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Articles 121 - 150 of 174
Full-Text Articles in Other Music
Senior Recital, Andrew Schmitt, Paul Floyd
Senior Recital, Andrew Schmitt, Paul Floyd
Printed Performance Programs (PDF Format)
No abstract provided.
New Horizons Concert Series: Gianni Trovalusci, Flute, Gianna Trovalusci
New Horizons Concert Series: Gianni Trovalusci, Flute, Gianna Trovalusci
Printed Performance Programs (PDF Format)
No abstract provided.
Junior Recital, Han-Na Jang, Tarina Lee, Hye-Young Kim, Paul Floyd
Junior Recital, Han-Na Jang, Tarina Lee, Hye-Young Kim, Paul Floyd
Printed Performance Programs (PDF Format)
No abstract provided.
Junior Recital, Tyler Johnson, Johann Gene Joson, Hye-Young Kim
Junior Recital, Tyler Johnson, Johann Gene Joson, Hye-Young Kim
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital, Kathryn Rock, Paul Floyd
Senior Recital, Kathryn Rock, Paul Floyd
Printed Performance Programs (PDF Format)
No abstract provided.
New Horizons Concert Series: Argus Quartet, Argus Quartet
New Horizons Concert Series: Argus Quartet, Argus Quartet
Printed Performance Programs (PDF Format)
No abstract provided.
Studio Recital, Sandra Colindres, Claudia Doucette, Anna Turkisher, Hye-Young Kim
Studio Recital, Sandra Colindres, Claudia Doucette, Anna Turkisher, Hye-Young Kim
Printed Performance Programs (PDF Format)
No abstract provided.
New Horizons Concert Series: Nadia Shpachenko And Kathleen Supové, Piano Duo, Nadia Shpachenko, Kathleen Supové
New Horizons Concert Series: Nadia Shpachenko And Kathleen Supové, Piano Duo, Nadia Shpachenko, Kathleen Supové
Printed Performance Programs (PDF Format)
No abstract provided.
Junior Recital, Tyler Johnson, Johann Gene Joson, Hye-Young Kim
Junior Recital, Tyler Johnson, Johann Gene Joson, Hye-Young Kim
Printed Performance Programs (PDF Format)
No abstract provided.
Music Around Noon, Fallon Holtz, Eileen Kim, Heather Moore, Clara Cheng
Music Around Noon, Fallon Holtz, Eileen Kim, Heather Moore, Clara Cheng
Printed Performance Programs (PDF Format)
No abstract provided.
Musical Athleticism: Victorian Brass Band Contests And The Shaping Of Working-Class Men, Denise Odello
Musical Athleticism: Victorian Brass Band Contests And The Shaping Of Working-Class Men, Denise Odello
Music Publications
This essay examines the implications behind the brass band movement in the nineteenth and early twentieth century in Britain. The activity was encouraged by middle-class entrepreneurs as a social improvement exercise for the working class. The music was meant to refine their taste and prevent them from engaging in less desirable recreational activities; at the same time the competitive aspect of performances was seen as the best possible means to motivate improvement in musicians. While the activity was intended to promote middle-class musical values, as competitive practices developed a distinct musical tradition with values that deviated from the middle-class tradition …
New Horizons Concert Series: Michael Kurdika, Guitar, Michael Kurdika, Tara Schwab, Inauthentica
New Horizons Concert Series: Michael Kurdika, Guitar, Michael Kurdika, Tara Schwab, Inauthentica
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Recital, Emilia Lopez-Yañez, Clara Cheng
Senior Recital, Emilia Lopez-Yañez, Clara Cheng
Printed Performance Programs (PDF Format)
No abstract provided.
Guest Artists In Recital: Ning An, Ning An
Guest Artists In Recital: Ning An, Ning An
Printed Performance Programs (PDF Format)
No abstract provided.
Missa Yielu: Music In The Dagara Mass, Karin Rau
Missa Yielu: Music In The Dagara Mass, Karin Rau
Masters Theses
This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …
The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue
The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue
Masters Theses
The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …
Chapman University Singers In Concert, Chapman University Singers, Elliott Wulff, Hye-Young Kim
Chapman University Singers In Concert, Chapman University Singers, Elliott Wulff, Hye-Young Kim
Printed Performance Programs (PDF Format)
No abstract provided.
The Effect Of Motor Involvement And Melody Truncation On Involuntary Musical Imagery, Stephanie Audrey Mccullough
The Effect Of Motor Involvement And Melody Truncation On Involuntary Musical Imagery, Stephanie Audrey Mccullough
Inquiry: The University of Arkansas Undergraduate Research Journal
The term “earworm,” also known as Involuntary Musical Imagery (INMI), refers to the phenomenon of an un-controllably repeating melody in one’s head. Though ubiquitous, it is comparatively under-researched in music cognition. Most existing studies have identified the defining characteristics of earworms, rather than explore their underlying mechanisms. This study investigates the hypothesis that overt motor involvement (humming, singing, tapping) and imagined motor involvement (imagining a continuation to an interrupted melody) will induce INMI more frequently than passive music listening. Four groups of participants were given instructions for different types of responses while listening to music; then they completed the same …
From The Dean, Seth Beckman