Other Music Commons^™

Negro Spirituals: The Long Journey West, Lavell Thompson, Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

This text seeks to explore the origins of Negro spirituals, and how they evolved, highlighting their arrival to Las Vegas, Nevada. It outlines the primacy of vocal music, particularly in reference to African American spirituals, and how they were shaped via the influence of African and European traditions. As it is impossible to address every type of spiritual created, the text focuses on a few types of spirituals—namely joyous accounts and spirituals that use codes for messages. Moreover, it seeks to create a comprehensive understanding of the origins of Las Vegas, because without acknowledging the contributions of the Mormon Church, …

The Development Of Violin Art In China And The Exchange Of Eastern And Western Elements: A Case Study Of Fritz Kreisler's Tambourin Chinois, Chengyu Ren

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Violin, often regarded as one of the most expressive and versatile instruments in the world, holds a central place in both Western and non-Western musical traditions. Its wide dynamic range, tonal flexibility, and unmatched capacity for nuanced expression have allowed it to transcend cultural boundaries and play a key role in the development of diverse musical genres. From classical symphonies and chamber music to folk, jazz, and even popular music, the violin's distinctive voice can be heard shaping the sonic identity of cultures across the globe. In the context of Chinese music, the violin's influence has grown significantly since …

Suite De Ballet By Gustav Holst: A Transcription For Wind Orchestra, Charles Greggerson

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document includes a wind band transcription of all four movements of Gustav Holst’s orchestral work Suite de Ballet, Op.10, H. 43. An overview of the background of the work and a historical background of the composer is included. The defense of transcriptions, criteria for selection of pieces and problems associated with the transcription process are examined along with the techniques utilized in the solution of problems within the context of this transcription.

A New Canon: Dismantling Racist Exclusion In Opera And Paving The Way For Inclusive Representation, Kourtney J. Holmes

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines the exclusion of African American opera from the traditional Western operatic canon and standard performance practices within educational institutions and professional organizations. The narrow conception of opera as a European art form has obscured the contributions and cultural significance of works by pioneering African American composers. This study addresses this gap and elevates neglected histories by arguing for African American opera's artistic merit and contemporary relevance within the American operatic tradition.

Through musical and historical analysis of representative works from the late 19th/early 20th centuries onwards, I aim to illuminate the genre's unheard tales of struggle, identity, …

Culturally Responsive Music Education: History And Applications In Instrumental Music Education, Brandilyn L. Davidson

UNLV Theses, Dissertations, Professional Papers, and Capstones

The foundations for music education in America were built upon Eurocentric values, utilizing both folk and classical music from western Europe to cultivate an American music curriculum that greatly marginalizes non-white students. This long-standing tradition of positioning European music as superior to all others by allowing it to dominate the school curriculum is viewed by some as structural racism. Over the last 50 years there has been significant theory, practice and research into decolonizing the music curriculum and providing social justice for students in the classroom. One method to achieve these goals is culturally responsive music education–a student centered theory …

Robert Starer And His Music, With A Focus On Solo Works For Trumpet, Allison Mcswain

UNLV Theses, Dissertations, Professional Papers, and Capstones

Composer Robert Starer was well-regarded in his lifetime but has fallen largely into obscurity. He had a unique and varied background that influenced his compositional style and musical philosophy, but except for his piano music, Starer’s works are largely unstudied. His musical style is complex and substantive, having been informed and influenced by his varied background, but the music is accessible to audiences and players of different levels. Additionally, his pieces allow much choice for the performer through the independence of the writing, free sections, musical accessory options, and performance alternatives, such as reordering movements or varied instrumentation options. This …

Ukrainian Violin Sonata: Performance Analysis Of Sonatas For Violin And Piano By Naum Lapynsky And Mykola Silvansky, Oleksiy Hamov

UNLV Theses, Dissertations, Professional Papers, and Capstones

The history of the development of the genre of chamber and instrumental sonata in Ukraine as a bright and original phenomenon is very rich, but is understudied by researchers around the world. The data for this study was collected through analyzing sonatas for violin and piano written in the 20th century, in particular, the works by Viktor Kosenko (1896-1938), Borys Lyatoshynsky (1895-1968), Naum Lapynsky (1900-1960), Myroslav Skoryk (1938- 2020) and Mykola Silvansky (1916-1985). The fact that the performance features of the sonatas by Naum Lapynsky and Mykola Silvansky are studied for the first time in the Ukrainian musicology allows to …

The Influence Of Volga Tatar Folk Music And Soviet Cultural Policies On The Orchestral Composers Of Kazan, Jane Katherine Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

After a brief historical overview of Volga Tatar history and Soviet political and historical contexts, this document begins with a detailed description of Volga-Tatar folk musical characteristics, including probable influences as described, analyzed, and transcribed by twentieth and twenty-first century Volga Tatar scholars. In this description, the author attempts to give the preferential voice to Tatar perspectives, such as the early ethnographers and Tatar ethnomusicologists from Kazan State Conservatory, the officials from the Union of Composers of the Republic of Tatarstan, and of course, the composers themselves. The author’s detailed discussion of folk music elements and genres is then followed …

Jazz Sampling Hip Hop: A View Of The Expanded Rhythm Section And The Musical Interactions Between Musicians And Machines, Molly Kaylynn Redfield

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a study on a musical fusion that I term “jazz/hip hop.” The study presents a historical overview of jazz/hip hop origins beginning with 1960s beat poets to jazz/hip hop artists emerging in the early 2000s. Modeled after Phillip Tagg’s and John Fiske’s semiotic methodology and William C. Banfield’s African American Cultural Theory and Heritage Model, the methodology defines the musical and cultural aesthetics of jazz/hip hop. Interviews from jazz/hip hop artists are presented; justifying the use of hip-hop aesthetics and countering the argument that commercial elements are added for mainstream recognition. I examine that samples musically interact …

An Orchestral Percussionist's Guide To Instruments Of The Caribbean, Lucas Brust

UNLV Theses, Dissertations, Professional Papers, and Capstones

Sparked by the introduction of Janissary percussion into the works of the First Viennese School, composers have been steadily expanding the musical responsibilities and tonal palette of the orchestral percussion section. Most institutions of higher education extensively address the traditional orchestral percussion instruments and only relatively recently have these institutions begun incorporating the more “exotic” percussion instruments from various indigenous musical traditions. With the resources and proposed performance practices suggested in this document, orchestral percussionists can gain the knowledge and familiarity to identify the instruments by name and construction, demonstrate fluency in technique and sound production, and display basic understanding …

The Beat Of A Subculture: A Study Of The History And Impact Of Non-Pitched Percussion In Early Hip-Hop, Jeffrey Michael Taylor

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a study of the origins and role of non-pitched, percussion-based samples in the history and development of the hip-hop genre. The survey presents an historical synopsis of hip-hop’s origins including the infrastructure of the genre, the DJ forefathers, and the music and drummers responsible for the subcultural emergence. Emphasis is placed on the specific genres of music that influenced the creation of hip-hop and the drummers responsible for the sounds that were appropriated to create new musical works. Influential drummers are examined, and transcriptions are given to aid the development of relevant drum set performance techniques. A …

Developing The Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young …

Beginning The Baroque Bassoon: A Contemporary Approach, Elizabeth Ellen Valvano

UNLV Theses, Dissertations, Professional Papers, and Capstones

“Beginning the Baroque Bassoon: A Contemporary Approach” is an introductory method for bassoonists who are interested in learning how to play the baroque bassoon or transitioning from the modern bassoon to its baroque counterpart. This method begins with a history of the development of the bassoon before delving into specific performance techniques. This approach includes bassoon history, information on reed making, instructional examples, fingering charts, solo suggestions and playing examples, and resources for further study. While emphasizing beginning the baroque bassoon, this method also includes resources for the more advanced bassoonist. The goal of this text is to widen the …

Sacred Song Sisters: Choral And Solo Vocal Church Music By Women Composers For The Lenten Revised Common Lectionary, Lisa Elliott

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores sacred music by women composers for the Revised Common Lectionary (RCL) of the Catholic and Christian churches. The study researches exclusively choral and vocal solo music by women composers for the church season of Lent. Other primary limitations include music in English, and music from the nineteenth century to the present. The main question answered in this document is: what sacred music has been published by women composers that may be programmed in church services?

This question is answered in the included appendices. These appendices list the music by women composers appropriate for the specific RCL readings …

Escaping Time: Messiaen’S Musical Language, Religious Symbolism, And Undermining Time In Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholars, including Robert Fallon and Wilfred Mellers, understand Olivier Messiaen’s Quatour pour la fin du Temps through the lens of war and captivity. Written during Messiaen’s imprisonment in the German prisoner of war camp Stalag VIII A during World War II, Quatour portrays the biblical “end of time” described in the book of Revelations. Messiaen drew connections between Quatour and the apocalypse with references to the angel of the apocalypse, the abyss, and the end of time. Messiaen, along with Étienne Pasquier, Jean Le Boulaire, and Henri Akoka premiered Quatour on January, 15th 1941, for their fellow prisoners and guards …

The Historical And Cultural Influences Of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.

The research …

An Infusion Of Eastern And Western Music Styles Into Art Song: Introducing Two Sets Of Art Song For Mezzo-Soprano By Chen Yi, Wen Zhang

UNLV Theses, Dissertations, Professional Papers, and Capstones

Chinese-American composer Chen Yi has been praised as "the most internationally renowned female Asian composer of contemporary music today," and she "has in particular become a prominent figure in music circles in the United States and China." Besides her successes in writing orchestral and chamber music, Chen Yi has also written numerous vocal compositions including some art songs. This document aims to introduce two sets of Chen's art songs written for mezzo-soprano voice, Meditation and Bright Moonlight, and study the features of these compositions that represent the unique style of her music, which is influenced by Chinese folk music idioms …

Influence Of Rap And Hip-Hop Lyrics On Male Body Image And Attitudes Toward Wwomen, Lorena Munoz

McNair Poster Presentations

Rap and hip-hop music are a widely popular and accessible genre of media. Its popularity and controversial lyrics raise questions as to the effects it may have on its audience. This study proposes to investigate the influence of rap and hip-hop music will be correlated with higher mean levels of thin-ideal appearance internalization (INT-GEN), negative attitudes towards women, and cultural expectations of masculinity compared to published normative data. Participants will complete online measures addressing questions about their body image (e.g. drive for muscularity) and attitudes toward women (e.g. objectification and misogyny). Future research should compare the influence of rap and …

Unlv Magazine, Cate Weeks, Tony Allen, Shane Bevell, Diane Russell, Brendan Buhler, Afsha Bawany, Erin O'Donnell

UNLV Magazine

No abstract provided.

2009- 2010 Unlv Mcnair Journal, Kathleen Bell, Danetta Bradley, Vacheral M. Carter, Nydia Diaz, Kathryn E. English, Sarah Harrison, Michelle Israel, Christina Macke, Erica Orozco, Pilar Palos, Sandra Ramos, Soraya A. Silverman, Susan Taylor, Sajar Camara, William Mccurdy, Yvonne C. Morris, Maxym V. Myroshnychenko, Ricardo Rios, Monique Sulls, Bremen Vance, Barbara Wallen

McNair Journal

Journal articles based on research conducted by undergraduate students in the McNair Scholars Program

Table of Contents

Biography of Dr. Ronald E. McNair

Statements:

Dr. Neal J. Smatresk, UNLV President

Dr. Juanita P. Fain, Vice President of Student Affairs

Dr. William W. Sullivan, Associate Vice President for Retention and Outreach

Mr. Keith Rogers, Deputy Executive Director of the Center for Academic Enrichment and Outreach

McNair Scholars Institute Staff

Inside Unlv, Diane Russell, Shane Bevell, Jennifer Vaughan

Inside UNLV

No abstract provided.

Unlv Magazine, Tony Allen, Afsha Bawany, Barbara Cloud, Holly Ivy De Vore, Gian Galassi, Matthew K. Jacobsen, Michelle Mouton, Erin O'Donnell, Shane Bevell, Cate Weeks

UNLV Magazine

No abstract provided.

Unlv Magazine, Gian Galassi, Vicki Smith, Erin O'Donnell, Lisa Shawcroft, Angela Sablan, Maria Phelan, Beth English, Eric Leake

UNLV Magazine

No abstract provided.

Unlv Magazine, Grace Russell, Gian Galassi, Shane Bevell, Karyn S. Hollingsworth, Jennifer Lawson, Lori Bachand, Cate Weeks, Erin O'Donnell, Peter Starkweather

UNLV Magazine

No abstract provided.

Inside Unlv, Diane Russell, Cate Weeks, David Ashley, Mamie Peers, Lori Bachand, Shane Bevell, Regina Vaccari, Jennifer Vaughan

Inside UNLV

No abstract provided.

Unlv Magazine, Carol C. Harter, Joe Cockrell, Tony Allen, Regina Bacolas, Lori Bachand, Jennifer Lawson, Bret C. Birdsong, Steve Parker, Erin O'Donnell, Jennifer Robison

UNLV Magazine

No abstract provided.

Inside Unlv, Diane Russell, Shane Bevell, Carol C. Harter, Cate Weeks, Mamie Peers, Regina Vaccari

Inside UNLV

No abstract provided.

Inside Unlv, Shane Bevell

Inside UNLV

No abstract provided.

Inside Unlv, Diane Russell, Cate Weeks, Carol C. Harter, Mamie Peers

Inside UNLV

No abstract provided.

Inside Unlv, Cate Weeks, Carol C. Harter, Holly Ivy De Vore, Gian Galassi, Diane Russell

Inside UNLV

No abstract provided.