Aesthetics | Open Access Articles | Digital Commons Network™

[Review Of] La Estética De Lo Mínimo: Ensayos Sobre Microrrelatos Mexicanos, Ed. Pablo Brescia, Cheyla Samuelson Oct 2016

[Review Of] La Estética De Lo Mínimo: Ensayos Sobre Microrrelatos Mexicanos, Ed. Pablo Brescia, Cheyla Samuelson

Faculty Publications

A review of Brescia, Pablo, ed. La estética de lo mínimo: Ensayos sobre microrrelatos mexicanos. Guadalajara: Universidad de Guadalajara, 2013. 166 pp.

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Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden Jul 2016

Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden

Faculty Publications

The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …

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Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy Jan 2015

Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy

Faculty Publications

How does Richard Shusterman’s Thinking Through the Bodyapply to the issues of everyday aesthetics? As it turns out, many chapters contribute significantly to everyday aesthetics, in particular the work on architecture, self-styling, the body as background, lovemaking, and the process of making a photographic portrait. Shusterman’s concentration on the art of living has special importance to everyday aesthetics. Current debates within the field of everyday aesthetics also raise problems for somaesthetics. I also question the limits of somaesthetics and Shusterman’s rejection of defamiliarization in making the ordinary extraordinary.

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Anti-Essentialism, Tom Leddy Jan 2014

Anti-Essentialism, Tom Leddy

Faculty Publications

From the late nineteenth century to the 1950s one of the main foci of aesthetic inquiry was the attempt to develop definitions of art and such related concepts as visual art, music, tragedy, beauty, and metaphor. Clive Bell (1958) famously stated that either all works of visual art have some common quality or when we speak of “work of art” we speak nonsense. DeWitt H. Parker (1939) argued more generally that the assumption underlying every philosophy of art is the existence of some common nature present in all the arts. This search for a common quality or nature …

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Everyday Aesthetics And Photography, Tom Leddy Jan 2014

Everyday Aesthetics And Photography, Tom Leddy

Faculty Publications

Everyday aesthetics as a new subdiscipline within aesthetics benefits by constantly going back to and borrowing from earlier theorists, even those who were primarily concerned with the aesthetics of art. To that end, I will begin my discussion of everyday aesthetics and photography with a look at that classic formalist aesthetician from the beginning of the 20th century, Clive Bell (1958). Bell was notoriously very negative about photography. He basically saw photographs as mechanical imitations of reality. He also famously criticized illustrative or descriptive painting for doing what photography can do better. One of the problems he had with people …

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Article Review. Everyday Aesthetics By Yuriko Saito, Tom Leddy Feb 2009