Philosophy Commons^™

The Problem Of Cinematic Imagination, Rafe Mcgregor

Contemporary Aesthetics (Journal Archive)

The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to propose a satisfactory solution. In part one I analyze the respective claims of Dominic McIver Lopes and Roger Scruton, both of whom question the scope of imagination in film, when compared to other art forms, on the basis of its perceptual character. In order to address these concerns I develop a hybrid of Gregory Currie’s model of cinematic imagination and Kendall Walton’s theory of make-believe in section two. Section three offers a reply to Lopes and Scruton, examining the problem in terms of …

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

A New Problem For Aesthetics, Kevin Melchionne

Contemporary Aesthetics (Journal Archive)

The essay introduces the problem of aesthetic unreliability, the variety of ways in which it is difficult to grasp our aesthetic experience and the consequent confusion and unreliability of what we take as our taste.

Philosophical Hermeneutics And The Ethical Function Of Architecture, Paul Kidder

Contemporary Aesthetics (Journal Archive)

Karsten Harries’ book, The Ethical Function of Architecture, raises the question of how architecture can be interpretive of and for our time. Part of Harries’ pursuit of this question is done in dialogue with the philosophy of Martin Heidegger, whose evocatively expressed ontology of building and dwelling recovered, in philosophical and poetic terms, the power of buildings to symbolize and interpret the most fundamental truths of being and human existence. The present essay identifies contributions to this hermeneutic and ontological approach to architecture drawn from the philosophy of Hans-Georg Gadamer, emphasizing Gadamer’s notions of play (Spiel), symbol, and the …

Affirming Difference: Everyday Aesthetic Experience After Phenomenology, Wood Roberdeau

Contemporary Aesthetics (Journal Archive)

This article explores the complex relationships among two different types of critique, the socio-temporal zone known as "everyday life" and the moment of the encounter by those who are encountering art works. It proceeds with a close study of the phenomenology of Maurice Merleau-Ponty and Mikel Dufrenne, and tests their key concepts against generalized contemporary art practices that question a model of the traditional aesthetic experience by suggesting the possibility that within the expanse of postmodernity such a paradigm has shifted, (although it is not completely irretrievable). The paper argues that this shift has been achieved by remobilizing readymade objects …

Video Games As Mass Art, Grant Tavinor

Contemporary Aesthetics (Journal Archive)

Videogames are one of the most significant developments in the mass arts of recent times. In commercial terms, they are now among the most prominent of the mass arts worldwide. This commercial and cultural success does not exhaust the interest in videogames as a mass art phenomenon because games such as Grand Theft Auto IV and Fallout 3 are structurally radically different from previous forms of mass art. In particular, the ontology of videogames, the nature and identity of their works, and how they are instanced and evaluated is a departure from the familiar mass arts of film and popular …

Disgust And Ugliness: A Kantian Perspective, Mojca Kuplen

Contemporary Aesthetics (Journal Archive)

Contemporary discussions of the problem of ugliness in Kant’s aesthetic theory have, to my knowledge, left unexplored the relation of disgust to ugliness. At most, they have explained away disgust as merely an extreme form of ugliness or displeasure, as Guyer did in his interpretation of ugliness in Kant’s aesthetic theory,[1] and by that strayed from the phenomenological and conceptual uniqueness of disgust in comparison to ugliness, while Kant, as I argue, did not. As a matter of fact, careful investigation of the concept of disgust in Kant’s writing will reveal the distinctive and multifaceted character that he ascribed …

Virtual Dance And Motion-Capture, Marc Boucher

Contemporary Aesthetics (Journal Archive)

A general view of various ways in which virtual dance can be understood is presented in the first part of this article. It then appraises the uses of the term “virtual” in previous studies of digital dance. A more in-depth view of virtual dance as it relates to motion-capture is offered, and key issues are discussed regarding computer animation, digital imaging, motion signature, virtual reality and interactivity. The paper proposes that some forms of virtual dance be defined in relation to both digital technologies and contemporary theories of virtuality.

City Walks And Tactile Experiences, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

This paper is an attempt to develop categories of the pedestrian’s tactile and kinaesthetic experience of the city. The beginning emphasizes the haptic qualities of surfaces and textures, which can be “palpated” visually or experienced by walking. Also the lived city is three-dimensional; its corporeal depth is discussed here in relation to the invisible sewers, protuberant profiles, and the formal diversity of roofscapes. A central role is ascribed in the present analysis to the formal similarities between the representation of the city by walking through it and the representation of the tactile form of objects. Additional aspects of the “tactile” …

Editorial Note

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Introduction, Ananta Sukla

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Everyday, Elsewhere: Allegory In Philippine Art, Patrick D. Flores

Contemporary Aesthetics (Journal Archive)

The essay traces certain contexts of the allegorical impulse in Philippine image making and art, specifically as it marks the self-consciousness of the maker of image and art to render time, place, and event legible. It conceives of it as an aesthetic of migration, prefiguring an elsewhere that is aspired to as well as a phantasm of affinity that describes a present condition. The allegorical, therefore, bears the desire to belong to the world, referencing both the critique of coloniality as well as the possibility of transcending it at the very moment of revealing its ethical failure.

The Grid And The Nomadic Line In The Art Of Phaptawan Suwannakudt, Flaudette V. May Datuin

Contemporary Aesthetics (Journal Archive)

Inspired by Thomas Lamarre’s deployment of Deleuze and Guattari’s “nomadic line” in his analysis of Heian calligraphy, this essay hopes to demonstrate how the Thai artist, Phaptawan Suwannakudt, drawing on a deeply internalized feeling for form in Buddhist painting, moves us to go beyond sight and surface appearances by creating through gestures, sensations and inscriptions zones of disruption, disorientation, departures, and arrivals.

The Role Of Westerners In The Conservation Of Legong Dance, Stephen Davies

Contemporary Aesthetics (Journal Archive)

The image of legong-sumtuosly costumed girl dancers crowned with frangiapanis-is the face of Balinese culture. Yet it is only one of twenty dance/drama genres and prominent in only some centers. Legong, a secular court dance, has often been (and still is) in danger of extinction. Balinese are now less interested in legong than ever before and musicians prefer to play other kinds of music.

Since the 1930s, legong has been presented at tourist centers and by ensembles touring overseas. Western expatriates have founded legong groups and generally brokered the relation between Balines and foreigners. Foreign scholars have studied, recorded, and …

Icon And Image In Modern Thai Art: A Preliminary Exploration, John Clark

Contemporary Aesthetics (Journal Archive)

Thai modern art is marked by the actual deployment of religious or august symbolic icons or the quasi-iconic use of images of variable indexicality in otherwise highly secular contexts. What were the sources for such modern uses and have the semiotic functions of icons shifted? To answer these questions, at least partially, religious functions for images are examined by tracking the use of court images and Buddhist figures.

Playing With Shadows, Apinan Poshyananda

Contemporary Aesthetics (Journal Archive)

This essay reflects on the practice of the Indonesian artist Heri Dono, whose exhibition in Tokyo in 2000 is the anchor. It probes the cultural contexts in which the contemporary art of Dono plays out, identifying key trajectories that help clarify the concerns of this particular articulation: the locale of Yogyakarta, the mentality of the Javanese, and the device of the puppet presentation or the wayang, which derives from the ancient epics.[1] All this is located within the scheme of an exhibition of contemporary art and rendered in such a way that it conveys a certain aesthetic of hybridity and …

Taking Art Personally: Austin, Performatives And Art, David Goldblatt

Contemporary Aesthetics (Journal Archive)

This paper is an attempt to apply speech act theory to aesthetics. In particular, it purports to be a contribution to reception theory by drawing attention to certain similarities between the contextual structure of performatives and the structure of the reception of art. It hopes to locate the auditor or spectator of artworks in what J. L. Austin calls “the total context” to help explain how certain aspects of artworks can be taken personally, somehow being about and seemingly directed at “me.” It is one way the so-called paradox of fiction can be by-passed by showing how the emotive aspects …

Politics Of Beauty, Ken-Ichi Sasaki

Contemporary Aesthetics (Journal Archive)

I look back at the history of modern aesthetics to grasp its current situation and to propose its possibilities for the future. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. Our contemporary period shares this character, and it is worthwhile for us to consult its history in order to reflect on our civilization. Aesthetics began with Baumgarten’s proposal, which consisted in a triple subject: sensibility, beauty, and art. His idea was accepted because it responded to the fundamental problems of the period. Sensibility was the only form of cognition of …

Stories In Pictures (And Non-Pictorial Objects): A Narratological And Cognitive Psychological Approach, Michael Ranta

Contemporary Aesthetics (Journal Archive)

Narratological studies have frequently focused upon linguistic structures, considered to be paradigmatic cases of narrativity, while pictorial signs, such as icons and symbols or indices, have received comparably much less attention. In this paper, however, some basic and regularly occurring narrative aspects of pictures and non-pictorial objects will be presented and discussed.

Aura, Self, And Aesthetic Experience, Marshall Battani

Contemporary Aesthetics (Journal Archive)

Aesthetic experiences are generated in encounters with cultural objects and such experiences are marked by the free play of cognitive and numinous experience unstructured by concepts. Kant’s famous three types of pleasure, made infamous in social theory by Pierre Bourdieu, are examined in relation to the critical theoretical concept of aura, the social psychology of “flow,” and cognitive explanations of perception to explain experience in aesthetic fields. Theories of aesthetic experience developed at the crossroad of critical social thought and cognitive science hold promise for a social analysis able to avoid the usual sociological pitfalls of either ignoring aesthetics or …

Another One Bites The Dust!, Gabriela Salazar

Contemporary Aesthetics (Journal Archive)

The contemporary landscape is rife with ruins, from circumscribed tourist attractions to urban decay and demolition sites. When examined, our aesthetic experience of these sites ranges from historical distancing to the sublime and, when found in our local communities (e.g., Providence, RI), to discomfort, displacement, and horror. In particular, this paper is interested in how certain forms of demolition, from slow and messy to explosively dramatic, can be understood as compressed and heightened experiences of the traditional sublime ruin. Additionally, as contemporary artists often use the vernacular of the ruin in their work, this paper considers how three artists, Gordon …

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Water And Stone: Contemporary Chinese Art And The Spirit Resonance Of The World, Mary Bittner Wiseman

Contemporary Aesthetics (Journal Archive)

My claim that the new art in China operates at the level of matter and gesture, below that of discourse, is twofold. First, much of the art that is being made exemplifies principles articulated by Hsieh Ho (fifth century) and Shih Tao (seventeenth century) and refracted through the changes wrought by Mao in 1949 and Deng in 1979. Through their art, experimental Chinese artists ask what can art be in a world turned upside down, and what can it be to be artist in such a world and, in particular, to be a Chinese artist.

Second, in the course of …

Why Beauty Still Cannot Be Measured, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

This article focuses on the question of whether the latest results achieved in sciences such as evolution studies and brain research can help us understand the nature of aesthetic judgments. It suggests that such approaches may offer interesting insights for understanding many problems in aesthetics, but for clarifying aesthetic judgments one needs a philosophical point of view. Aesthetic judgments cannot be proven right or wrong by scientific methods, and beauty or other aesthetic qualities cannot be directly measured. The “method” of both making and analyzing aesthetic judgments is discussion, and the article clarifies why this is still the case, even …

A Functional Model Of The Aesthetic Response, Daniel Conrad

Contemporary Aesthetics (Journal Archive)

In a process of somatic evolution, the brain semi-randomly generates initially-unstable neural circuits that are selectively stabilized if they succeed in making sense out of raw sensory input. The human aesthetic response serves the function of stabilizing the circuits that successfully mediate perception and interpretation, making those faculties more agile, conferring selective advantage. It is triggered by structures in art and nature that provoke the making of sense. Art is deliberate human action aimed at triggering the aesthetic response in others; thus, if successful, it serves the same function of making perception and interpretation more agile. These few principles initiate …

The Aesthetics Of Magnetic Resonance Imaging (Mri): From The Scientific Laboratory To An Artwork, Silvia Casini

Contemporary Aesthetics (Journal Archive)

This article investigates the aesthetic potential of Magnetic Resonance Imaging (MRI), a medical imaging technique, both inside the laboratory and in the arts. By combining Rancière’s understanding of aesthetics with Merleau-Ponty’s notion of embodied perception, it argues that an image-generating technique conceived in the scientific field can successfully migrate into the realm of fine art, opening up new aesthetic and perceptual possibilities. Although aesthetic qualities are already present in the laboratory, they remain hidden by the necessity of reading the image-data obtained according to the interpretative framework of the medical discourse. Two paths are covered: the first goes from the …

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Report: The Xviiith International Congress Of Aesthetics- "Diversities In Aesthetics" (Peking University, Beijing, China, 9-13 August 2010), Michael Ranta

Contemporary Aesthetics (Journal Archive)

No abstract provided.