Near Eastern Languages and Societies Commons^™

Compilation As Narrative Art In Medieval Islam: The Redemption Of Kuthayyir In The Book Of Songs, Kirsten Beck

CLCWeb: Comparative Literature and Culture

This article examines the narrative art of Abū ‘l-Faraj al-Iṣbahānī’s Kitāb al-Aghānī through a close reading of the chapter on the poet Kuthayyir ibn ʿAbd al-Raḥmān (d. 723). Though Kuthayyir is mocked throughout for his short stature, unorthodox beliefs, and supposed insincerity, the chapter ends with a surprising scene: his death is mourned by the people of Medina in a large public funeral, suggesting a reevaluation of his character. I argue that this tonal shift is not incidental but the result of Iṣbahānī’s deliberate narrative arrangement. By analyzing the structure of the chapter—including the juxtaposition of genealogical accounts, the gradual …

The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni

CLCWeb: Comparative Literature and Culture

Fate, doom, and free will have always proved to be controversial terms among philosophers. The chief problem is whether a deterministic power prescribes the destiny of creatures or they possess pure free will in shaping their destinies. Mulla Sadra, a 17th century Iranian philosopher, believes in a blending of determinism and free will which he develops in the terms of Qaza and Qadar respectively. He introduces a model of fate through which determinism and free will equally participate. Using the human soul as a model, Mulla Sadra points out that people meet their fate through several factors, one of which …

“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur

CLCWeb: Comparative Literature and Culture

Palestinian poet Mahmoud Darwish grew up in Israel as an internal refugee living under Israeli military rule, legally classified as a “present-absentee alien.” This article focuses on his 1995 volume of poetry, Limādhā tarakta al-ḥiṣān waḥīdan? (Why Did You Leave the Horse Alone?), to study the manner in which Darwish’s cultivation of the musical and aural aspects of poetry serves as a means of poetically attending to the effects of dispossession and displacement. Through a discussion of the poems in the collection’s fourth section, Ghurfa l’il kalām maʿ al-nafs (A Room to Talk to Oneself …

Queering Identity Politics In Shimon Adaf’S Aviva-No, Yael Segalovitz

CLCWeb: Comparative Literature and Culture

This article offers a queer reading of Shimon Adaf’s volume of poetry, Aviva-No (2009), analyzing it in conjunction with his recent collection of essays on identity formation, Ani aherim (I am others) (2018). Adaf’s oeuvre has been primarily studied through the lens of ethnicity and race. This article demonstrates that gender plays a key role in his body of work. Aviva-No, which is a lamentation for the poet’s sister, destabilizes the boundaries between the mourning brother and the absent sister. This ontological deconstruction stimulates in Aviva-No a broader undoing of gender as an embodied identity. The volume is replete …

Arab Music And Mizraḥi Poetry, Yochai Oppenheimer

CLCWeb: Comparative Literature and Culture

The concept of “Arab Jews,” which has appeared in Israeli Mizraḥi (Oriental) discourse over the last decade, resists the framework of Israeli national culture that demands the elimination of Arab identity. For this music suggests possibilities of remembering and “re-presenting” this partially-repressed element. Moreover, the experience of remembering Arab music represents, more than anything else, the diasporic attitude of the Mizraḥim (Oriental Jews). It demonstrates a common legacy that Israeli culture is unwilling to accept and understand. Extrication from the boundaries of Zionist culture (which has historically rejected the diasporic past and its cultures, especially the Arab-Jewish past) manifests itself, …

“Other Modernities”: Art, Visual Culture And Patrimony Outside The West. An Introduction, Silvia Naef, Irene Maffi, Wendy Shaw

Artl@s Bulletin

The notion of modernity as a tabula rasa phenomenon that destroys the present in order to build the future is particularly complicated in the case of non-Western settings, where modernization was often understood as erasing local culture in favor of a template borrowed from the West. Historiographies of non-Western arts have mostly followed such a model, viewing fine arts, associated with modernity, as opposed to “traditional” arts, often commodified in the production of nostalgia or marketed for tourists. This article discusses the complexity of art production in non-Western contexts, beyond such reductive classifications.

The Subversion Of East And West In Orhan Pamuk’S Novel, The White Castle, Adile Aslan Almond

CLCWeb: Comparative Literature and Culture

In her article "The subversion of East and West in Orhan Pamuk's novel, The White Castle" Adile Aslan seeks to show how Orhan Pamuk plays with the theme of East versus West in his third novel The White Castle (1985), with the aim of de-essentializing both concepts. In 1928, Perso-Arabic script, in use for centuries as the main writing system in the Ottoman Empire, was replaced with Latin alphabet (accompanied by an intensive Turkification of the Ottoman language in the coming years) as a part of a larger modernization-Westernization project in the new nation state, a move which effectively …

Internal And External Factors Influencing Enrollment Into An Undergraduate Arabic Language Program In Indiana: A Survey Of University Freshmen And Sophomores, Tyler J. Mallari

Purdue Polytechnic Masters Theses

Within the rankings of world languages, Arabic takes a prominent place, being the fifth most-spoken language in the world (Lane, 2016). Despite the surge of concern in modern media with relations in the Middle East, particularly in Arab-populated countries, very little focus has been put on improving enrollment in Arabic programs in the United States, and in particular in the Midwest. At Purdue University, enrollment in Arabic language courses have only been low and no effort has been made on the part of the university or the department to understand this trend from more than a purely statistical analysis of …

53 People In The [Hebrew] Bible Confirmed Archaeologically, Lawrence J. Mykytiuk

Libraries Faculty and Staff Scholarship and Research

This is a list, with end-note documentation, of 53 people in the Hebrew Bible/Old Testament who are strongly identified in published inscriptions of known authenticity, in most instances from during or quite close to their lifetimes. It includes people from ancient Egypt, Moab, Aram-Damascus, the northern kingdom of Israel, the southern kingdom of Judah, Assyria, Babylonia, and Persia.

The intent is to include only well-grounded, strong identifications that can be trusted.

Mykytiuk's publications firmly reject the haphazard, "flying by the seat of the pants" approach of numerous online lists which are created without explicit criteria or by suspect use of …

Impartiality Reconsidered: Al Jazeera And Jessica Lynch, Ashley M. Sankari

The Purdue Historian

Al Jazeera’s coverage of the United States’ wars in the Middle East was controversial and attracted American accusations of propaganda. It is argued in this essay that Al Jazeera reporting was, in fact, more accurate and reliable than American media outlets during the wars in Afghanistan and Iraq. Using the incident of Private Jessica Lynch’s 2003 capture in Iraq, examination of the reporting of Al Jazeera ultimately demonstrated the impartial and critical nature of Al Jazeera reporting.

Arab Women Writers As Revolutionary Orators And Catalytic Agents Of Emancipation, Safaa S. Nasser

CLCWeb: Comparative Literature and Culture

In her article "Contemporary Egyptian and Palestinian Women's Writing as 'Committed Literature'" Safaa S. Nasser discusses the role of Arab women writers whose works were harbingers of the Arab Spring of 2011. Nasser's analysis demonstrate that the majority of Arab women writers acted as agents of feminist action and social change through their critique of patriarchal, phallocentric domi-nation and through their call for a secular sensibility. Their works demonstrate the symbiotic relation-ship between political, national, and feminist struggle for equality between genders. To exemplify this revolutionary perspective, Nasser analyzes texts by Nawal El Saadawi, Ahdaf Soueif, Salwa Bakr, Saki-na Fuad, …

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …

The Martyr’S Vision: Why The Suicide Bomber’S Eye Is Cast Not To The Sky . . . But To The Other, Hatem Akil

Re-visioning Terrorism

The suicide bomber lies outside the contingencies of religion and the promise of sex with 72 virgins. Instead, her desire lies squarely in the quest for inclusion in the field of vision and to count as a human being. This paper proposes an alternative critical discourse to the question of identity-based suffering and culpability. It aims to raise doubts about certain established notions concerning historical trauma that are thought to be singular, unrepeatable, and the result of fixed dichotomies. Instead, I wish to call for a rejection of the notion of competitive suffering and of culpability as limited to the …

Jihadis And The Use Of The Terms Terrorism And Terrorist, Aaron Zelin

Re-visioning Terrorism

Previous studies on the usage of the terms terror, terrorist, and terrorism have taken a Western perspective on how these terms should be defined and then deployed, but the viewpoint of the “terrorist” (in this case jihadis) has yet to be examined. This study analyzes how jihadis understand these terms and critically assesses their interpretation based on classical Islamic doctrine. The basis and “proof” for jihadis’ legitimization of using terror is based upon the Qur’anic verse 8:60, but when taken into context and traditional understanding, jihadis miss the mark. Yet, at the same time, when exploring the linguistic root for …