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Articles 61 - 68 of 68
Full-Text Articles in Near Eastern Languages and Societies
In Jerusalem By Mahmoud Darwish, Uri Horesh
In Jerusalem By Mahmoud Darwish, Uri Horesh
Transference
Translated from the Arabic by Uri Horesh.
An Ocean Of Tears, The Chest, Between The Loss & The Delay, And How Do I Tell You I Love You? By Mariam Michtawi, Jake Gordon
An Ocean Of Tears, The Chest, Between The Loss & The Delay, And How Do I Tell You I Love You? By Mariam Michtawi, Jake Gordon
Transference
Translated from the Arabic by Jake Gordon.
Transference Vol. 3, Fall 2015
Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel
Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel
The Quiet Corner Interdisciplinary Journal
Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:
“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?
Love By Adnan Sadduk, Mirko M. Hall
Love By Adnan Sadduk, Mirko M. Hall
Transference
Translated from the Arabic with commentary by Mirko M. Hall.
A Bath And Always By Khaled Abdallah, Nicholas Swett
A Bath And Always By Khaled Abdallah, Nicholas Swett
Transference
Translated from the Arabic with commentary by Nicholas Swett.
Gina Bonakdar Nahai: Fantasies Of Escape And Inclusion, Mojgan Behmand
Gina Bonakdar Nahai: Fantasies Of Escape And Inclusion, Mojgan Behmand
Collected Faculty Scholarship
Cry of the Peacock, Moonlight on the Avenue of Faith, and Caspian Rain are the enticing titles of Gina Bonakdar Nahai’s Iran-focused novels, published in 1991, 1999, and 2008 respectively. And the titles hold true: the narratives reflect the pain, melancholy and dream-like beauty conveyed in the titles as they divulge characters who strive to escape the restrictions of their community, religion, government, and gender. In the meantime, as the author depicts these fantasies of escape and attempts at flight –and frequently harshly punishes them–, the characters achieve a hitherto unknown feat, namely the depiction of Jewish Iranian main characters …