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Articles 31 - 59 of 59
Full-Text Articles in Other Music
Jean-François Beaudin: Borrowing From The Old World And The New, Wendell B. Dobbs
Jean-François Beaudin: Borrowing From The Old World And The New, Wendell B. Dobbs
Music Faculty Research
The modern flute world is full of innovation. Every year brings a new assortment of changes intended to improve the design or functioning of the modern flute—a new head-joint or a new material, a design innovation such as the vertical flute or a new contrabass flute. Much more subtle are changes to the design of 18thcentury style flutes. Generally, modern makers of these instruments take careful measurements of particular antique flutes that are recognized for ease of playing and copy them. The innovations are most likely subtle—a new wood, gentle tweaking of the embouchure or a tone hole, or cosmetic …
Annual Concerto Competition, Arsen Jamkotchian, Grace Fong, Kelsey Steinke, Louise Thomas, Christina Cheon, Vivian Lu, Nickolas Kaynor, Clara Cheng, Lizbeth Sanchez, Janet Kao, Tim Mathiesen, Bella Staav, Matthew Bond, Conner Bogenrief
Annual Concerto Competition, Arsen Jamkotchian, Grace Fong, Kelsey Steinke, Louise Thomas, Christina Cheon, Vivian Lu, Nickolas Kaynor, Clara Cheng, Lizbeth Sanchez, Janet Kao, Tim Mathiesen, Bella Staav, Matthew Bond, Conner Bogenrief
Printed Performance Programs (PDF Format)
No abstract provided.
Timeline Of Creating The Original Performance Work, A Scotch Verdict, Cynthia Goatley, Rebecca Burkhardt
Timeline Of Creating The Original Performance Work, A Scotch Verdict, Cynthia Goatley, Rebecca Burkhardt
UNIversitas: Journal of Research, Scholarship, and Creative Activity
We first conceived the idea of writing a hybrid piece containing elements of opera and musical theatre in 1998. The musical, as we now call it, is based on Lillian Faderman’s Scotch Verdict, which revolves around the true story of Jane Pirie and Marianne Woods who ran a boarding school for girls in 1810 Edinburgh, Scotland. The accusation of one of their students, Jane Cumming, illegitimate grandchild of wealthy and powerful Dame Cumming Gordon, brought ruin upon the school and the schoolmistresses. Jane Cumming had accused the schoolmistresses of committing “unnatural acts” together. This tale told to Dame Gordon …
Pnc Recital Hall Lobby Dedication And Dvořák Opener
Early Childhood Music Conference
New Orchestra Director Jeffrey Turner
Interview With Dean Edward Kocher
Tempo Magazine Winter 2012 (Spreads)
Book Reviews, John M. Cipolla
Book Reviews, John M. Cipolla
Music Faculty Publications & Performances
Book reviews by John Cipolla of:
- Mandat, Eric. Chips Off the Ol' Block for Solo Bass Clarinet
- Rossini, Gioachino & Carlos Pässler. Divertimento for Clarinet & Piano
- del Aguila, Miguel. Pacific Serenade, Op. 59 for Clarinet & String Quartet
- Wilson, Jeffrey. Colour Studies for Clarinet
Care And Handling Of Historic Sound Recordings, Robert J. Hodge, James Meade
Care And Handling Of Historic Sound Recordings, Robert J. Hodge, James Meade
Treatment Manuals
Manual on the care and handling, and cleaning of historic sound recordings as practiced at the Belfer Audio Archive. Covers cylinders and discs (78s, LPs, ...). Document contains links to videos demonstrating these techniques.
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
Theatre Faculty Articles and Research
This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …
Investigating Young Children's Music-Making Behavior: A Developmental Theory, Paul G. Morehouse
Investigating Young Children's Music-Making Behavior: A Developmental Theory, Paul G. Morehouse
CGU Theses & Dissertations
We have many developmental theories contributing to our understanding of children as they meander steadfastly toward maturation. Yet, none have reported on how young children interpret the qualitative meaning and importance of their own music-making experiences. Music created by average, not prodigious, young children is perceived by adults as “play” music rather than “real” music. But do young children take the same view as adults? When Piaget speaks of the young child’s qualitatively unique view and experience of the world (Ginsberg & Opper, 1988), can we assume that his statement encompasses young children’s predispositions related to music-making?
Music is understood …
Implications Of Embodied Cognition And Schema Theory For Discerning Potential Meanings Of Improvised Rhythm, James Hiller
Implications Of Embodied Cognition And Schema Theory For Discerning Potential Meanings Of Improvised Rhythm, James Hiller
Books and Book Chapters by University of Dayton Faculty
Rhythm is an essential and therefore indispensable aspect of all music. Arguably, rhythmic elements are the most accessible of all the musical elements for clients in music therapy to produce and manipulate expressively (Hiller, 2011). Yet, theoretical understanding of rhythm and its use in musical expression is a neglected area of both music therapy (Bunt, 1994; Daveson & Skewes, 2002) and musicological inquiry (Gabrielsson, 1993; Kramer, 1988; Mead, 1999). However, the area of psychological investigation known as “embodied cognition” or “schema theory,” which has been constructively applied to composed tonal music, may prove fruitful in deepening our understanding of potential …
Quantz And Frederick The Great: Masters And Monarchs Of The Flute, Betsy Anne Groat
Quantz And Frederick The Great: Masters And Monarchs Of The Flute, Betsy Anne Groat
Honors Program Theses
The purpose of this thesis is to investigate the significant contributions that Quantz made as a flutist, composer, and pedagogue to the music world and in particular, to research the impact that Quantz had in the development of Frederick the Great as a virtuoso musician. The hope is to also illustrate the resulting significance of Frederick the Great as an important composer and flutist. This thesis is also intended to establish a case for the enduring significance of Frederick the Great and Quantz as significant flutists and composers and to encourage the acceptance of their compositions in the generally performed …
The Pollitics, Milieu And Music Of Black Metal, Darren Jorgensen
The Pollitics, Milieu And Music Of Black Metal, Darren Jorgensen
Sound Scripts
The genre of black metal music and its association with violence, Satanism and paganism offers an opportunity to think through the political dimensions of music. This essay argues against Ronald Bogue's depoliticisation of black metal through Deleuzian theory, instead defending the possibility of a politics that inheres to the form of different music. Violence, I argue here, is an extension of the milieu that black metal gave rise to.Musical experience correlates with political acts of church burning, black metal music carrying with it the politics of the milieu that it created.
Totally Huge New Music Festival Conference Program
Totally Huge New Music Festival Conference Program
Sound Scripts
No abstract provided.
Making A Way: Music In An African American Congregation, Emily Miller-Todd
Making A Way: Music In An African American Congregation, Emily Miller-Todd
Honors Program Theses
When I began brainstorming ideas for my research, I was initially drawn towards a general study of music's role in church settings. As a music major and religion minor, this topic appeared to be the most obvious way I could combine my interests and apply them to a research project. Broadly speaking, I was interested in describing the role of music in a worship setting and the meaning members of the congregation found in music. In addition, I wanted to develop a research project that allowed me a more thoroughly experiential understanding of music in a congregation through personal participation …