Aesthetics Commons^™

Will Beauty Save The Brain? Exploring The Relationship Between Eudaimonic Reels Exposure And Egyptian Gen Z'S Mind And Motivations, Petra Zaky

Theses and Dissertations

Social media entertaining content includes a mixed bag of the meaningful and the trivial. For Generation Z, whose favorite daily entertainment is shallow yet funny short-form videos (reels), there is often an invisible price paid. The loss of ability to watch long meaningful videos, distractedness from self, “Brain Rot”, glamorizing of hedonism are among the maladies left behind the attractive rabbit hole of their daily media diet. This study explores the relationship between exposure to meaningful reels, in contrast to pleasurable reels, and Gen Z’s reflective thinking, “Brain Rot” symptoms, motivation to watch long meaningful videos and life motivations between …

Initial Type Craft, Micah Angelus

Theses and Dissertations

What kinds of objects can still think when the self-contained aesthetic object can no longer be taken for granted? The historical ruptures that have placed painting under crisis have also brought into view the fallacy of artistic autonomy, raising questions about how value, contemplation, and meaning persist under conditions of deconstruction.

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Ontological Exhaustion And Metabolic Affect, Katelyn Reece Farstad

Theses and Dissertations

Ontological Exhaustion and Metabolic Affect explores the artistic practice of Katelyn Reece Farstad through the logic, physiology, and spiritual symbolism of the housefly. This body of work draws from personal experience with neurological trauma, mapping how perception fractures, reorients, and reforms in the wake of psychic rupture. The housefly—erratic, hyper-attuned, maligned—becomes both method and metaphor. Its larval state mirrors the latency of neuroplastic healing; its compound vision reflects perceptual multiplicity; its obsessive return to sites of decay parallels the recursive nature of memory and loss.

Working across sculpture and painting, I metabolize found objects and sensory residues into forms that …

Voice As Dual Striving: Spiritual Resonance And Psychological Negotiation In South Indian Musical Practices, Ramya Thiyagarajan

Theses and Dissertations

This thesis explores the intricate dynamics of voice within South Indian musical traditions, examining it as both a spiritual medium resonating with the divine concept of Nāda-Brahman and a psychological instrument navigating modernity, identity, and cultural hybridity. Employing the Self-Rasa-Chakra framework, derived from Upanishadic and tantric philosophies, alongside autoethnographic narratives and case studies, it investigates how the voice serves as a site of striving. Through an interdisciplinary lens combining ethnomusicology, psychoanalysis, and sound studies, this research delves into the paradox of voice: its role in sacred surrender within Carnatic music, juxtaposed against its individualistic expression in contemporary independent music. Case …

The Principles Of Islamic Moral Philosophy And The Possibility Of Re-Conceptualizing Classical Islamic Aesthetics Of Architecture, Muhammad Feteha

Theses and Dissertations

This study is primarily concerned with the intersection of the moral and aesthetic theories of Abū Ḥāmid al-Ghazālī (d. 1111). Al-Ghazālī’s theory of aesthetics has been the subject of thorough scholarly investigations and diverse interpretations in the field of Islamic art history since the 1940s. This thesis critiques the premises upon which the use of al-Ghazālī’s writings in studies of Islamic art and architecture were built. It suggests that they lead to what could be described as “the contradiction of unethical beauty.” To overcome this contradiction, it offers a comprehensive interpretation of al-Ghazālī’s aesthetics through analyzing the concept ḥusn in …

Victim/Perpetrator, David D. Moy

Theses and Dissertations

Throughout this text, David Moy will discuss the inner working of his investigation on image overload and materialization. Through tactics of blurring, erasure, and layering he achieves obfuscation in his printed media. In doing so, he questions the compounding nature of image/text that negate themselves in the larger context of time in the digital age.

In Praise Of Dust, Hasler Gomez-Perez

Theses and Dissertations

A desire path is a physical manifestation of where a system has failed, but also where it has been refused, where a new path has been made. The wake exists in the post, it is not a singular, untethered event, but a subtle double entendre that lives in the post-death, but also in the pre-life—not a liminal limbo, but a superposition of dying and waking.

This collection was assembled and composed over the course of two years as I navigated my practice, myself, and others. Present here are my thoughts, my experiences, and in many ways my beliefs. IN PRAISE …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

An Ambiguous Hermeneutic: Doubleness In Ingmar Bergman’S Quest For Self, Ingy Aziz

Theses and Dissertations

One of the functions of art in all its forms is to provide the means for self-exploration and, in this way, to enable us to relate cultural representation to the question of meaning. The beauty of cinematic art is that it gives voice to our deepest and most profound concerns and enables us to bridge the gap between personal psychology and public understanding. As interpreters, we do not always unearth the answers that we seek, but we certainly gain more insight through delving into the minds of major filmmakers in the canon of modern cinema. This thesis is on the …

An Arbitrary Aesthetic: Cultural Reproduction And Hegemonic Canonical Formations In The Western Theatrical Academy, Sim C. Rivers

Theses and Dissertations

Theatre as an artistic practice has often been celebrated as an art of and for the people, being a modality that in theory the common person has access to learn, explore and experience. In recent years I have become preoccupied with the growing rarification and privileging of this art form, particularly in how it is cognized and taught in the academic world. As such, I set out to investigate the mechanisms at work at levels structural, artistic, and personal that determine how theatre is taught and understood within the western academy.

This thesis seeks to examine and unpack the perceived …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Dust, Mist, Haze, Michael C. Tracy

Theses and Dissertations

This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.

“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin

Theses and Dissertations

This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson

Theses and Dissertations

This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them …

An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman

Theses and Dissertations

This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.

Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon

Theses and Dissertations

This writing situates material and gestural vocabularies cultivated in my artwork in relation to my lived experience; primarily my rural upbringing in Colorado. Scattered floor dispersals, calling sounds, and bodily movements desire reconsiderations of hope in precarity through a disorientation of place, association, scale, and language.

Difficult Paintings, Hao (Damien) Ding

Theses and Dissertations

The sublime as a concept has a fraught and racist history. However, it remains the single most helpful idea in describing the deeply felt state of being when one comes across something ineffably powerful. From an art-making perspective, this thesis, and the accompanying exhibition of installations and paintings, proposes an alternative construction of the concept of the sublime. Using Lacanian psychoanalysis as a conceptual point of departure, a painter can manipulate the relationship of the viewer and paintings to create paradoxical moments of simultaneous intimacy and distance, which interact to create an alternative path towards the sublime. Through descriptions of …

Earth Tone Sigh Spell, Martha Glenn

Theses and Dissertations

A written accompaniment to the artist’s thesis exhibition titled Earth Tone Sigh Spell, conceived during the years 2020-21 and installed at The Anderson Gallery, Richmond from May 1–15, 2021.

The following thesis explores themes of personal memory, geo-theory, myth, symbol, and historical event. The artist uses research and stream of consciousness writing methods as a way to weave these concepts together and tie them back to her own practice with installation, sculpture, and new media.

Enclosures And Dichotomies: Coexistence Vs. Distance In The Poems Of John Clare, Jordan P. Finn

Theses and Dissertations

John Clare’s poetry emphasizes an affinity with environment by suspending the distinction between the inside (subject) and the outside (object). Clare’s identification with objects and perception rather than subjects and aesthetics renders his work as a prescient and radical example of ecological poetry in the Romantic period. Raymond Williams’ “green language” and Timothy Morton’s ambient poetics both cite Clare as an ideal figure for their above theories and evoke Clare as a writer who positions the environment as governing thought rather than thought governing the environment. This thesis especially relates Clare to Morton’s Ecology without Nature, a study of …

Epic Stories: Sequence Fiction, Young Readers, And The Aesthetics Of World Building, Jordana Estelle Hall

Theses and Dissertations

This study theorizes the world building processes that sequence fiction engages within a framework of intratextual structuralism and cognitive aesthetic stage theory. The study begins with an interdisciplinary overview of fictional and possible worlds theory before proposing a structural adaptation of this lens that explains the developmental, aesthetic benefits of the genre for young readers. Chapter II is an application of the adapted lens to a canonical epic, the His Dark Materials sequence by Philip Pullman. I interpret the intentional structure of the story world across novels to discuss how these engage readers at different aesthetic milestones and encourage a …

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

Other Than The Sum Of Our Parts, Matt Teravest

Theses and Dissertations

The paintings presented here are visual explorations of psychological states. The paintings are composed using extreme closeups and limited or omitted background space in order to make microcosmic worlds of the subjects. In the early stages of creating these images, I engage my models in the creative process in order to attain a higher level of authenticity. Drawing from various art historical and cultural traditions, I have adopted the hand as an important symbol in these paintings. Using multiple hands in each image contributes to emotional expression and alludes to the simultaneous existence of multiple potential states of being. Wide …

Recovery From Design, Cassandra J. Ellison

Theses and Dissertations

Through research, inquiry, and an evaluation of Recovery By Design, a ‘design therapy’ program that serves people with mental illness, substance use disorders, and developmental disabilities, it is my assertion that the practice of design has therapeutic potential and can aid in the process of recovery. To the novice, the practices of conception, shaping form, and praxis have empowering benefit especially when guided by Conditional and Transformation Design methods together with an emphasis on materiality and vernacular form.

Catching All Passions In His Craft Of Will: Portraits And Pater In Oscar Wilde’S “The Portrait Of Mr. W. H.”, Rebecca E. Jones

Theses and Dissertations

This thesis examines Oscar Wilde’s “The Portrait of Mr. W. H.” as the product of Wilde’s long interest in critic Walter Pater’s literature and scholarship. From its first iteration published in 1889, through Wilde’s ongoing revision and expansion into the version commonly anthologized today, “The Portrait of Mr. W. H.” is an evolving work that mirrors Wilde’s enduring relationship with the art and ideas of his former teacher. This relationship is explored in three contexts: Pater’s contribution to Wilde’s understanding of the Renaissance period; the steady influence of Pater’s ideas and persona on Wilde’s other major works from the period …