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Articles 1 - 12 of 12
Full-Text Articles in Other Music
Guitars With Ambisonic Spatial Performance (Gasp): An Immersive Guitar System, Duncan Werner, Emma Fitzmaurice, Bruce Wiggins, Matthew Hart
Guitars With Ambisonic Spatial Performance (Gasp): An Immersive Guitar System, Duncan Werner, Emma Fitzmaurice, Bruce Wiggins, Matthew Hart
The 21st Century Guitar
The GASP project investigates the design and realisation of an Immersive Guitar System. It brings together a range of sound processing and spatialising technologies and applies them to a specific musical instrument ‒ the Electric Guitar. GASP is an ongoing innovative audio project, fusing the musical with the technical, combining the processing of each stringʼs output (which we called timbralisation) with spatial sound. It is also an artistic musical project, where space becomes a performance parameter, providing new experimental immersive sound production techniques for the guitarist and music producer. Several ways of reimagining the electric guitar as an immersive sounding …
When Bonfá Meets Villa: Creative Processes In The Elaboration Of A Guitar Arrangement To Manhã De Carnaval By Luiz Bonfá (1922-2001), José D. T. Dos Santos
When Bonfá Meets Villa: Creative Processes In The Elaboration Of A Guitar Arrangement To Manhã De Carnaval By Luiz Bonfá (1922-2001), José D. T. Dos Santos
The 21st Century Guitar
This paper presents part of an artistic research where the focus is on elaboration of guitar arrangements. In the scope of the study here, my aim was to understand the implications of an ecological approach to music making based on the identification and use of guitar affordances. In particular, the elaboration of an arrangement of the song Manhã de Carnaval, by the Brazilian composer Luiz Bonfá (1922-2001). The process was informed by existing perspectives on arrangement (Sadie & Tirell, 2001), affordances (Gibson, 1977), tacit knowledge (Polanyi, 1966) and embodied meaning (Merleau-Ponty, 1968). Throughout the arrangement, excerpts of the music of …
Proceedings Of The 21st Century Guitar Conference 2019 & 2021
Proceedings Of The 21st Century Guitar Conference 2019 & 2021
The 21st Century Guitar
This volumeʼs contributions grew from 20 of the 94 scheduled keynotes, lectures and lecture-recitals of the first and second editions of The 21st Guitar Conference. Five items stem from the inaugural edition (2019, 44 contributions) and 15 from the second edition (2021, 50 contributions).1 This conference is unique in that it is centered on contemporary guitar research, performance and pedagogy.2 Previously, guitar research had gained increased visibility thanks to the International Guitar Research Centre, launched in 2014 (Stephen Goss, President), which regularly (co-)organizes conferences on guitar research; and Soundboard Scholar, launched in 2015 (Jonathan Leathwood, Editor) ‒ currently the only …
Microtunings, Complexity, Variability: A New Sound Map For The Guitar, Pascale Criton, Caroline Delume
Microtunings, Complexity, Variability: A New Sound Map For The Guitar, Pascale Criton, Caroline Delume
The 21st Century Guitar
How do microtunings help broaden the guitar's sound map and bring new musical possibilities? In this contribution, we present a set of works in which the guitar is tuned in the 72 or 96 equal temperament. They are representative of Pascale Critonʼs writing and were composed between 1996 and 2019. Each type of tuning favors its own map of harmonic relations and the generation of specific acoustic behaviors. We examine their structural, technical and expressive peculiarities and highlight how the writing and the instrumental gesture are renewed by these tunings.
Largo Teso: The Seven Studies For Guitar By Maurizio Pisati, Maurizio Pisati, Elena Càsoli
Largo Teso: The Seven Studies For Guitar By Maurizio Pisati, Maurizio Pisati, Elena Càsoli
The 21st Century Guitar
In this contribution, composer and interpreter talk about the Seven Studies from their respective points of view. Maurizio Pisati explains how he developed a new guitar, departing from a single study and arriving at the overall formal conception through timbres, techniques and articulations; and how the soloistic studies led him to a guitarled ensemble piece. Elena Càsoli deals with issues such as the score's indications and the instrumental techniques.
New Sounds On The Guitar, Agustín Castilla-Ávila
New Sounds On The Guitar, Agustín Castilla-Ávila
The 21st Century Guitar
The guitar is like an orchestra, claimed Andrés Segovia many times. I completely agree with this statement. I only must add that since Segovia mentioned it last time, the orchestra has quite changed. And so has the guitar. I would like to present my different approaches as a composer to this versatile instrument. I would like to demonstrate some of the new technical resources to obtain new sounds, which I have been exploring and using on the guitar in the last few years. Due to the adaptability of the instrument, I strongly believe that the guitar will take more and …
Classical Ukulele: Redefining The Ukulele, Samantha Muir
Classical Ukulele: Redefining The Ukulele, Samantha Muir
The 21st Century Guitar
Developed in Hawaii after 1879, the ukulele was first used as a strummed instrument to accompany the human voice and traditional hula dances of Hawaii. During the 20th century, as the ukuleleʼs popularity spread, it achieved notoriety amongst comedians and entertainers. Since the millennium a new generation of players have sought to define the ukulele as a serious instrument. The classical ukulele approach emerged in 2004 and until recently focused on creating arrangements. As the first person to do a PhD on classical ukulele, my research is forward looking in its aim of creating new contemporary classical works, and backward …
The Net Of Jewels: An Exploration And Shape-Based Guitar Pedagogy For Songwriters, Mark Simos
The Net Of Jewels: An Exploration And Shape-Based Guitar Pedagogy For Songwriters, Mark Simos
The 21st Century Guitar
This article offers an informal, summary description of the Net of Jewels (NOJ) method, a guitar pedagogy specifically targeted to songwriters writing songs on guitar. The core of the NOJ approach is a progressive sequence of activities that incorporate shape-directed exploration of the guitar fingerboard as an integral aspect, supporting insights about harmony and theory, advancement of guitar skills and technique, and innovative creative work. The article outlines NOJ's core concepts and teaching principles, describes NOJ's pedagogical sequence of topics and supporting exercises and other activities, and provides background on the method's origin and evolution. This description reflects the author's …
Notational Types In Scores For Guitar And Electronics, Belquior G. S. Marques
Notational Types In Scores For Guitar And Electronics, Belquior G. S. Marques
The 21st Century Guitar
Notation is one of the factors upon which the longevity of mixed music is dependent. In this paper, I first discuss how academic production has conceived representation in works with electronics and dealt with inherent problems. After, I present the nine representational strategies I have identified in repertoire for guitar and electronics. These notational types aid understanding how composers conceive the interaction between the acoustic and electroacoustic parts in mixed music performance. Their simultaneous use, even if redundant, can help understanding instrumental performance issues and contribute to the preservation of the electronic part. I conclude with some considerations about the …
Composing For Guitar Orchestra: Challenges And Advantages Of Homogeneous Orchestration, Jason Noble, Steve Cowan
Composing For Guitar Orchestra: Challenges And Advantages Of Homogeneous Orchestration, Jason Noble, Steve Cowan
The 21st Century Guitar
The term orchestration tends to invoke heterogeneous combinations of instruments, especially those of the symphony orchestra. But homogeneous ensembles, comprised of combinations of the same kind of instrument, also make up an important part of the musical and music-pedagogical landscapes. As we argue in this paper, orchestrating for homogeneous ensembles is grounded in the same perceptual principles as orchestrating for heterogeneous ensembles, and may be analyzed using the same taxonomy of orchestral effects. In general, effects based on perceptual similarity between sounds are facilitated in homogeneous orchestration, while effects based on perceptual difference require greater attention to detail on the …
Formalizing The FretboardʼS Phantasmic Fingers, Nathan Smith
Formalizing The FretboardʼS Phantasmic Fingers, Nathan Smith
The 21st Century Guitar
This paper shows how the symmetric group S4 can be used to analyze the manifold ways fingers connect with fretted instruments. S4, visualized as the symmetrical manipulations of a cube, consists of all possible permutations of four elements. Therefore, the operations can be used for the fingers of both the fretting and picking hands. I highlight two types of subgroups in S 4 , dihedral (𝔻8 and 𝔻6) and cyclic (ℤ4 and ℤ3), in order to analytically model the experiential differentiation between grouped and isolated conceptions of finger action, respectively. In addition to finger transformations, I define contextual operations that …
Modes Of Listening In The Interpretation Of Electroacoustic Music, Lauren Wilson
Modes Of Listening In The Interpretation Of Electroacoustic Music, Lauren Wilson
The 21st Century Guitar
A cursory look through the literature on modes of listening reveals a wealth of different ways to attend to oneʼs sonic environment. Authors in the literature describe various, nuanced modes to frame oneʼs listening, and yet the terms also have central commonalities. In this essay, I explain that bringing these authors into dialogue with one another in a way that emphasizes these commonalities provides a rich interpretive tool, particularly for electroacoustic music. These different listenings ultimately compose my analysis, and I suggest that consciously engaging with modes of listening can shape listener experiences of electroacoustic music in analytically fruitful ways. …