Appreciating Covers, Cristyn Magnus, P.D. Magnus, Christy Mag Uidhir, Ron Mcclamrock
Appreciating Covers, Cristyn Magnus, P.D. Magnus, Christy Mag Uidhir, Ron Mcclamrock
Philosophy Faculty Scholarship
A recording or performance of a song is a cover if there is an earlier, canonical recording of the song. It can seem intuitive to think that properly appreciating the cover requires considering it in relation to the original, or at least that doing so will yield a deeper appreciation. This intuition is supported by some philosophical accounts of covers. And it is complicated by the possibility of hearing in, whereby one hears elements of the original version in the cover. We argue that it can nevertheless be just as legitimate to consider a cover version on its own …
A Festival Of Form: Score, Anthony Elia
A Festival Of Form: Score, Anthony Elia
Bridwell Library Research
"A Festival of Form" was both an event at Bridwell and Perkins School of Theology and a conceptual piece of music that lasted several days. In this rendering, the "piece of music" was articulated in a fluid combination of activities that included works by other composers, including John Cage. The activities involved--from lectures, conversations, and meals to actual performances of both short works and especially the world-record breaking rendition of "Organ2/ASLSP" played by Christopher Anderson--comprise the entirety of "A Festival of Form" as performance piece. The challenge of this work is that unlike nearly any other music, it is purposely …
Art Concept Pluralism Undermines The Definitional Project, P.D. Magnus, Christy Mag Uidhir
Art Concept Pluralism Undermines The Definitional Project, P.D. Magnus, Christy Mag Uidhir
Philosophy Faculty Scholarship
This discussion note addresses Caleb Hazelwood’s ‘Practice-Centered Pluralism and a Disjunctive Theory of Art.’ Hazelwood advances a disjunctive definition of art on the basis of an analogy with species concept pluralism in the philosophy of biology. We recognize the analogy between species and art, we applaud attention to practice, and we are bullish on pluralism— but it is a mistake to take these as the basis for a disjunctive definition.
The Puzzle Of Fictional Resemblance, Jeffrey C. Goodman
The Puzzle Of Fictional Resemblance, Jeffrey C. Goodman
Faculty Scholarship
This paper discusses a puzzle, the heart of which is this question: How is it that real individuals can resemble fictional individuals? It seems that any answer given by one who has taken a stand on the ontology of fictional individuals will come with significant drawbacks. An Anti-Realist will have to explain, or explain away, the apparent truth of our positive assertions of resemblance, while a Realist will have to explain how we are to understand resemblance in light of either the further claim that fictional characters are not associated with properties in the same way real individuals are, or …
Fictional Universal Realism, Jeffrey C. Goodman
Fictional Universal Realism, Jeffrey C. Goodman
Faculty Scholarship
Certain realists about properties and relations identify them with universals. Furthermore, some hold that for a wide range of meaningful predicates, the semantic contribution to the propositions expressed by the sentences in which those predicates figure is the universal expressed by the predicate. I here address ontological issues raised by predicates first introduced to us via works of fiction and whether the universal realist should accept that any such predicates express universals. After discussing the lines of reasoning given by Braun (2015) and Sawyer (2015) for fictional universal anti-realism, I propose a novel, Kripke-inspired argument for the same. I ultimately …
Actualization Through Constraint: An Analysis Of Hegelian Self- Consciousness In Fascism- Exclusionary Expression And In Modular Orchestral Composition, Marisa Kaye Janke
Actualization Through Constraint: An Analysis Of Hegelian Self- Consciousness In Fascism- Exclusionary Expression And In Modular Orchestral Composition, Marisa Kaye Janke
2022 Symposium
How does a conscious entity become aware of itself and its place in the world? According to German Idealist Philosopher G.F.W. Hegel, there are required conditions that facilitate this movement of awareness. Recognition serves as a central requirement, for a consciousness cannot progress in an isolated space. Coexistence allows for referential points, and is often necessary for the actualization of concepts by providing social interactions wherein recognition both of and by others can occur.
This paper illustrates the progression of two such concepts, discourse and musical composition as forms of freedom “in-itself”. They are both imperfect for the promotion of …
Seeing Through The Aesthetic Worldview, Andrew Lambert
Seeing Through The Aesthetic Worldview, Andrew Lambert
Publications and Research
Examines the various ways in which the Chinese intellectual tradition has been characterized as an 'aesthetic tradition'. In particular, this paper explores Roger Ames’ and David Hall’s claim that the classical Confucian tradition is an aesthetic tradition, comprising an aesthetic order.