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Articles 361 - 390 of 1038

Full-Text Articles in Pacific Islands Languages and Societies

Living Small, Kim Meredith Mar 2007

Living Small, Kim Meredith

Pacific Studies

This story traces Luisa’s quiet reflections during a bus ride through the city and into the suburbs, blending present experiences with vivid memories of a full, familial past. As she recalls life with her husband in her grandparents’ home and her grandmother’s moving speech at her university graduation, we see Luisa grappling with the contrast between her youthful dreams and her current life. Her grandmother once called her “a dreamer” and supported her late-night intellectual curiosity, forging a bond that shaped Luisa’s path. When a coworker sits beside her on the bus, Luisa is drawn back into the present, revealing …

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Manōwai, Victoria Nālani Kneubuhl Mar 2007

Manōwai, Victoria Nālani Kneubuhl

Pacific Studies

This story follows Kanoe, a woman who retreats to rural Kona to recover from an emotionally abusive relationship with Frank, a manipulative academic. Through journal-like reflections and quiet moments in the heat-soaked coastal town, Kanoe processes her heartbreak and rediscovers herself. Her interactions with locals—particularly the wise and warm-hearted Luisa—reveal a rhythm of life grounded in history, resilience, and a subtle but profound sense of healing. As Kanoe begins writing again and exploring her surroundings, her journey shifts from escape to restoration, where stories, memory, and new connections light the path forward.

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It Began With A Question, Konai Helu Thaman Mar 2007

It Began With A Question, Konai Helu Thaman

Pacific Studies

This poem reflects a quiet, profound moment of surrender and trust. Rooted in timelessness and uncertainty, the speaker is called into action not by clarity, but by faith. Despite feeling disconnected from place and time, they answer a rare question with a brave "yes," grounding themselves in something enduring—a rock that "noticed" them. It’s a meditation on belonging, voice, and hope whispered into a weary world.

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Walking With My Grandmothers #1, Jewel Castro Mar 2007

Walking With My Grandmothers #1, Jewel Castro

Pacific Studies

Image of three women, two are grandmothers

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The Night Woman, Sia Figiel Mar 2007

The Night Woman, Sia Figiel

Pacific Studies

This evocative poem honors the resilience, knowledge, and sacred power of the “Night Woman”—a symbolic figure who endures judgment and violence from the dominant “Day People.” Though wounded, she hides her pain behind silence and laughter, carrying ancient wisdom of the natural and cosmic world. In a transformative act at the ocean’s edge, she sheds societal expectations (“Day Skin”) to embrace her true self, birthing new generations whose identities are written in the stars. It’s a lyrical celebration of hidden strength, ancestral legacy, and feminine sovereignty.

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Diagnosis, Caroline Sinavaiana Mar 2007

Diagnosis, Caroline Sinavaiana

Pacific Studies

This poem captures a moment of tense uncertainty, likely surrounding a medical diagnosis revealed by ultrasound. The natural imagery—sea of shadows, swaying grass, warring rain and wind—mirrors the speaker’s emotional turbulence. Faced with a 50/50 prognosis, they turn inward, preparing for struggle or protection by invoking ancestral strength, symbolized by “ancient arrows” and a tightened bowstring. It’s a poetic meditation on fear, resilience, and readiness in the face of potential loss.

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Butterfly Thighs Flutter By The Bye, Rosanna Raymond Mar 2007

Butterfly Thighs Flutter By The Bye, Rosanna Raymond

Pacific Studies

An artwork displaying a woman in sepia tones in front of a background of text.

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Waimanalo Litany, Caroline Sinavaiana Mar 2007

Waimanalo Litany, Caroline Sinavaiana

Pacific Studies

This elegiac poem, “Waimanalo Litany,” written in memory of Mahealani Dudoit, is a lyrical meditation on loss, healing, and the sacred presence of place. With vivid imagery of ocean, land, and ancestral spirits, the poet weaves a prayerful plea for mercy and peace across beloved Pacific landscapes. The repeated invocations to the spirits of moana, Koʻolau, Makapuʻu, and Waimānalo evoke a sense of cultural rootedness and spiritual continuity, even amid physical pain and environmental disruption. It is both a personal tribute and a collective chant of remembrance.

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My Pigeon, From The Samoan, Caroline Sinavaiana Mar 2007

My Pigeon, From The Samoan, Caroline Sinavaiana

Pacific Studies

This poem is a lyrical elegy expressing love, longing, and loss through the metaphor of a pigeon in flight. Rooted in Samoan tradition, it evokes a deep emotional landscape where nature mirrors the ache of separation. The forest becomes both a literal and symbolic space of mystery and mourning, as the speaker watches and waits in vain for a beloved who has disappeared. Through its gentle cadence and sensory imagery, the poem captures the enduring ache of absence and the hope—however faint—that love might return on silent wings.

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Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua Mar 2007

Dialoguing Across The Pacific: Kūkā Kūkā And The Cultivation Of Wahine Maoli Identities, Noelani Goodyear-Ka'opua, Lana Sue Ka‘O ̄Pua

Pacific Studies

Hilihewa ka mana‘o ke‘ole ke kūkākūkā. As thoughts can become miswoven when there is no discussion, so it is with our identities as Wahine Maoli, Native Hawaiian women, and the ensuing choices we make about how to live in this world. Other recent collaborative articles by Kānaka Maoli have used kūkākūkā to refer to face-to-face “talk-story” sessions. This kūkākūkā is different, as one of us is living in Hawai‘i and the other in California. We used e-mail and telephone conversations to enable kūkākūkā spanning distances of time and space. As we communicate across generations and across our ocean home, we …

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Not Exotic, Lisa Kahaleole Hall Mar 2007

Not Exotic, Lisa Kahaleole Hall

Pacific Studies

This sensual poem explores desire and self-discovery through the metaphor of mangoes—ripe, tart, messy, and irresistible. The speaker recalls the intense flavors and sensations of mango eating, paralleling them with a complex, bold woman who resists sweetness in favor of spice. It captures the tension between sharp edges and tender longing in a relationship that ripens slowly, but promises depth and heat in time.

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Maori Women Researching Ourselves, Ngahuia Te Awekotuku Mar 2007

Maori Women Researching Ourselves, Ngahuia Te Awekotuku

Pacific Studies

This essay, based on a keynote address titled "Maori Women and Research: Researching Ourselves," explores the significance of Maori women conducting research on their own identities, experiences, and communities. Challenging the dominance of non-Maori scholarship, the author advocates for self-representation and sovereignty in knowledge production. Drawing from intergenerational dialogue, collective reflection, and lived realities, the essay unpacks questions of gender, cultural protocol, positionality, and access within Maori society. It highlights the layered complexities faced by Maori women researchers—navigating traditional expectations, community dynamics, and academic gatekeeping—while affirming the transformative power of research as a tool for empowerment, reclamation, and cultural continuity.

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Walking With My Grandmothers #2, Jewel Castro Mar 2007

Walking With My Grandmothers #2, Jewel Castro

Pacific Studies

Artwork portrays three women, two are grandmothers.

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Prologue: Special Issue Women Writing Oceania–Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Kehaulani Kauanui Mar 2007

Prologue: Special Issue Women Writing Oceania–Weaving The Sails Of Vaka, Caroline Sinavaiana, J. Kehaulani Kauanui

Pacific Studies

This editorial introduction to Women Writing Oceania reflects on the physical, emotional, and spiritual toll of neocolonial legacies in the Pacific, especially among indigenous women. Editors, writing as activist-scholars, discuss the urgency of storytelling as survival, anchoring their reflections in personal experiences with illness, loss, and the weight of cultural and academic responsibilities. Framed by the broader health and social crises facing Oceanic communities, the collection is both testimony and tribute—dedicated to resilience, community, and the healing power of collective indigenous voice.

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Piharamata Tumahai Smoking Her Taho, Marie-Hélène Villierme Mar 2007

Piharamata Tumahai Smoking Her Taho, Marie-Hélène Villierme

Pacific Studies

Photograph of an elderly woman smoking.

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Niudity (I-Iv), Teresia Teaiwa Mar 2007

Niudity (I-Iv), Teresia Teaiwa

Pacific Studies

The "Niudity" poem sequence by Teresia Teaiwa explores the layered metaphor of the coconut (niu) to reflect on identity, vulnerability, and postcolonial femininity in Oceania. The poems interweave bodily imagery with cultural symbolism—where the coconut’s husk, shell, and flesh represent stages of exposure, resilience, and inner worth. In playful yet poignant verse, Teaiwa deconstructs the idea of nudity into niudity—a state shaped not just by nakedness, but by misrecognition, resistance, and cultural disguise. Her fictional dictionary entries parody colonial linguistic authority while empowering indigenous reinterpretation. The final poem subverts expectations with sharp commentary on exploitation, voice, and …

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Tradition, Jewel Castro Mar 2007

Tradition, Jewel Castro

Pacific Studies

A painting of a woman's chest, opened to reveal people, perhaps her heritage.

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Woven Worlds, Konai Helu Thaman Mar 2007

Woven Worlds, Konai Helu Thaman

Pacific Studies

This poem beautifully portrays the act of weaving—both literal and metaphorical—as a shared practice of memory, creativity, and cultural continuity. The speaker reflects on how hands, once weaving traditional materials like voivoi (pandanus), now craft art through movement and color. Together, the weavers form a collective bond, connecting generations and geographies in a creative act that honors ancestral legacy and reimagines the world through shared expression.

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Communicating Tradition In Samoan American Art: An Artist’S Reflection, Jewel Castro Mar 2007

Communicating Tradition In Samoan American Art: An Artist’S Reflection, Jewel Castro

Pacific Studies

This reflective essay explores the profound influence of Samoan tradition—particularly the sasa dance—on the author's identity and artistic practice. Through vivid childhood memories of her great-aunties' powerful and spiritually charged performances, the writer illustrates how traditional movement becomes a portal to ancestral connection and cultural affirmation. As a Samoan American artist, she uses these embodied experiences as inspiration for her installation-based storytelling environments, blending painting, sculpture, sound, scent, and space to express tradition as a living, multisensory force. Grounded in both memory and innovation, the essay positions tradition as a universal, transformative language that transcends cultural barriers and invites shared …

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2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond Mar 2007

2nd Stanza, "Samoa," From Meet You In Hawaiki, Rosanna Raymond

Pacific Studies

An image of a woman with a poem.

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Walking With My Grandmothers #3, Jewel Castro Mar 2007

Walking With My Grandmothers #3, Jewel Castro

Pacific Studies

An artwork portraying a woman flanked by two women, her grandmothers.

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Vol. 30, No. 1/2 (2007): Pacific Studies Full Issue; Special Issue: Women Writing Oceania: Weaving The Sails Of Vaka, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI Mar 2007

Vol. 30, No. 1/2 (2007): Pacific Studies Full Issue; Special Issue: Women Writing Oceania: Weaving The Sails Of Vaka, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

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The Good, The Bad, And The Inverted: Rhetorical Strategies In The Portrayal Of Cultures In Ruth Benedict's Patterns Of Culture And Margaret Mead's Sex And Temperament In Three Primitive Societies, Phillip Guddemi Sep 2005

The Good, The Bad, And The Inverted: Rhetorical Strategies In The Portrayal Of Cultures In Ruth Benedict's Patterns Of Culture And Margaret Mead's Sex And Temperament In Three Primitive Societies, Phillip Guddemi

Pacific Studies

Patterns of Culture and Sex and Temperament in Three Primitive Societies, published a year apart, have a startlingly parallel structure. Discussions of anthropological method open both; the question of the individual and deviance closes both. The triad of cultures in each book is arranged in the order of "the good, the bad, and the inverted." The first culture emphasizes cooperation and nurturance, the second competition and discord. The third culture in each inverts some feature of Western society, either in the economic realm (Kwakiutl) or in that of gendered personality (Tchambuli). Cultural inversion places Ruth Benedict and Margaret Mead in …

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Margaret Mead's Other Samoa: Rereading Social Organization Of Manu'a, Paul Shankman Sep 2005

Margaret Mead's Other Samoa: Rereading Social Organization Of Manu'a, Paul Shankman

Pacific Studies

Derek Freeman focused his attention on Margaret Mead's Coming of Age in Samoa to such an extent that her ethnography of Samoa, Social Organization of Manu'a, has been neglected. This professional monograph demonstrates Mead's credibility as an ethnographer and as a modern student of social organization. While Freeman believed that Mead was young, naive, and gullible, a closer examination of Social Organization of Manu'a indicates that she was energetic, resourceful, perceptive, and theoretically sophisticated. Any evaluation of Mead's Samoan research should include this enduring contribution to our knowledge of the islands.

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Vol. 28 Nos. 3/4 (2005): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 2005

Vol. 28 Nos. 3/4 (2005): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

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Vol. 28 Nos. 3/4 (2005): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 2005

Vol. 28 Nos. 3/4 (2005): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 28, Nos. 3/4-Sept/Dec 2005 edition of the Pacific Studies Journal.

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Margaret Mead And Psychology: The Education Of An Anthropologist, Patricia A. Francis Sep 2005

Margaret Mead And Psychology: The Education Of An Anthropologist, Patricia A. Francis

Pacific Studies

Margaret Mead's brand of anthropology was deeply rooted in the psychological. Mead began her career in psychology, taking a master's degree in that field but switching to anthropology at the urging of Ruth Benedict. Mead's background in psychology equipped her particularly well to embark on her field trip to American Samoa in 1925. While the anthropological training of her day did not emphasize practical aspects of conducting fieldwork, Mead's training in psychology taught her how to conduct case studies, design experiments, and measure results quantitatively and qualitatively. Mead's family background also contributed to her training as a social scientist, particularly …

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Margaret Mead's Individual In Culture, Or Cultures And Personalities Without Embarrassment, Gerald Sullivan Sep 2005

Margaret Mead's Individual In Culture, Or Cultures And Personalities Without Embarrassment, Gerald Sullivan

Pacific Studies

Margaret Mead is associated with the rubric "culture and personality." Mead herself preferred the formula "individual in culture." This essay traces Mead's uses of her preferred formula from 1928 through 1946. Over the course of this period, Mead developed her idea from its initial concerns with the "role" of the individual in Samoan culture in ways which came to focus on the person as the conjunction of biological, developmental (or "genetic"), and cultural processes. The essay examines both published, if now little known, materials and Ruth Benedict's notes taken during a course on "The Study of the Individual in Culture" …

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The Correspondence Associated With Margaret Mead's Samoa Research: What Does It Really Tell Us?, James Côté Sep 2005

The Correspondence Associated With Margaret Mead's Samoa Research: What Does It Really Tell Us?, James Côté

Pacific Studies

Derek Freeman based much of his critique of Margaret Mead's Samoa research on the letters she exchanged with Franz Boas and others. However, as I have indicated elsewhere (Cöté 1998, 2000a, 2000b, 2000c), Freeman seriously misrepresented the content and intention of these letters. The present article extends the examination of archival material by reviewing letters from the late 1920s associated with the publication of Coming of Age in Samoa, which reveal that Mead originally wrote it as a commercial book, and that she was heavily influenced by her publisher to further sensationalize her account of life in Samoa. Additional archived …

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Contesting The Erotic Zone: Margaret Mead's Fieldwork Photographs Of Samoa, Sharon W. Tiffany Sep 2005

Contesting The Erotic Zone: Margaret Mead's Fieldwork Photographs Of Samoa, Sharon W. Tiffany

Pacific Studies

Margaret Mead's photographs taken during her first ethnographic fieldwork in the South Pacific have received little scholarly attention. While some of Mead's images borrowed from earlier photographic conventions, her pictures also challenged prevailing representations of Polynesian women. Mead's photos experimented with alternative visual narratives about Samoan women's bodies and their everyday lives, in contrast to signature images of Pacific Islander women as commoditized sex objects, exoticized women of power, or as romanticized primitives. Mead's first effort at using a camera in the field provided a spectrum of representations useful for re-interpreting female embodiment and the gender politics of the photographic …

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