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Articles 1 - 9 of 9
Full-Text Articles in Aesthetics
Retranslation And Interpellation, Andrew Brooks
Retranslation And Interpellation, Andrew Brooks
Living in Languages
No abstract provided.
Appreciating Covers, Cristyn Magnus, P.D. Magnus, Christy Mag Uidhir, Ron Mcclamrock
Appreciating Covers, Cristyn Magnus, P.D. Magnus, Christy Mag Uidhir, Ron Mcclamrock
Philosophy Faculty Scholarship
A recording or performance of a song is a cover if there is an earlier, canonical recording of the song. It can seem intuitive to think that properly appreciating the cover requires considering it in relation to the original, or at least that doing so will yield a deeper appreciation. This intuition is supported by some philosophical accounts of covers. And it is complicated by the possibility of hearing in, whereby one hears elements of the original version in the cover. We argue that it can nevertheless be just as legitimate to consider a cover version on its own …
Genres, Communities, And Practices, Evan Malone
Genres, Communities, And Practices, Evan Malone
Legacy Theses & Dissertations (2009 - 2024)
In this dissertation, I defend a communitarian, practice-based, theory of genre and aesthetic value. I argue that theories of aesthetic value and art ontology within analytic philosophy have been too focused on the intentions of individual artists, the features of individual works, and the aesthetic experience of individual audience members. Accordingly, philosophical accounts of genre also follow this model. However, taking genre seriously means recognizing that they are social categories. If this is right, then philosophy of art ought to pay closer attention to the ways in which genres (as social categories) mediate aesthetic practices, values, and concepts. By thinking …
Art Concept Pluralism Undermines The Definitional Project, P.D. Magnus, Christy Mag Uidhir
Art Concept Pluralism Undermines The Definitional Project, P.D. Magnus, Christy Mag Uidhir
Philosophy Faculty Scholarship
This discussion note addresses Caleb Hazelwood’s ‘Practice-Centered Pluralism and a Disjunctive Theory of Art.’ Hazelwood advances a disjunctive definition of art on the basis of an analogy with species concept pluralism in the philosophy of biology. We recognize the analogy between species and art, we applaud attention to practice, and we are bullish on pluralism— but it is a mistake to take these as the basis for a disjunctive definition.
Aesthetic Education In The Anthropocene, Nathaniel Williams
Aesthetic Education In The Anthropocene, Nathaniel Williams
Legacy Theses & Dissertations (2009 - 2024)
This big picture study wrestles with the environmental crisis and the digital revolution, two grand themes of our century. Their grand scale is evident in their global significance, which we can anticipate will only grow in coming decades. Will these collective developments be met in such a way that democracy and individuality can be expanded and preserved? This study contributes to this query, offering a new articulation of aesthetic education that draws on a discourse reaching back to Friedrich Schiller, while incorporating many contemporary theorists. The study suggests that the environmental crisis and the digital revolution are creating a perfect …
Idealist And Materialist Approaches To Abolition In Uncle Tom's Cabin And The Daughter Of Adoption, Jillian Shea
Idealist And Materialist Approaches To Abolition In Uncle Tom's Cabin And The Daughter Of Adoption, Jillian Shea
Legacy Theses & Dissertations (2009 - 2024)
Sentimentalism was a popular aesthetic, moral, political, and literary movement in the 18th and 19th centuries in the United States and England, and both Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) and John Thelwall’s The Daughter of Adoption (1801) use sentimentalism in their attempts to advocate for the abolition of slavery. Scholars such as Lauren Berlant critique sentimentalism, specifically Stowe’s use of sentimentalism, for its potential to make structural problems appear as if they can be assuaged by personal change, and I situate this understanding of sentimentalism within an idealist framework, or a framework that primarily emphasizes subjectivity’s role in …
That Some Of Sol Lewitt’S Later Wall Drawings Aren’T Wall Drawings, P.D. Magnus
That Some Of Sol Lewitt’S Later Wall Drawings Aren’T Wall Drawings, P.D. Magnus
Philosophy Faculty Scholarship
No abstract provided.
Kind Of Borrowed, Kind Of Blue, P.D. Magnus
Kind Of Borrowed, Kind Of Blue, P.D. Magnus
Philosophy Faculty Scholarship
In late 2014, the jazz combo Mostly Other People Do the Killing released "Blue", an album which is a note-for-note remake of Miles Davis' 1959 landmark album "Kind of Blue". MOPDtK (to abbreviate the band's cumbersome name) transcribed all of the solos and performed them with meticulous care so as to produce a recorded album that replicates, as much as they could, the sound of the original. This is a thought experiment made actual, the kind of doppelgänger which philosophers routinely just imagine. I explore some of the ontological and aesthetic puzzles which the album poses. I argue that what …
Illusion In The Commonplace : Reinterpreting Ernst Gombrich's Concept Of Illusion, Jonathan Auyer
Illusion In The Commonplace : Reinterpreting Ernst Gombrich's Concept Of Illusion, Jonathan Auyer
Legacy Theses & Dissertations (2009 - 2024)
In the dissertation I analyze and interpret Ernst Gombrich's book Art and Illusion, focusing on his view that illusion is involved in pictorial representation. Since Gombrich never gave a concise, systematic account of illusion, my goal will be to fill this void by using the text of Art and Illusion as well as Gombrich's subsequent writings in order to present a coherent account of how illusion might play a role in a picture's representing an object.