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Full-Text Articles in Near Eastern Languages and Societies

“You Are The Potter I Am The Clay” … Tracing Egyptian Creation, Cult, And Ritual Power Motifs In The Pentateuch., Christopher Jenkins Dec 2025

“You Are The Potter I Am The Clay” … Tracing Egyptian Creation, Cult, And Ritual Power Motifs In The Pentateuch., Christopher Jenkins

Student Scholar Symposium

This paper explores the profound influence of Ancient Egyptian culture on the Pentateuch. It challenges the traditional Documentary Hypothesis, which dates the Pentateuch to the Persian and Hellenistic periods, by presenting evidence that many biblical narratives, themes, and motifs are rooted in the cultural and religious milieu of Ancient Egypt, that could not be older than the 1st Millennium B.C.E. The study highlights parallels between the creation narratives in Genesis and Egyptian cosmogonies, such as the concept of primordial watery chaos and the emergence of order through divine command. It also examines the presence of Egyptian religious practices and deities …


The Subconscious Of Traditional Practices: Turkish Cuisine, Serife Umay Cicik May 2024

The Subconscious Of Traditional Practices: Turkish Cuisine, Serife Umay Cicik

Dublin Gastronomy Symposium

Turkey stands out among the leading countries, particularly in the consumption of meat, milk, and dairy products. In terms of climate and physical conditions, it has the capacity to produce these commodities domestically. Additionally, it is situated in a geographically advantageous position rich in seafood resources. Turkish cuisine is further enriched by dishes and desserts prepared with dough. However, food preparation and cooking methods, equipment, storage conditions, presentation styles, consumption habits, spices, and sauces bear traces of various culinary cultures. Wars, natural disasters, political events, trade routes, and religious structures are among the factors that most significantly influence these differences. …


P-04 Cavan Burren 2015 Project, Rhonda Root, Robin Johnson, Ariel Solis, Abelardo Rivas Oct 2015

P-04 Cavan Burren 2015 Project, Rhonda Root, Robin Johnson, Ariel Solis, Abelardo Rivas

Celebration of Research and Creative Scholarship

The Cavan Burren is a plantation forest within the Marble Arch Caves UNESCO Global Geopark overlay along the Republic of Ireland and Northern Ireland border. The exposure of Cavan Burren’s "relict landscape" resulted from a 2012 partial clear fell. Our multidisciplinary team of researchers in architecture, technology, ecology, fine arts, and archaeology investigated domestic architecture reflected in three stone configurations: circular/semicircular sites, rectangular sites, and tomb structures. We also investigated human action on pedestal boulders (PBs), which had been modified by sculpting, splitting, and cutting away. Our first goal was to show human action on structures by using three-dimensional (3D) …


Arab Spring Book Exhibit Bibliography And Call Numbers, Anna Gault, Heath Martin Oct 2014

Arab Spring Book Exhibit Bibliography And Call Numbers, Anna Gault, Heath Martin

Year of the Middle East Events

An exhibit of books about Arab Spring was held in the William T. Young Library from Oct. 2014 through Feb. 2015 in celebration of the Year of the Middle Year at the University of Kentucky. An annotated bibliography for the exhibit is available by clicking the Download button on the right.

Click here to view the online guide about the book exhibit.


Turkish Shadow Puppetry And The Carnivalesque, Anna (Raff) Miller Mar 2013

Turkish Shadow Puppetry And The Carnivalesque, Anna (Raff) Miller

Modern Languages and Literatures Annual Graduate Conference

No abstract provided.


Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez Sep 2011

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …


The Martyr’S Vision: Why The Suicide Bomber’S Eye Is Cast Not To The Sky . . . But To The Other, Hatem Akil Sep 2011

The Martyr’S Vision: Why The Suicide Bomber’S Eye Is Cast Not To The Sky . . . But To The Other, Hatem Akil

Re-visioning Terrorism

The suicide bomber lies outside the contingencies of religion and the promise of sex with 72 virgins. Instead, her desire lies squarely in the quest for inclusion in the field of vision and to count as a human being. This paper proposes an alternative critical discourse to the question of identity-based suffering and culpability. It aims to raise doubts about certain established notions concerning historical trauma that are thought to be singular, unrepeatable, and the result of fixed dichotomies. Instead, I wish to call for a rejection of the notion of competitive suffering and of culpability as limited to the …


Jihadis And The Use Of The Terms Terrorism And Terrorist, Aaron Zelin Sep 2011

Jihadis And The Use Of The Terms Terrorism And Terrorist, Aaron Zelin

Re-visioning Terrorism

Previous studies on the usage of the terms terror, terrorist, and terrorism have taken a Western perspective on how these terms should be defined and then deployed, but the viewpoint of the “terrorist” (in this case jihadis) has yet to be examined. This study analyzes how jihadis understand these terms and critically assesses their interpretation based on classical Islamic doctrine. The basis and “proof” for jihadis’ legitimization of using terror is based upon the Qur’anic verse 8:60, but when taken into context and traditional understanding, jihadis miss the mark. Yet, at the same time, when exploring the linguistic root for …