Other Music Commons^™

“No Soy Una Santa Pero Estoy Blessed”: El Álbum Lux, La Lingüística, Y Rosalía Como Una Santa Moderna, Abigail H. Gustafson

Scripps Senior Theses

Esta tesis analiza el álbum LUX (2025) de Rosalía como un proyecto artístico que fusiona la espiritualidad, la lingüística y la identidad femenina en un contexto contemporáneo y globalizado. A través de referencias a figuras religiosas femeninas como Anandamayi Ma, Santa Rosa de Lima y Rabia Basri, Rosalía reinterpreta el concepto tradicional de la santidad y propone una visión moderna de la feminidad. Este análisis se apoya en la teoría de la performatividad de género de Judith Butler, argumentando que la identidad femenina en LUX se construye de manera fluida, múltiple y no limitada por categorías culturales o religiosas rígidas. …

Répertoire Kabyle Culturel Immatériel Ou Comment (Re) Penser L’Oralité : De La Fixation Écrite Au Numérique, Katia Bellal

Journal of Amazigh Studies

L’oralité reste l’outil incontournable de la préservation et de la transmission du répertoire culturel et immatériel amazigh. Après avoir conquis l’écrit, la tradition orale a su se renouveler grâce aux nouvelles technologies. Les plateformes numériques telles que les réseaux sociaux comme YouTube donnent accès à une représentation numérique de la culture orale amazighe. Ces plateformes numériques incarnent de nouvelles opportunités de partage de cet héritage immatériel à travers les médias sociaux. Cet article explore cette nouvelle expérience de l’oralité, ses manifestations, et ses conséquences, tel que par exemple le fait de s’affranchir de certains tabous et traditions.

Mots-clés : Oralité …

Hearing Idir In Bouïra, Hugh Roberts

Journal of Amazigh Studies

N/A

Farida Aït Ferroukh, Kateb Yacine Et Debza Au Cœur Du Printemps Berbère, Mestafa G'Idir

Journal of Amazigh Studies

N/A

Mehenna Mahfoufi, Chants Et Poèmes De La Kabylie Dans La Lutte De Libération. Algérie 1954-1962, Marielle Rispail

Journal of Amazigh Studies

N/ A

Protest Music In Response To The United States’ Oppressive Political Culture: An Analysis Of Beyoncé'S "Freedom" And Janelle Monáe's "Americans", Jessica Torrey

HMC Senior Theses

This paper aims to study a popular musical artist’s responsibility towards the empowerment of marginalized communities in the United States through an analysis of the songs “Freedom” by Beyoncé and “Americans” by Janelle Monáe. These songs will be analyzed in conjunction with the political climate during the time of their fabrication and release as well as the political climates discussed in the songs themselves. This paper presents a thorough analysis of the lyrical and musical components of both songs as well as an analysis of a specific performance of both songs. These analyses will be presented in conversation with many …

International Music Preferences: An Analysis Of The Determinants Of Song Popularity On Spotify For The U.S., Norway, Taiwan, Ecuador, And Costa Rica, Brendan Joseph Suh

CMC Senior Theses

This paper examines data from Spotify’s API for 2017-2018 to determine the effects of song attributes on the success of tracks on Spotify’s Top 200 Chart across five different countries: the U.S., Norway, Taiwan, Ecuador, and Costa Rica. Two dependent variables are used to measure the success of a song – a track’s peak position on the charts and the number of days it survives on a country’s Top 200 Chart. Using ten separate regressions, one for each dependent variable in all five countries, it is concluded that the presence of a featured guest on a track increases a song’s …

"Woven Into The Deeps Of Life": Death, Redemption, And Memory In Bob Kaufman's Poetry, Peter Davis

Pomona Senior Theses

The scholars who have taken up the task of writing about Bob Kaufman have most often done so in response to a perceived demand: the lack of Kaufman scholarship, readership, anthology, publicity, canonization. The basis of this need is clear: Kaufman is almost never included as even a third-string Beat, a fringe Surrealist, or an underappreciated Jazz performer. To the committed readers of Kaufman – and almost all of his readers seem to be committed ones – it’s unforgivable. These various canons, major (mid-century American poets, Beat poets) and minor (Jazz poets, American Surrealists), are clearly missing one of their …

"Orchestral Conducting In The Nineteenth Century," Edited By Roberto Illiano And Michela Niccolai, Clive Brown

Performance Practice Review

Clive Brown discusses this 2014 publication, edited by Roberto Illiano and Michela Niccolai.

Illiano, R., M. Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, 2014.

ISBN: 9782503552477.

Report On Ams, Kenneth M. Cotich, Holly Gardinier

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This presentation summarizes and evaluates the American Musicological Society's website as a reference tool for music scholars. Evaluation methods used come from Laurie Sampsel (2012) and Holly Gardinier (2015).

Self-Expression Through The String Quartet: An Analysis Of Shostakovich's String Quartets No. 1, No. 8, And No. 15, Ariane C. Gushue

Scripps Senior Theses

As a little boy, Dmitriĭ Dmitrievich Shostakovich pressed his ear against the wall to hear his neighbors play chamber music. He matured into one of the most prominent Soviet era composers. While the majority of academic interest Shostakovich centers on his symphonic works, his string quartets provide a window into a more intimate facet of Shostakovich’s life. This thesis explores first, why Shostakovich turned to the string quartet after some of the most fearful years of his life: his demise and rise after the scathing Pravda letter that all but threatened his life. Second, this thesis analyzes three of Shostakovich’s …

And I Heard 'Em Say: Listening To The Black Prophetic, Cameron J. Cook

Pomona Senior Theses

This thesis aims to explore how conceptions of the black prophetic tradition, as discussed by thinkers Cornel West and George Shulman, might be expanded into the realm of African American musical traditions and genres. I argue that musical genres like the blues and hip-hop function as an affective discourse that aesthetically, politically and religiously function as sites of resistance to white supremacy and provide alternate pathways to liberation as compared to more canonical instantiations of the black prophetic. In particular I provide close readings of performances and art by Nina Simone and Kanye West.

The Genre Formerly Known As Punk: A Queer Person Of Color's Perspective On The Scene, Shane M. Zackery

Scripps Senior Theses

This video is a visual representation of the frustrations that I suffered from when I, a queer, gender non-conforming, person of color, went to “pasty normals” (a term defined by Jose Esteban Munoz to describe normative, non-exotic individuals) to get a definition of what Punk meant and where I fit into it. In this video, I personify the Punk music movement. Through my actions, I depart from the grainy, low-quality, amateur aesthetics of the Punk film and music genres and create a new world where the Queer Person of Color defines Punk. In the piece, Punk definitively says, “Don’t try …

Musical Missteps: The Severity Of The Sophomore Slump In The Music Industry, Shane M. Zackery

Scripps Senior Theses

This study looks at alternative models of follow-up album success in order to determine if there is a relationship between the decrease in Metascore ratings (assigned by Metacritic.com) between the first and second album for a musician or band and the 1) music genre or 2) the number of years between the first and second album release. The results support the dominant thought, which suggests that neither belonging to a certain genre of music nor waiting more or less time to drop the second album makes an artist more susceptible to the Sophomore Slump. This finding is important because it …

Disidentified Masculinities, Jacqueline Hope Freedman

Scripps Senior Theses

My capstone is a conversation of the Millennial Generation’s views of individual identity and masculinity, with the hopes of deconstructing the socially constructed and exclusive notions of masculinity by defining a generation’s “common sense.”

My piece is inspired by the portraiture of Chad States in Masculinities (2011) as well as Loren Cameron’s work in Body Alchemy: Transsexual Portraits (1996). The theoretical basis of my project relies heavily on Antonio Gramsci’s concept of “common sense” as well as José Esteban Muñoz’s disidentification. Common sense refers to an instinctual, “uncritical and largely unconscious way of perceiving and understanding.” It “is a collective …

The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green

CMC Senior Theses

The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.

"Stradivari" By Stewart Pollens, Peter Walls

Performance Practice Review

Peter Walls discusses and reviews Pollens 2010 work.

Pollens, Stewart. Stradivari. Cambridge: Cambridge University Press, 2010.

ISBN 978-0-52187-304-8

From Profane To Divine: The Hegemonic Appropriation Of Pagan Imagery Into Eastern Christian Hymnody, Jordan Lippert

Scripps Senior Theses

Spanning the first seven centuries of Christianity, this paper explores how Eastern Christian and Byzantine hymn chant was developed alongside pagan and Jewish worship traditions around the Near East. Comparison of hymns by Christian composers such as St. Romanos the Melodist and pagan poetry reveals many similarities in the types of metaphorical imagery used in both religious expressions. Common in Christian hymn texts, well-known metaphors, like the “Light of God,” are juxtaposed with pagan mythological gods, such as Apollo and Helios. This paper attempts to explain how and why Christians appropriated and adopted ancient pagan imagery into the burgeoning musical …

Investigating Young Children's Music-Making Behavior: A Developmental Theory, Paul G. Morehouse

CGU Theses & Dissertations

We have many developmental theories contributing to our understanding of children as they meander steadfastly toward maturation. Yet, none have reported on how young children interpret the qualitative meaning and importance of their own music-making experiences. Music created by average, not prodigious, young children is perceived by adults as “play” music rather than “real” music. But do young children take the same view as adults? When Piaget speaks of the young child’s qualitatively unique view and experience of the world (Ginsberg & Opper, 1988), can we assume that his statement encompasses young children’s predispositions related to music-making?

Music is understood …

A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley

Performance Practice Review

The unequal temperaments of Stanford's Fisk organ should be modified to reflect more accurately the characteristics of Renaissance and Baroque keyboard tunings.

The Mexican Hydra: How Calderón's Pursuit Of Peace Led To The Bloodiest War In Mexican History? Will The Mexican People Inherit A Failed State In 2012?, Marco A. Pinon-Farah

CMC Senior Theses

THE MEXICAN HYDRA: HOW CALDERÓN’S PURSUIT OF PEACE LED TO THE BLOODIEST WAR IN MEXICAN HISTORY. WILL THE MEXICAN PEOPLE INHERIT A FAILED STATE IN 2012?

Abstract

Marco Antonio Pinon-Farah

The drug-war in Mexico (2006-present) has accelerated at a chilling rate, claiming the lives of 35,000 Mexican people. Since President Felipe Calderón assumed office, Mexico has been battling an internal beast unlike any it has known, the Mexican Hydra. Like the mythical creature, the Mexican cartels have proven capable of not only combating the government forces, but also of regenerating and strengthening themselves in the face of increasing government scrutiny …

The Electro-Acoustic Music Of Frederick Lesemann, Bill Alves

All HMC Faculty Publications and Research

A survey of the electro-acoustic music compositions of Frederick Lesemann from 1970-2004.