Philosophy Commons^™

Imagination In The Stars: The Role Of The Imagination In Artistic Astronomical Photography, Stephen Chadwick

Contemporary Aesthetics (Journal Archive)

In this article I discuss the role the imagination plays in the production of what I call artistic astronomical photographs. I examine the entire creative process, which has been defined as “that stretch of mental and physical activity between the incept and the final touch.”[1] I begin with an examination of some of the ways in which the imagination is exercised in traditional artistic photography and in observational painting, in order to tease out the similarities and differences. Following a brief explanation of the way artistic astronomical photographs are produced, I examine these similarities and differences and, in doing so, …

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On The Front: Aesthetics Vs. Popular Arts And Mass Culture - I, Ken-Ichi Sasaki

Contemporary Aesthetics (Journal Archive)

The popular arts and mass culture represent our environment. The flood of their products reduces high art to minority status. This situation leads us to reconsider the privileged status of high art and the role of aesthetics as its theory, which is my main focus here. I take up three different cultural eras: early modern times, when the notions of art and aesthetics as a philosophical discipline were founded; our own day as the time of mass culture; and, lastly, the popular culture in the Edo period in Japan, the seventeenth to the mid-nineteenth centuries, which reflected different choices.

In …

Autonomania: Music And Music Education From Mars, Thomas A. Regelski

Contemporary Aesthetics (Journal Archive)

Traditional aesthetic theory has posited an account of music, and the other arts, as autonomous of social meanings, relevance, and conditions. In the case of music, “absolute music” is sequestered from social and other roots that bring music into being in the first place. The typical claim, thus, is that classical music is music for its own sake, divorced from the many and highly evident social dimensions that it serves. It ignores all other genres of music, most of which are more appreciated than can be accounted for by the theory of autonomania. This aesthetic theory of music, one of …

Away With Green Aesthetics!, Mateusz Salwa

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Aesthetic Value Of Minimalist Architecture In Gaza, Salem Al Qudwa

Contemporary Aesthetics (Journal Archive)

This paper aims to visually study the simple objects that exist around us and the buildings people live in, in order to account for how a simple architectural language can help in the current situation in the Gaza Strip. A descriptive analytical method was adopted as the main methodological tool in order to gather information about existing minimalist objects and ordinary architecture in Gaza. Field investigations were conducted in order to photograph different areas in the Strip’s communities: Gaza city, rural-to-urban areas, and marginalized areas were compared to well-known minimalist artworks. Minimalist architecture in Gaza is not an alternative paradigm …

A Conceptual Framework For The Aesthetics Of Everyday Object Appreciation, Russell Quacchia

Contemporary Aesthetics (Journal Archive)

This essay takes up the topic of the aesthetics of everyday object experience. In doing so, it strings together a series of fairly complex topics as a conceptual framework. Its focus is upon the nature of certain core features that appear to be at work in giving rise to this kind of experience. It especially considers the role of such features as the aura property of phenomenal objects and the self-activation of aesthetic-interested attention. It gives a level of explanation to the crucial topic of why we tend to ignore taking an active interest in the aesthetic dimension of everyday …

Art By Jerks, Bernard Wills, Jason Holt

Contemporary Aesthetics (Journal Archive)

Is it wrong to enjoy art created by immoral people? Some people express discomfort with listening to or reading the works of artists who have been abusive to others in their personal lives. In this paper, the authors argue that, generally speaking, moral and aesthetic judgment should be kept distinct, as authors and their works formally differ. Indeed, works by morally dubious artists may well contain crucial acts of moral imagination we should not deprive ourselves of as ethical beings. Nonetheless, the authors argue there are limits to how far the ethical and aesthetic can be divorced. Art that is …

Experience, Knowledge, And Appreciation In The Implicit Aesthetics Of Weather Lore, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

[1] Weather sayings are empirical rules for the prediction of weather and have been studied, so far, only by paremiologists and meteorologists. The author argues that they also present interest for environmental aesthetics, and that their aesthetic dimension is not confined to their stylistic qualities and versified form but is mainly based on the experience that underlies them. The analyses of weather lore in English, French, and German emphasize that this pre-modern, expert knowledge produced and still can bring enjoyment and, conversely, that the sources of this aesthetic enjoyment are to a large extent cognitive, even if not scientific by …

Everyday Aesthetics And Everyday Behavior, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

This article addresses everyday aesthetics from the point of view of everyday behavior. I suggest that the ordinary daily interaction of people with each other is one of the most important areas of everyday aesthetics. I present an interpretation of the concepts of both the everyday and aesthetics, and argue that in the context of everyday social relationships, it is wise to understand everyday aesthetics in a way that emphasizes the very everydayness of aesthetics, not its opposite, namely non-everyday or extraordinary aesthetics. This does not mean that extraordinary aesthetics would not have its place in other contexts, but it …

Performer, Persona, And The Evaluation Of Musical Performance, Theodore Gracyk

Contemporary Aesthetics (Journal Archive)

Engaging with recent ideas about the moral evaluation of art, I argue that facts about the lifestyle, attitudes, and moral character of music performers are relevant to evaluating a musical performance. When it contributes to a better understanding of the performance, this knowledge contributes to a more accurate estimation of its aesthetic merits and flaws. I explain how my view departs from those of Berys Gaut and Jeanette Bicknell.

The Role Of Imperfection In Everyday Aesthetics, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

The notions of perfection and imperfection do not have the same prominent presence they once occupied in earlier aesthetics discourse. However, they still play an important role as criteria for aesthetic judgments today in our everyday life. The wide-spread and easily accepted aesthetic appeal of objects with perfection tends to overshadow the potential aesthetic value of imperfect objects that are considered to be defective or deficient. This not only impoverishes our aesthetic lives but also leads to some serious environmental and social consequences. I first argue for the need to cultivate an aesthetic sensibility to appreciate imperfection in our everyday …

The Aesthetics Of Conversation: Dewey And Davidson, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

Conversation is one of the most mundane events of human life, yet the conversations we have can vary a lot. Some proceed only with great effort, while others engage us thoroughly. Drawing on Dewey’s aesthetics, this paper argues that the movement and rhythm of conversations can make them into genuine candidates for an aesthetic status. The key term of the paper is interaction. For Dewey, all experience, aesthetic experience included, is constituted by an interaction between humans and their environment. In his later philosophy of language, which is critical of conventionalist explanations of language, Davidson, in turn, offers a very …

Sublime And Anti-Sublime: Reconsidering The Relation Of The Sublime To Technology, Konstantinos Vassiliou

Contemporary Aesthetics (Journal Archive)

The aesthetic notion of the sublime has been traced in different fields in the growing spheres of technology, capitalism, and digitality. The variable character of the sublime is partly due to the fact that it is identified with specific objects or sources. It can emerge whenever there is an antithesis between the infinite extensions of reason and the limits of the representative faculty. Taking into account this variance, this article seeks to reexamine the relationship of the sublime to technology, especially in view of current digital capabilities. In doing so, I argue that the notion of the sublime involves its …

Bio-Aesthetics: The Evolution Of Sensibility Through Nature, Katya Mandoki

Contemporary Aesthetics (Journal Archive)

[1] This paper gathers a few points developed in my recent book, The Indispensable Excess of the Aesthetic: Evolution of Sensibility in Nature, where I explore the processes that involve aisthesis from their most primal manifestations to their more complex. I propose the concept of bio-aesthetics as the study of all forms of sensibility in living beings, and that, given the fact that it is a function of our corporeal condition, the required starting point is the evolutionary paradigm. Another crucial tool for understanding how different types of creatures value, understand, react, and relate to their environment is provided by …

Master Narratives And The Pictorial Construction Of Otherness: Anti-Semitic Images In The Third Reich And Beyond, Michael Ranta

Contemporary Aesthetics (Journal Archive)

Collective identities of the Self (or Ego) vs. the Other are not only conveyed in and between cultures through verbal discourse but also through pictures. Such cultural constructions are often established and consolidated by storytelling, where, briefly put, events or situations are temporally ordered. Pictures and visual artworks may be powerful narrative resources for establishing and consolidating cultural stances and framing actions. In this paper, I shall focus upon demarcation efforts of Jews as the Other from the Middle Ages onwards, in the Third Reich’s iconography, and in modern, radicalized forms of anti-Semitic picturing in Arab media. Within overarching master …

Thoughts On The Aesthetics Of Water, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Explication Of Events And Dialogues In Samuel Beckett’S Waiting For Godot, Erick Verran

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Using Soundscape Ecology In Design And Function, Wieteke Holthuijzen

Contemporary Aesthetics (Journal Archive)

No abstract provided.

From Things To Relationships: Architecture Of The Ecological Mind, Lejla Vujicic

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Thoughts On A Holographic Aesthetics Of Nature, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Post Critical Again, Charlie Cannon

Articles

No abstract provided.

Introduction To Making Futures, Pelle Ehn

Articles

No abstract provided.

Double Or Nothing: Reflections On Bridge Design, Hillary Brown

Articles

No abstract provided.

Positive Sum Design And The Economics Of Sharing, Ian Gonsher

Articles

No abstract provided.

V.1 2016-2017 Supplement, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 Supplement issue contains handwritten answers on post-its to the question "What feels urgent to you in your studio? In your life? In the world?" These post-its were written at a grad-student gathering on the day after the 2016 US Presidential election, scanned and printed as a zine the next day, and distributed at open studios the day after that.

The Difference That Art Makes, Mariana Ortega

Contemporary Aesthetics (Journal Archive)

In the following essay I discuss Monique Roelofs’s The Cultural Promise of the Aesthetic. I show that Roelofs’s rich and complex notion of the aesthetic, informed by promises, modes of address, and aesthetic relationality, offers an important and novel way of understanding the aesthetic within a context attuned to questions of difference. I point out that Roelofs’s analysis may be enhanced by notions theorized by Audre Lorde, Gloria Anzaldúa, and María Lugones. Moreover, I raise a question regarding the intricate link between Roelofs’s notion of the aesthetic and morality

V.1 2016-2017, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 issue contains articles on Kara Walker, Women's March, "Look at Art, Get Paid" program, #pizzagate, the Mutual Encounters exhibition, and smartphones.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

No-Media: Against The Coming Singularity, Gavin Keeney

Contemporary Aesthetics (Journal Archive)

A summary of the possible persistence of so-called useless humanistic research against the diktat of the Edufactory, the essay “No-media – Against the Coming Singularity” problematizes the complex field of forces and factors currently leading the life of universities toward the servicing of reduced aspirations for scholarship in an ultra-monetized society – plus neo-liberal academia’s penchant for the manufacturing of events and reputations at the expense of impersonal (confraternal) intellectual inquiry proper. An oblique critique of “vertical integration” strategies derived from corporate business models, foremost in media empires, and as applied to the production and management of knowledge, the essay …