Near Eastern Languages and Societies Commons^™

Something Fills The Soul, On The Threshold Of Wishing, Time Utters It, And I Color My Name By Yousef El Qedra, Yasmin Snounu, Edward A. Morin

Transference

Translated from the Arabic by Edward Morin, Yasminn Snounu, and Yasser Tabbaa.

In Jerusalem By Mahmoud Darwish, Uri Horesh

Transference

Translated from the Arabic by Uri Horesh.

An Ocean Of Tears, The Chest, Between The Loss & The Delay, And How Do I Tell You I Love You? By Mariam Michtawi, Jake Gordon

Transference

Translated from the Arabic by Jake Gordon.

Foreword

Transference

No abstract provided.

Transference Vol. 3, Fall 2015

Transference

No abstract provided.

Faroosh And Elina, Faroosh, Elina, Tsos

TSOS Interview Gallery

Faroosh was a cameraman for a private television program in Afghanistan working on a documentary about the Taliban. When he and his crew were discovered, the Taliban attacked them and he and his wife fled to Turkey, walking 12 hours to get there. Upon arrival the police arrested and harassed them. Turkey was not a safe place. After several suicide bombings in the area, they decided to move on to Greece, where they are in a refugee camp without any progress in their situation. They have no money to move forward and no ability to work and the economic situation …

Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel

The Quiet Corner Interdisciplinary Journal

Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:

“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?

Love By Adnan Sadduk, Mirko M. Hall

Transference

Translated from the Arabic with commentary by Mirko M. Hall.

A Bath And Always By Khaled Abdallah, Nicholas Swett

Transference

Translated from the Arabic with commentary by Nicholas Swett.

A Life By Wadih Saadeh, Ghada Mourad

Transference

Translated from the Arabic with commentary by Ghada Mourad.

Condoleezza Rice’S Piano By Sa‘Dī Yūsuf, Levi Thompson

Transference

Translated from the Arabic with commentary by Levi Thompson.

Références Surréalistes Dans L’Œuvre Théâtrale De Georges Schéhadé, Georges Khoriaty

Présence Francophone: Revue internationale de langue et de littérature

Owing to Georges Schéhadé’s investment of powers of dreams which lead to existence and generate thoughts out of any preset direction, Georges Schéhadé’s theatre can be considered very close to surrealism. These powers of dreams can rediscover the world, give access to another reality and resolve fundamental life questions. In addition, Georges Schéhadé’s theatre and surrealism are similar in resorting to mysterious practices, occult research and the world of the “marvellous” which emanates from the world of dreams. This latter world consists of extraordinary random events or premonitions, visions, perceptions and sensations bringing about confusion of identities and a strange …

Gina Bonakdar Nahai: Fantasies Of Escape And Inclusion, Mojgan Behmand

Collected Faculty Scholarship

Cry of the Peacock, Moonlight on the Avenue of Faith, and Caspian Rain are the enticing titles of Gina Bonakdar Nahai’s Iran-focused novels, published in 1991, 1999, and 2008 respectively. And the titles hold true: the narratives reflect the pain, melancholy and dream-like beauty conveyed in the titles as they divulge characters who strive to escape the restrictions of their community, religion, government, and gender. In the meantime, as the author depicts these fantasies of escape and attempts at flight –and frequently harshly punishes them–, the characters achieve a hitherto unknown feat, namely the depiction of Jewish Iranian main characters …

Córdoban Discourses: A Drama Of Interreligious Dialogue, James Mark Shields

Faculty Journal Articles

SETTING: Cordoba, Spain, 1135 CE, 29th year of the reign of ‘Ali “amir al-muslimin,” second king of the Berber Almoravid dynasty, rulers of Moorish Spain from 1071 to 1147. Cordoba, the capital of Andalus and the center of the Almoravid holdings in Spain, is a bustling cosmopolitan center, a crossroads for Europe and the Middle East, and the meeting-point of three religious traditions. Most significantly, Cordoba at this time is the hub of European intellectual activity. From the square—itself impressively large and surrounded by a massive collonade, the regularity and ordered beauty of which typifies the Moorish taste for symmetry …