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Aesthetics Commons

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Articles 1 - 5 of 5

Full-Text Articles in Aesthetics

Graff' And The City: Towards A Socially Conscious Aesthetic Theory Of Graffiti, Eric Chavez Jan 2017

Graff' And The City: Towards A Socially Conscious Aesthetic Theory Of Graffiti, Eric Chavez

Open Access Theses & Dissertations

Art is one of the most universal and oldest human activities; it is a human impulse rather than a skill. The invention of art and language occurred about 30,000 to 70,000 years ago. This “cognitive revolution”, going from homo sapiens to homo sapien sapiens, gave us the imaginative powers of language and art. No society as far as we know of thus far has been able to live without some form of art. Yet its exact definition is hard to jot down, much less explain. Art’s constant movement, transformations, its disappearances/reappearances, and even its proclaimed “death” throughout history has always …


Through The Eyes Of The Dead Others, Isaac Aaron Ceniceros Jan 2014

Through The Eyes Of The Dead Others, Isaac Aaron Ceniceros

Open Access Theses & Dissertations

I use Edith Wyschogrod's figure of the heterological historian to argue that we have a responsibility to learn from the "dead others" of the past in order to better apply in practical ways the lessons we learn from history. I draw on an interpretation of Nietzsche's view on historiography, to examine the claims of Hegel's dialectic, namely, that the Ideal Absolute for which Spirit pines, is actually achievable, particularly through the advent of the Internet. Beginning with a relatively well-known interpretation of Hegel's philosophy of history, Fukuyama's, I show how Hegel's dialectic takes shape in Fukuyama's interpretation as a negative …


The Border Mural In The Electronic Age: Xican@ Literacy As Rhetorical Agency, José Angel Maldonado Jan 2011

The Border Mural In The Electronic Age: Xican@ Literacy As Rhetorical Agency, José Angel Maldonado

Open Access Theses & Dissertations

The Border Mural in the Electronic Age is a project that responds to blanket statements, not only about a people's literacy (or illiteracy), but to the ways in which we define and measure literacy in the electronic age. In this study, literacy is located on the US-México border, and this specific location serves as the social, political, and economic grounds on which to study the types of literacies used by the local population. A cultural ecology approach is necessary when studying niche literacies, and in today's world, traditional literacies coexist among emergent forms of literacy most likely attributed to technological …


Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz Jan 2011

Kandinsky's Nonrepresentational Art: Finding Meaning Through Aesthetic Experience, Kandice Nikkole Diaz

Open Access Theses & Dissertations

The art world is not one in which much scholarship has been conducted from a communication perspective. As such, this study attempts to add to the very little body of work that exists in the realms of both art and visual rhetoric. Abstract art, such as that of Wassily Kandinsky, is full of meaning despite the fact that it is nonobjective, and therefore considered meaningless. Using a rhetorical method, I argue that by examining the artwork of Wassily Kandinsky in certain contexts, it is possible to discover the meaning embedded in his abstract paintings, in particular his Compositions and Improvisations.


Embodied Cognition As Refutation To Langer's "Illusory Powers": "I Move, Therefore, I Know", Ruby Amanda Montana Jan 2010

Embodied Cognition As Refutation To Langer's "Illusory Powers": "I Move, Therefore, I Know", Ruby Amanda Montana

Open Access Theses & Dissertations

Thesis Objective: To refute Susanne Langer's notion within her philosophy of dance which holds that emotional forces in dance are solely "virtual" and thus illusory. I plan to do so by means of the growing research in the branch of cognitive science known as Embodied Cognition.

In Brief: Susanne Langer, one of the most prominent philosophers of Aesthetics, contends that dance is able to express emotions as an external force, while creating what she calls a "primary illusion". Langer attributes gesture as the basic abstraction whereby the dance illusion is made and organized. Furthermore, she contends that dance is not …