Other Music Commons^™

From Inside The Recording Studio, Mckayla J. Adkison

Capstone Projects and Master's Theses

This project documents the historical, technical, and creative significance of recording studios through both industry examples and the design and construction of a personal backyard studio. By examining iconic studios such as Abbey Road and Capitol Records, the paper highlights how technological innovation, acoustic engineering, and architectural design have shaped the evolution of recorded music. These concepts are then applied to the planning and construction of a custom-built recording studio, emphasizing room dimensions, sound isolation techniques, acoustic treatment, lighting, and sustainable design choices. In addition, the project addresses the importance of aesthetics and emotional comfort in creating a space that …

Recording Alternative Rock Guitar: Gear, Techniques, And Implementation, Alberto De Jesus Garcia Padilla

Capstone Projects and Master's Theses

This paper examines the tools, techniques, and creative decisions involved in recording alternative rock guitar, with particular attention to how genre defining sounds are achieved through gear choice, signal chains, microphone placement, and digital workflows. Drawing on historical context and influential alternative rock artists, the study outlines common guitars, amplifiers, pedals, and recording practices associated with the genre. These concepts are then applied to a practical case study: the recording of guitar parts for the band Phone Booth. By combining traditional amplifier recording with modern digital amp modeling, this project demonstrates how alternative rock guitar tones can be achieved without …

Democratizing Music Production Through Technology, Jacob W. Alfaro

Capstone Projects and Master's Theses

This paper explores the history of recording technology and the effects of innovations on recording contemporary music. It follows the changing roles and relationships between artist and producer, as well as a brief look into the recording of our album as a real-time example.

Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James R. W. Crockford

Yale Journal of Music & Religion

This paper explores the ritualized performance ethic of John Coltrane’s later career, which is charged with a determined exploration of freedom and spiritual ascendance through participative and gestural immediacy. Conceiving of this music as a spiritual and political tool for embodied transformation, this paper traces this ethic at play in Coltrane’s iconic 1965 album A Love Supreme, identifying ways the work effects a mediation of immediacy. Through focus on the album’s closing “Psalm” recitation, its parallels in Coltrane’s other works, and their analogue in traditions of ecstatic liturgical and political oratory, this paper demonstrates the consistent priority Coltrane gives …

New Hampshire, Liam Thomas

West Chester University Master’s Theses

New Hampshire is a concept album: a recording project inspired by Robert Frost’s (1874-1963) large poetic work of the same title. After reading Frost’s lengthy first poem (also titled “New Hampshire”) I felt an immediate connection between his texts and my musical style. Frost’s “New Hampshire” features many depictions of nature and creates mystery through its colorful, sometimes vague imagery that leaves interpretive space for the imaginative reader, which, in my opinion, is the mark of a great poet. As a reflection of Frost’s text, my album contains atmospheric, ambient music drawing influence from folk, Americana, rock, jazz, with the …

How Sample Clearance Has Affected Hip-Hop Music-Making, Bryan J. Brewster

Capstone Projects and Master's Theses

This paper will explain how sample clearance has impacted hip-hop music-making. It will explain what a sample is and show the historical significance of sampling in hip-hop. I will briefly discuss the basics of copyright and the process of clearing a sample. This paper will also look into legal cases of copyright infringement to show the impact of specific cases and analyze data to determine if the amount of sample clearance has changed because of the decisions of the courts. The main goal of this paper is to highlight the significance of sampling in hip-hop, the inherent challenges of legally …

Technology, Artistic Collaboration, And Performance Practice In Bella Voce’S 2019 Recording Of Brahms’ A German Requiem, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

How do the recordist, conductor, and performers work together to create a unique recorded statement within the discourse between a 19^th century composer and a 21^st century listener in Bella Voce’s 2019 recording of Brahms A German Requiem (1871 London Version)?

The complexity of preparing a musical work and creating a recording of its performance encompasses many disciplines and the collaboration of many individuals. The process involves questions of performance practice, recording technique, applications of digital technology, and artistic choices on the part of all involved. The 2019 Bella Voce recording of Brahms’ A German Requiem is an …

Recording Sounds And Instruments For Sample Libraries, Camden Daly

Capstone Projects and Master's Theses

In this paper, we will look at the topic of instrument sampling for virtual instrument libraries. This paper will look at the history of recording devices, samplers, first technologies for playing orchestral sounds, and the process for making my own library. This paper looks at the techniques and processes for sampling a grand piano in detail. Details including pitch, dynamics, microphone placements, round robins, releases, and pedals. For my own sample library, I recorded and programmed Foley sounds that can be used for film compositions.

Producer Interview: Teak Underdue, Kris Jones

Backstage Pass

This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.

Mixing Music In Dolby Atmos, Roberto Cabanillas

Capstone Projects and Master's Theses

This paper will focus on Dolby Atmos as a surround sound program developed by Dolby Laboratories with the intent to be used to enhance the audio experience. Within this paper, there would be research done to explain a brief history of Dolby Laboratories and a considerable amount on Dolby Atmos. It will also explain how Atmos works and how the production program is used to make immersive mixes. It will go in-depth on the capabilities of how it can be used for mixing music. This paper will include sources ranging from manuals, websites, and books to show how Dolby Atmos …

From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong

Backstage Pass

No abstract provided.

The Making Of When We Say Goodnight, Andrew Newman

Honors Theses

The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his own personal enjoyment. …

Recording A Solo Instrumental Album: A Methodology And Representative Album, John Nye

Dissertations, 2020-current

Contests and Collaborations is a trumpet album consisting of solo and collaborative works for trumpet. The album is aimed towards demonstrating diverse performance abilities in a variety of musical styles. The methodology for recording a solo instrumental album is discussed in detail and includes topics such as selecting repertoire, recruiting collaborative artists, hiring a recording engineer, selecting a producer, choosing a recording venue, allocating rehearsal and recording time, and royalties and licensing. Contests and Collaborations, along with the accompanying methodology, serves as a resource for other musicians by detailing various considerations and procedures involved in recording an album.

Memory Management For Game Audio Development, Rahmin Tehrani

Capstone Projects and Master's Theses

Research in managing memory for video game audio development. Interactive music and audio implementation are explored with a strong focus on how to manage data while developing game sound. Some concepts that are important include the multi-use of one sound, file conversion, and randomization in music and audio using technology. Additionally, audio middleware such as Wwise is referenced and strongly used to showcase the previously described concepts. The end of this research project explores the future in video game audio with information relative to the next generation of consoles, video game streaming, physical memory limitations and expansions, and the future …

Analog Versus Digital Guitar Pedals, Shaping Guitar Tones And Sparking Debates, Cameron Karren

Capstone Projects and Master's Theses

This paper goes into the history of guitar effects, what exactly they are, how they have evolved, and what they are like today. It also presents the results of an experiment that compares perceptions of differences between analog and digital guitar pedals.

Shifting The Paradigm: Revealing The Music Within Music Technology, Julie Bowers

Honors Projects

Examining perceptions of music technology raises questions about why people often overlook music technologists and why people perceive music technologists as a lesser part of the musical experience. The issue of musicianship becomes a key factor in addressing the perceived inferiority of music technologists. The examination of the dominant theory of musical communication will reveal the qualifications for musicianship, and then the work of music technologists will be evaluated using these qualifications. A brief history of music technology will provide general information about the field and a recording session case study will serve as a basis for the assessment of …

Recording The Classical Tuba, Larry Dine

Graduate Theses, Dissertations, and Problem Reports (ETD)

Many musicians find it difficult to capture the sound of their instrument in a recording. Often times the trouble is getting a recording to sound natural, or true to life. This is no different for the classical tuba, especially due to the way its sound is produced. This paper focuses on some of the broad variables that go into realistically reproducing the tuba’s sound, which has received very little, if any, academic study.

Within this study, microphone selection and placement is considered, interpreted, and discussed via objective and subjective methods. More specifically, this includes direct and indirect microphone placements, as …

Building A Recording-Specific Amplifier Cabinet, John Livingston

Capstone Projects and Master's Theses

Recording electric guitar has become a major component of any professional recording environment over the last 50 years, and recognizing the parameters that generate a quality recording is essential in getting the desired tonality and sound. The author examines the characteristics of amplifier cabinets desirable in studio use, and documents the process of building one from scratch for recording purposes based off of research parameters- as well as personal studio experience. This project compares the build of a custom amplifier cabinet against that of a store-bought cabinet from a reputable manufacturer (Fender) with emphasis on build materials, power handling, and …

Spectral Analysis And Comparison Of Analog And Digital Recordings, Hannah N. Frosch

Honors Theses

The music industry is constantly shifting and changing as new developments emerge. The biggest transition still discussed to this day is the shift from analog to digital. The digital world of media has opened many doors and created a simpler way of making and consuming media. However, the desire for a vintage/analog sound environment has grown increasingly popular over the years. The main research question I will be addressing in this thesis is: How do analog and digital recordings compare at a signal level? I will attempt to answer this research question through analyzing different audio signals. To do so, …

Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi

Lawrence University Honors Projects

“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.

The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream

Senior Honors Theses

The creation of an EP is a process that requires skills in multiple areas. Once, creating an EP was only available to those who garnered resources and support from a record label. However, an increasing number of aspiring musicians are writing, recording, and making their music available for download or purchase without the assistance of a record label. Doing this successfully and excellently requires application of knowledge in areas such as literature, theology (for Christian artists), music theory, music technology, and marketing. This thesis will describe one process used to turn inspiration into a tangible product that one can purchase …

Crotale Sample Library, Ryan Waczek

Music

This report will discuss the process of creating a digital sample based library for musical applications. Topics such as recording, microphone placement, and mixing will be addressed; as well as elements of design in Adobe Photoshop, and computer scripting in the language of the computer program Komplete 5 by Native Instruments. The instrument sampled is the crotales, an orchestral, melodic percussion instrument.

A Guide To Producing An A Cappella Cd And Development Of A Pitch Detection Program, Jacob Ray Stringfellow

Liberal Arts and Engineering Studies

An in-depth look at the steps required to produce a CD for an a cappella group. From what microphone and preamplifiers to use, to what steps to take during the editing, mixing, and mastering processes. Finished with a look at pitch detection algorithms and how they work, and a little bit of experimentation with my own algorithm and program.