Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Music Education (24)
- Music Practice (23)
- Music Performance (17)
- Composition (5)
- Film and Media Studies (5)
-
- Other Film and Media Studies (4)
- Electrical and Computer Engineering (3)
- Engineering (3)
- Ethnomusicology (3)
- Musicology (3)
- Social and Behavioral Sciences (3)
- Catholic Studies (2)
- Classics (2)
- Communication (2)
- Education (2)
- Electrical and Electronics (2)
- Feminist, Gender, and Sexuality Studies (2)
- German Language and Literature (2)
- Music Pedagogy (2)
- Music Theory (2)
- Physical Sciences and Mathematics (2)
- Religion (2)
- Religious Thought, Theology and Philosophy of Religion (2)
- Signal Processing (2)
- Theatre and Performance Studies (2)
- Applied Statistics (1)
- Behavioral Economics (1)
- Institution
-
- Duquesne University (21)
- Chapman University (12)
- California Polytechnic State University, San Luis Obispo (5)
- Claremont Colleges (3)
- The University of Southern Mississippi (3)
-
- Syracuse University (2)
- University of Dayton (2)
- University of Nebraska - Lincoln (2)
- University of Northern Iowa (2)
- Arcadia University (1)
- Boise State University (1)
- Hamline University (1)
- Illinois Wesleyan University (1)
- James Madison University (1)
- Portland State University (1)
- Rhode Island School of Design (1)
- Southern Methodist University (1)
- University of Arkansas, Fayetteville (1)
- University of Kentucky (1)
- Keyword
-
- Chapman University (11)
- CoPA (11)
- College of Performing Arts (11)
- Music performances (11)
- Music recitals (11)
-
- Music (5)
- Audio (2)
- Music industry (2)
- 1790s (1)
- Alternative (1)
- American wind band (1)
- Art Tatum (1)
- Athanasius Kircher (1)
- Aurality (1)
- Balkan jazz (1)
- Biography (1)
- Bruce Prince-Joseph (1)
- Classical (1)
- Computer Music (1)
- Computer-assisted instruction (1)
- Conducting; Cantatas (1)
- Crotales (1)
- DSP (1)
- Disidentification (1)
- Double bass (1)
- Dukes of Dixieland (1)
- EDM (1)
- Ear (1)
- Education (1)
- Elementary music (1)
- Publication
-
- TEMPO (21)
- Printed Performance Programs (PDF Format) (11)
- Dissertations (3)
- Scripps Senior Theses (3)
- Electrical Engineering (2)
-
- Music (2)
- Musical Compositions about the Marianist Charism (2)
- Renée Crown University Honors Thesis Projects - All (2)
- Bridwell Library Research (1)
- Channel (1)
- Departmental Honors Projects (1)
- Dissertations and Theses (1)
- Dissertations and Theses @ UNI (1)
- Faculty Curated Undergraduate Works (1)
- Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances (1)
- Graduate Theses and Dissertations (1)
- Honors Program Theses (1)
- Master's Theses (1)
- Masters Theses, 2010-2019 (1)
- Music Graduate Projects and Theses (1)
- Papers (1)
- Student Scholar Symposium Abstracts and Posters (1)
- Theses and Dissertations--Hispanic Studies (1)
- Zea E-Books Collection (1)
- Publication Type
Articles 31 - 60 of 62
Full-Text Articles in Other Music
Music Around Noon: Honors Recital Program, Nickolas Kaynor, Clara Cheng, Christina Cheong, Vivian Lu, Kristi Mckinley, Natalie Uranga, Chloe Tardif, Kevin Gino, Cheryl Lin Fielding, Benno Ressa, Tony Cho
Music Around Noon: Honors Recital Program, Nickolas Kaynor, Clara Cheng, Christina Cheong, Vivian Lu, Kristi Mckinley, Natalie Uranga, Chloe Tardif, Kevin Gino, Cheryl Lin Fielding, Benno Ressa, Tony Cho
Printed Performance Programs (PDF Format)
No abstract provided.
Sonata Divina Commedia (Part I: Inferno), Anthony Elia
Sonata Divina Commedia (Part I: Inferno), Anthony Elia
Bridwell Library Research
Part 1 of planned 3-part violin and piano sonata modeled after Dante's "Divina Commedia." Part 1 "Inferno" is a wild modernist adventure for violin and piano, echoing the terrors of inferno. As the piece is incredibly virtuosic, the composer allows for variation, adaptation, and some minor changes if necessary for performers to execute the piece, as faithfully as they can. The work was written in honor of two superb musicians, who by random chance, the composer met or had connections with separately, before realizing the violinist (Mr. Kerr) and the pianist (Mr. Wallace) actually met and went to school together …
A Song Through Time: Tiger Rag And The Twentieth Century, Thomas Grady Hartsock
A Song Through Time: Tiger Rag And The Twentieth Century, Thomas Grady Hartsock
Music
Tiger Rag is one of the first recorded jazz works.This project investigates the initial creation of the work and follows it through five different artists in the twentieth century to explain how this piece of music has grown in it's hundred years of life.
Get Happy: A Showcase Of The Music Of Harold Arlen And William Finn, Joshua Berman, Lukas Castor, Nicole Coffaro, Madilyn Crossland, Sara Curtis, Monica Furman, Leean Gill, Sierra Green, Chase Hauser, Jeremy Howard, Dante Lara, Samantha Leone, Bijan Mohseni, Brandi Reinhard, Niki Russo
Get Happy: A Showcase Of The Music Of Harold Arlen And William Finn, Joshua Berman, Lukas Castor, Nicole Coffaro, Madilyn Crossland, Sara Curtis, Monica Furman, Leean Gill, Sierra Green, Chase Hauser, Jeremy Howard, Dante Lara, Samantha Leone, Bijan Mohseni, Brandi Reinhard, Niki Russo
Printed Performance Programs (PDF Format)
No abstract provided.
An Uplifting Experience: Music For The Spirit Festival
Zhou And Kovalevska Win Piano Competition
Music School Launches New Program
Electronic Composition Program
Alumna Uses Education For More Than Music
Student Research: Turning Theories Into Success
Early Childhood Music Initiative
Tempo Magazine 2013-2014 (Spreads)
Tempo Interviews Dean Edward Kocher
A Celebration For Joseph Wilcox Jenkins
Bridging The Social Media Value Gap Between Fans And Artists, Andrew Teeter
Bridging The Social Media Value Gap Between Fans And Artists, Andrew Teeter
Honors Program Theses
Social media is commonly considered a powerful tool for engaging customers and audiences, but that is only true if social media is done in a proper context. If social media is not executed in that context it may deliver sub-par value to fans, leading to lower financial returns. The purpose of this research is to find that context and determine how musical artists can best bridge the gap between themselves and their fans in the social media heavy 21st century. The goal is to find what expectations fans have for the artists they follow on social media and how the …
Ave Maria Traditional, Harold Lootens S.M.
Ave Maria Traditional, Harold Lootens S.M.
Musical Compositions about the Marianist Charism
Hail Mary in Latin
Marianist Doxology (Echo By Zubek), Stanley J. Zubek S.M.
Marianist Doxology (Echo By Zubek), Stanley J. Zubek S.M.
Musical Compositions about the Marianist Charism
Praise to the Trinity through Mary
Acoustic Epistemologies And Aurality In Sor Juana Inés De La Cruz, Sarah E. Finley
Acoustic Epistemologies And Aurality In Sor Juana Inés De La Cruz, Sarah E. Finley
Theses and Dissertations--Hispanic Studies
This dissertation considers the intersection of aurality and visuality in seventeenth-century New Spanish poet Sor Juana Inés de la Cruz’s (1648/1651-95) acoustico-poetic discourse. Prior scholarship has focused either on the author’s engagement with Western music theory and compositional practices or else the role of musical references in her works. This has resulted in the marginalization of Sor Juana’s engagement with sound through disciplines that are not strictly musical or poetic, including: acoustics, cognitive theory and visual art. I address these lacunae by considering such concepts as echo, reflection, Ear, Voice, musica poetica (links between music and rhetoric) and musical pathos …
French Opera And The French Revolution, Etienne Nicolas Mehul, Savannah J. Dotson
French Opera And The French Revolution, Etienne Nicolas Mehul, Savannah J. Dotson
Departmental Honors Projects
Although Etienne Nicolas Méhul is relatively unknown today, he was greatly respected by his contemporaries, including Beethoven, Cherubini and Berlioz. He rose to popularity and notoriety during the most turbulent years of the French Revolution, when most intellectuals fled for their lives, and yet he managed to maintain his status as a favorite of the people. From an examination of some of his operas - Euphrosine (1790), Ariodant (1799), Adrien (1792, 1799), and Horatius Coclès (1794) - it is apparent that Mehul used thinly veiled allegories to express his views. His heroes in these operas were Romans, Scottish nobles, and …