Philosophy Commons^™

The Inklings, In Memoriam: A Cycle Of Poems, Donald T. Williams

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

An Answer For Orual: C. S. Lewis As Defender Of The Faith, Donald T. Williams

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

Joy And Poetic Imagination: An Introduction To C. S. Lewis’S “Incessant Disputation” With Owen Barfield, Stephen Thorson

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

Afterword: About The Center For The Study Of C. S. Lewis And Friends At Taylor University, Lisa Ritche

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

“Don’T Believe In Anything That Can’T Be Told In Colored Pictures”: Notes On A Dramatic Reading Of Poems By Lewis, Tolkien, Chesterton, And Williams, Jennifer Woodruff Tait

Inklings Forever: Published Colloquium Proceedings 1997-2016

Author’s Note: This read was an excerpt of a larger, hour-long presentation that I gave at the New York C. S. Lewis Society in June 2008 and at the Taylor bi-monthly C. S. Lewis meetings in April 2010. Poems read the 2016 Colloquium are in bold.

Take This Job And Love It: Dorothy Sayers On Work, Kimberly Moore-Jumonville

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

Canto Xxxiii, M. J. Paulus

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

The Temptation Of Brother Thomas: A Stop-Motion Animated Short Film, J. Stephan Leeper

Inklings Forever: Published Colloquium Proceedings 1997-2016

The Temptation of Br. Thomas is a short animated film that celebrates beauty and examines our preconceptions of what we consider sacred. Thomas Acquinas serves both as namesake to the central character and an inspiration to the ideas put forth in the film. The Temptation of Brother Thomas draws from the rich legacy of art within the Western Church while it challenges the modern assumptions that true art needs to be cut loose from orthodox faith in order to flourish. True to Aquinas’ writings, it also challenges contemporary religious notions that art and beauty are somehow superfluous to a life …

Dog City After Dark After Reading The Great Divorce, Rick Hill

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

Owen Barfield And C. S. Lewis: A Critical Friendship, Colin Duriez

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

The Words In The World, Luke A. Wildman

Inklings Forever: Published Colloquium Proceedings 1997-2016

Author’s Note: This story is an excerpt from a longer project I’m working on, titled Song of the Searching. It’s the story of Alp searching across a magical world for his sister, told from the perspectives of those he meets along his journey.

“But What Is The Moral?”: A Dramatized Bibliographic Study Of The Relationship Of George Macdonald’S “The Light Princess” To Adela Cathcart, Joe Ricke, Abby Palmisano, Blair Hedges, Cara Strickland

Inklings Forever: Published Colloquium Proceedings 1997-2016

No abstract provided.

The Future Of Inklings Studies: Keynote Panel Discussion (4 June 2016), Joe Ricke, Diana Glyer, Sørina Higgins, Colin Duriez

Inklings Forever: Published Colloquium Proceedings 1997-2016

Transcription of panel discussion with Diana Gyler, Sørina Higgins, Colin Duriez, and Joe Ricke. (Transcribed and edited by Joe Ricke.)

2016 Printed Program

Colloquium Schedules

No abstract provided.

Adam Smith For Our Time, I: Necroeconomics, Patrick G. Scott

Studies in Scottish Literature

Reviews a wide-ranging new American study of the Scottish philosopher and economist Adam Smith (1723-1790), examining its treatment of Smith as critic and rhetorical theorist, as well as of his better-known writings on moral philosophy in his Theory of Moral Sentiments (1759) and economic theory in The Wealth of Nations (1776), and discusses briefly the value for Scottish cultural history of interpretative practices developed originally in other national traditions, concluding that the book is "important for scholars of 18^th century Scottish literature... because it approaches Smith’s work through disciplinary practices that are common enough in other literary fields but …

“Recognizable Goodness” A Response To Beversluis’ Understanding Of God’S Goodness, Emily Mccarty

Montview Journal of Research & Scholarship

In her rebuttal to John Beversluis’ C. S. Lewis and the Search for Rational Religion, Emily McCarty makes the following arguments. Lewis maintains throughout these three works that God’s goodness is recognizable. In The Problem of Pain, what seems unlike or even not good to us, is upon reflection, good. In fact, there are similar human examples that show God’s goodness is not so very unlike our own. In “The Poison of Subjectivism,” Lewis does not empty good of meaning: rather he sources that meaning in the divine so that our morals have enduring meaning. In A Grief Observed …

A Dickensian Utilitarianism, Zachary Allentuck

Senior Honors Projects, 2010-2019

This paper argues that Charles Dickens' political and world views were in sympathy with Utilitarianism, as defined by Jeremy Bentham. The Utilitarianism Dickens attacked in A Christmas Carol, Hard Times, and Little Dorrit was not real utilitarianism; it was utilitarianism appropriated by England's middle-class.

Life At The Meridian: The Subjectivity Of Ethics In The Works Of Albert Camus And Friedrich Nietzsche, Clancy E. Robledo

Seaver College Research And Scholarly Achievement Symposium

This paper endeavors to respond to the questions: can ethics can be unbound from its traditional rootedness in religious systems? If so, what contributions did Nietzsche make to liberate value from the shackles of Western morality? To what degree is Camus one of the “new philosophers” Nietzsche calls for in On the Genealogy of Morals?

In an attempt to demonstrate that ethics can and do exist vividly in the realm of the non-religious, this paper will begin by illustrating the metaphysical door Nietzsche opens through his use of aphorisms in Thus Spoke Zarathustra and his investigation of the history …

Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick

Publications and Research

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …

Jane Austen Meets The Gps: Place And Space, David Kolb

Sophia and Philosophia

When one reads Jane Austen’s novels, one finds that her heroines’ lives center around a beloved and comfortable home, in a local region including a small town, some neighboring estates, and local hills and valleys. It is a detailed and textured home area of nearby places reachable on foot or horse. One to three miles are walkable to a friend’s house or a favorite scenic hill. Beyond this region is no longer “home.” Fifteen or twenty-five miles can be distant.

Volume 08, Meghan Enzinna, Casey Dawn Gailey, Raven Collins, Chiara Enriquez, Amelia Mcconnell, Alexander Morton, Emma Beckett, Leah G. Parr, Briana Adhikusuma, Taylor Embrey, Rowan Davis, Danielle Sisson, Bianca Cherry, Melissa Cacho, Chloe Woodward, Catherine Rollins, Carson Reeher, Landon Cooper, Haley Vasquez, Marlisha Stewart, Eric Whitehead, Sabrina Walker, James Bates

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Indigenous Peoples and the Modern Era by Meghan Enzinna

"Who Says": How Selena Gomez and the Scene Attempt to Subvert the Popular Standards of Beauty by Casey Dawn Gailey

Art by Raven Collins

Meltdown on Social Media: Amy's Baking Company Meets Kitchen Nightmares by Nathena Haddrill

Art by Chiara Enriquez

Design by Amelia Mcconnell

Worth More Than a Thousand Words: A Visual Rhetorical Discussion of Virtual Reality by Examining "Clouds Over Sidra" by Alexander Morton

Design by Emma Beckett

The Sonata: An Analysis of Piano Sonata No. 14 in C Minor, K. …

Balance In Tristram Shandy: Laurence Sterne Through Friedrich Schiller’S Eyes, Peter W. Rosenberger

Student Publications

Many critics of Laurence Sterne’s Tristram Shandy see the novel’s narrative elements and structure as a form of narrative play, which reject Enlightenment systems of understanding. In this paper, through the philosophy of Friedrich Schiller, I will argue that the novel’s narrative structure is best understood as a balance of aesthetic impulses. For most scholars, to understand the narrative form, digressions, philosophy of knowledge, and/or history in Tristram Shandy, one must understand how the novel subverts the categorization and systematization of Enlightenment thinking. The patterns of subversion in the text lend themselves to arguments that characterize the novel as one …

Fantasy Incarnate: Of Elves And Men, Simon J. Cook Dr.

Journal of Tolkien Research

This essay proposes the idea of incarnation as a key to unlocking Tolkien’s conception of fantasy as set out in the 'Origins' section of On Fairy Stories. Tolkien's intellectual context is explored and his conception of mythology as a blending of imagination and history examined. The essay also establishes the differences between mortal and Elvish fantasy and argues that Tolkien's Elves engage in a different kind of incarnational art than do mortals. In conclusion it is claimed that in ‘Origins’ Tolkien reworked the speculations of mid-Victorian comparative philology into an aesthetic theory of artistic creation grounded upon the notion …

Off The Lip Conference - Transdisciplinary Approaches To Cognitive Innovation. Conference Proceedings, Sue Denham, Michael Punt, Edith Doove, Martha Blassnigg, Raluca Briazu, Kathryn Francis, Agi Haynes, Guy Edmonds, Adam Benjamin, Matthew Emmett, Iris Garrelfs, Christopher B. Germann, Joanna Griffin, Diane Humphrey, Bryanna Lucyk, Christie Purchase, Rachel Sansone, Emily Baxter, Amy Ione, Frank Loesche, Abigail Jackson, Alexis Kirke, Eduardo Miranda, Luke Rendell, Simon Ingram, Yutaka Nakamura, Gi Taek Ryoo, Eugenia Stamboliev, Michael Straeubig, Chun-Wei Hsu, Pinar Oztop, Mihaela Taranu, Sundar Sarukkai, James Sweeting, Minami Hirayama

Off the Lip Conference - Transdisciplinary Approaches to Cognitive Innovation

The promise of cognitive innovation as a collaborative project in the sciences, arts and humanities is that we can approach creativity as a bootstrapping cognitive process in which the energies that shape the poem are necessarily indistinguishable from those that shape the poet. For the purposes of this conference the exploration of the idea of cognitive innovation concerns an understanding of creativity that is not exclusively concerned with conscious human thought and action but also as intrinsic to our cognitive development. As a consequence, we see the possibility for cognitive innovation to provide a theoretical and practical platform from which …

Wandering In Contemporary Literature: A Narrative Theory Of Cognition, Hillel E. Broder

Dissertations, Theses, and Capstone Projects

This study offers a theory of wandering cognition as an animating feature of western literature, in general, and of contemporary literature, in particular. Unlike existing theories of peripatetic bodies and minds in fiction that focus primarily on political critiques, cultural practices, or pleasures of digression, this theory of wandering offers an aesthetic philosophy and ethical critique of representing cognition, memory, and narrative identity that finds affinities in the political, phenomenological, and ethical thought of Walter Benjamin, Emmanuel Levinas, and Giorgio Agamben.

Unlike existing cognitive theories of literature that apply cognitive theory to literary study (or vice versa), this study develops …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Adversus Mathematicos, Christopher Norris

Journal of Humanistic Mathematics

A poem about relationship between mathematics and the human experience of time.

The Significance Of John S. Mbiti's Works In The Study Of Pan-African Literature, Babacar Mbaye

The Journal of Traditions & Beliefs

No abstract provided.

A Tightrope Over An Abyss: Humanity And The Lords Of Life, Timothy Francis Urban

The Graduate Review

The American thinker Ralph Waldo Emerson is a precursor to the thought of the German philosopher Friedrich Nietzsche. Nietzsche's writings have often admitted to the profound influence Emerson had on the latter's own philosophy. Both thinkers shared common ground in viewing philosophy and language as an active process, always in a state of becoming, where the subject is the sole creator of meaning. This paper argues that Emerson and Nietzsche recognized the liberating quality of language in the creation of one's subjectivity. Emerson and Nietzsche dismissed notions of objective knowledge by looking at how language is arbitrary, and, as such, …

The Somewhere We Wish Were Nowhere: Dystopian Realities And (Un)Democratic Imaginaries, Benjamin B. Taylor

Senior Independent Study Theses

How do political practices influence mass culture? Conversely, how does mass culture influence political practice? This project addresses these questions by turning to the concepts of utopia and dystopia. Imagined utopic and dystopic visions express both the hopes and anxieties of the societies producing them. Dystopias also highlight the mechanisms of power that function within particular social orders. Through readings of Lois Lowry’s The Giver and Phillip K. Dick’s Do Androids Dream of Electric Sheep?, I demonstrate how utopia and dystopia function and how we can respond to dystopic realities by theorizing solutions that are more conducive to the …