Philosophy Commons^™

Atmospheric Design And Experience With An Exemplary Study Of Olafur Eliasson's "The Weather Project", Zhuofei Wang

Contemporary Aesthetics (Journal Archive)

In past decades, the subject of atmosphere has gone beyond the physio-meteorological scope and become a new concept of aesthetics. As the primary sensuous reality constructed by both the perceiving subject and the perceived object, atmosphere is neither a purely subjective state nor an objective thing, but essentially is a quasi-object pervaded by a specific emotional quality and a ubiquitous phenomenon forming the foundation of our life experience. In this respect, a decisive factor is not what we perceive but how we perceive. Furthermore, the quasi-objective quality of atmospheric phenomena makes it possible that atmosphere is producible. A practical dimension …

Rhizomatic Mnemosyne: Warburg, Serres, And The Atlas Of Hermes, María Del Carmen Molina Barea

Contemporary Aesthetics (Journal Archive)

This essay aims to examine Aby Warburg’s Mnemosyne Atlas according to two conceptual perspectives that seem deeply interwoven, Deleuze and Guattari’s notion of rhizome and Michel Serres’s metaphor on Hermes. Both theoretical approaches cast light on the epistemological implications of the Mnemosyne Atlas and explore its intriguing composition from an innovative point of view. Specifically, this paper excavates the disrupted nature of the Warburgian Atlas, paying particular attention to the schizophrenic proliferation of unexpected connections. In this scenario, it will be necessary to elucidate the terminological opposition between ‘atlas’ and ‘archive,’ as studied by Boris Groys, Foucault, and Derrida, …

Two Types Of A Doctrine Of Objectivity In The Aesthetic Appreciation Of Nature, Fuxing Xue

Contemporary Aesthetics (Journal Archive)

Allen Carlson develops and justifies a doctrine of objectivity in the aesthetic appreciation of nature by means of epistemology. This doctrine is quite significant for the self-knowledge of aesthetic appreciation of nature and the healthy development of the aesthetics of nature. However, for concepts in environmental ethics and the requirements of contemporary environmentalism, another kind of doctrine of objectivity for aesthetic appreciation of nature is needed, namely, a doctrine of ethical objectivity, which rests the aesthetic appreciation of nature on acknowledging the intrinsic value of nature and respect for nature. Because of this doctrine, appreciators construe the good of nature …

Exploring The Inner Relationships Between Modern Chinese Aesthetics And The Confucian Mind-Soul (心性) Framework, Wei Du

Contemporary Aesthetics (Journal Archive)

Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation via aesthetic education and an arts-infused lifestyle. This utilitarian orientation has not originated from European aesthetics, but rather reflects a localized awareness of the “humanistic enhancement of citizens” through the arts, which, derived from the Confucian tradition, expands on its “mind-soul” theory. This conceptual framework finds its roots in the Song-Ming philosophy of mind and pays particular attention to the cultivation of individual morals and personal character as the essential pathway towards restoring conscience. This positioning of values and valuations, to a large extent, was the inspiration, …

Summary Of The Existential Aesthetics Of Things By Petra Baďová, Peter Žiak

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Broadsheet September 29, 2017, Students Of Risd, Risd Archives

All Student Newspapers

The Broadsheet was a short-lived student newspaper published in 2017. The September 29, 2017 issue features articles on an "ethical consciousness post-Trump," improving critiques, the US pulling out of the Paris Climate Accords, the Social Equity and Inclusion Action Plan, the smoking ban at Kennedy Plaza, statue conservation, new programming at the library, an offensive incident involving a graphic designer and a sign language interpreter, and other items of interest.

On The Oddly Satisfying, Evan Malone

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Broadsheet May 6, 2017, Students Of Risd, Risd Archives

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The Broadsheet was a short-lived student newspaper published in 2017. The May 6, 2017 issue was the first and contained articles on the Social Equity Action plan developed in the wake of the "Not Your Token" protests, random facts about RISD, Project Open Door (POD), faculty member Jung Joon Lee, previous student newspapers from the RISD Archives, the European Honors Program, facts about the RISD student body, a student music club on campus, how Mike Fink saved Carr Haus, and other items of interest.

Deconstructing Walter Benjamin, Miklos Legrady

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Aesthetics Of Mud And The Muddiness Of Aesthetics, Arnold Berleant

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud, A Comment, Mary Bittner Wise

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Mud And A Metaphor, David Goldblatt

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Thoughts On An Aesthetics Of Mud, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

-Isms 2017, Students Of Risd, Risd Archives

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-ISMS: Exploring the Intersectionality of Identities was a publication that accompanied the RISD Global Initiative 2017 exhibit of the same name. The exhibit explored the intersections of identity and art and featured pieces that were selected for critique by visiting artist and MLK Series keynote speaker Emory Douglas. This publication contains images of student artwork from the exhibit along with essays and other text.

An Introduction To Positive Sum Design, Ian Gonsher

Articles

No abstract provided.

Terrorist Aesthetics As Ideal Types: From Spectacle To "Vicious Lottery", Marshall Battani, Michaelyn Mankel

Contemporary Aesthetics (Journal Archive)

This essay builds on Arnold Berleant’s concept of the negative sublime and his less-appreciated image of the vicious lottery to engage the ongoing discussion about the importance of aesthetic analysis for understanding terrorism. Sociological definitions of aesthetics and terrorism are presented as potential tools to aid in the analyses of terrorist aesthetics. Three aesthetic types of terrorism are developed in the tradition of Weberian sociological ideal typification. The article discusses the appropriateness and applicability of that typology for enriching our understanding of terrorism and counterterrorism.

Material Blue, Justin Winkler

Contemporary Aesthetics (Journal Archive)

In the 1780s, de Saussure invented the cyanometer that was subsequently used by Humboldt on his research travels. It served to determine the blueness of the sky at various altitudes. This article examines the research context in which this device was used and seeks to trace an underlying aisthesis materialis (Barck). I raise the question whether this recourse to a supposed pre–art theory and aesthetic practice can help establish a better concept of the everyday aesthetics to come.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Building A Paradise? On The Quest For The Optimal Human Habitat, Anu Besson

Contemporary Aesthetics (Journal Archive)

Do humans have a natural habitat? If yes, is it the original habitat of early hominids or the most optimal environment for today’s humans? Are these two the same thing and, if not, what does ‘optimal habitat’ mean? I examine the concept of the optimal habitat from four viewpoints: 1) paradise; 2) urban design based on environmental psychology; 3) favorite places; and 4) environment as an invitation for action. I conclude that an optimal habitat is not a collection of more or less fixed elements but an environment that can be experienced as a beneficial feedback loop based on and …

Imaginative Intersections: Engaging Aesthetic Experience At The Shofuso Japanese House, Peter L. Doebler

Contemporary Aesthetics (Journal Archive)

This essay explores how the imagination creates dynamic aesthetic experiences by negotiating the intersection of opposites. The goal is to enrich our thinking about the relation of nature and art within a more comprehensive environmental aesthetics. I focus on a single example, the intersections created by the particular experience of space and time in the paintings of Hiroshi Senju, at the Shofuso Japanese House in Philadelphia. First, I provide a brief introduction to Senju and the work at Shofuso. Next, building on perspectives from within environmental aesthetics and Senju’s own writings, I sketch out a framework for thinking about the …

V.1 2017-2018, Center For Arts & Language, Students Of Risd, Risd Archives

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v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2017-2018 issue contains articles on the Nature Lab, food and design, the role of writing in architecture, and an interview with the Chilean artist Alfredo Jaar along with the comic "Printer Prosthetics" at NYABF by Elaine Lopez.

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Socio-Musical Performing Artistry, Aron Edidin

Contemporary Aesthetics (Journal Archive)

Philosophical discussion of artistry in performance has focused on the relation of performers to musical works and to their instruments. But an important domain of musical artistry is social, relating musicians to their fellows in performing groups. This “socio-musical” artistry contributes to the artistic accomplishments of performing groups as a whole. I identify two distinct kinds of socio-musical artistry, and discuss some of the ways in which different forms of group organization articulate different possibilities for their exercise. Finally, I discuss at some length the extreme case of a performing role that is purely socio-musical, that of the orchestral conductor. …

Painting, Mindfulness And Crowther's Aesthetics, Colleen Fitzpatrick

Contemporary Aesthetics (Journal Archive)

This paper addresses the notion of painting as a mindfulness-based intervention. This premise is justified as it relates to Crowther’s phenomenological aesthetics. Crowther’s theory of painting makes use of a number of features that characterize mindfulness practice and reflect the mindful attitude. These include attention, self-consciousness, universality, otherness, empathy and temporality. Painting and mindfulness practice are seen as interventions upon experience that expand being through greater engagement. Heightened perceptual awareness and embodiment are central to this discussion as they are at the root of aesthetic experience and mindfulness practice. The development of self-consciousness is a key consideration in this context. …

The Aesthetic Appreciation Of Animals In Zoological Parks, Marta Tafalla

Contemporary Aesthetics (Journal Archive)

Can we appreciate in a serious and deep way the aesthetic qualities of wild species in exemplars held captive for exhibition in the artificial installations of a zoo? To answer this question I invoke theories concerning the aesthetic appreciation of nature propounded by Yuriko Saito and Allen Carlson. I then argue that zoos impose their story on animals, thereby preventing us from appreciating the animals on their own terms. I claim that captivity and its effects on the health, behavior, and appearance of animals make serious and deep appreciation of the aesthetic qualities of wild species impossible.

On The Front: Aesthetics Vs. Popular Arts And Mass Culture - Ii, Ken-Ichi Sasaki

Contemporary Aesthetics (Journal Archive)

The popular arts and mass culture represent our environment. The flood of their products reduces high art to minority status. This situation leads us to reconsider the privileged status of high art and the role of aesthetics as its theory, which is my main focus here. I take up three different cultural eras: early modern times, when the notions of art and aesthetics as a philosophical discipline were founded; our own day as the time of mass culture; and, lastly, the popular culture in the Edo period in Japan, the seventeenth to the mid-nineteenth centuries, which reflected different choices.

In …