Other Music Commons^™

Practice Habits Among Collegiate Music Majors: Relationships With Everyday Self-Regulatory Behaviors, Lydia Stricker

Honors Projects

This study examined self-regulatory behaviors among collegiate musicians. In the fall of 2022, a total of 73 participants from a large midwestern university responded to an online questionnaire soliciting information regarding self-regulatory behaviors both in and outside of the classroom. Items were adapted from the Carey, Neal and Collins Short Self-Regulation Questionnaire (2004). Findings support previous research suggesting a strong, positive relationship between everyday self-regulatory behaviors and those demonstrated in the practice room. Implications include a discussion on the possibility of transferring self-regulation strategies from one domain to the other.

Changing Stem To Steam: An Analyzation On The Effects Of Art Integration Up To The University Level, Elizabeth Richmond

Honors Projects

This Honors Project is a combination of an artistic, creative project and a research driven analysis. The focus of this project is to research and understand the effects the arts have on both general students and STEM students in particular, what benefits come from art education and art integration, and if STEM students benefit from art integration. This goal was accomplished through a literature review and annotated bibliography featuring 18 sources. Another goal of the project was to understand where I fit into the research. In my creative portion of the project, I explored and analyzed how the arts affected …

Selections From Wagner's "Wesendonck Lieder" Arranged For Alto Saxophone And Piano, Kaitlyn Grella

Honors Projects

Arrangements of Im Treibhaus and Träume from Richard Wagner's Wesendonck Lieder for alto saxophone and piano, with accompanying program notes.

Tubular!!: Works For Tuba(S), Christian Bush

Honors Projects

Tubular!! is an album that was produced during the Spring and Summer of 2021. It was made possible through the support of many friends, colleagues, and mentors, and will serve as a cornerstone upon which to build my career as a performer and a recording engineer. The album and liner notes can be found on my website: https://www.christianbush.com/tubular. The appendix at the end of this paper contains screenshots of the website.

Market Research On Student Concert Attendance At Bgsu's College Of Musical Arts, Mary Solomon

Honors Projects

Bowling Green State University boasts a well established College of Musical Arts which holds concerts performed by esteemed faculty, prestigious guest artists, and students. The school hosts these events in Kobacker Hall and Bryan Recital Hall which can accommodate up to 800 and 250 audience members, respectively. However, performances in Kobacker hall only fill one- fourth of the 800 seats, on average. Why is this so? This project aims to investigate the factors that influence students’ decisions to attend concerts at the College of Musical Arts (CMA). By methodology of survey research and statistical analysis, this project will look into …

Geographic Analysis Of Marching Band Culture (College And High School Ensembles), Steven Deamon

Honors Projects

Each marching band defines “culture” as their ensemble’s decisions on marching style, music choice, band size, instrumentation, and performance obligations. This study aims to categorize marching bands by cultural features, test if marching band characteristics are similar across a region, and explore how these trends in band culture relate to other demographic and socioeconomic trends. Research focused on bands in the Midwest and Southeastern United States and was conducted through video observation. Through analysis, it was found that most marching bands surveyed use a corps step, perform music of artistic merit, have between twenty-one and one hundred marchers, perform with …

Metacognition? Never Heard Of Her, Brigid A. Cavins

WRIT: Journal of First-Year Writing

No abstract provided.

Hear We Are: Investigating Sonic Inequality Within Bowling Green, Ohio, Declan Wicks

Honors Projects

Using the framework of Steven Feld’s “acoustemology,” Hear We Are examines the sonic structures of Bowling Green and their effects on, and representation of, diverse communities within Bowling Green. Through modeling the sonic landscape of Bowling Green, Ohio in relation to aggregated census data, Hear We Are explores how the city of Bowling Green has been spatially and sonically organized – whether along lines of class, race, or education. Ultimately, Hear We Are offers a narrative of sound within Bowling Green while reflecting on the consequences of living within different soundscapes, i.e., sonic inequality

Using the theoretical framework of placemaking …

Playing Without Pain, Francesca Leo

Honors Projects

Musicians across all career stages experience performance-based pain and injury, and due to demanding rehearsal and performance schedules, collegiate musicians are uniquely vulnerable to these conditions. To provide collegiate musicians the most effective coping mechanisms for performance-based pain and injury, it is important to first understand the extent to which collegiate musicians are affected by these conditions. The purpose of this multi-tiered study was to create a customized web resource to connect collegiate musicians with local, accessible treatment and prevention options. An initial questionnaire was distributed to music students attending Bowling Green State University, and this questionnaire received 45 valid …

How Does Music Connect The Artist And Fans?, Jacob Garringer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

This paper discusses the connection that subcultures and fan-bases of certain musical acts feel with their favorite artists on an emotional and psychological level. Analyzing the lyrical content of rock artists Kurt Cobain, Layne Staley, Chris Cornell, and Chester Bennington, all of which suffered from depression and/or addiction and eventually committed suicide, this paper aims to look at how the lyrics of their songs connect their experiences in real life to their fans who may be suffering the same illnesses, and how they could be seen as a cry for help.

“The Real Spice Girl, Hot Girl Power”: M.I.A. Singing The Subaltern Voice In The Euro-American Soundscape, Emma Niehaus

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Gayatry Chakravorty Spivak’s seminal work of Subaltern Studies, “Can the Subaltern Speak?” analyzed the predisposition of the “Western” academy to ultimately silence the voices, experiences, and cultures of colonized, “third world” and non- European “others”. Following Spivak’s work, other scholars examined subaltern speech as it manifested in various other cultural products for instance, music. Notably, subaltern scholars such as Rebecca Romanow and Amanda Weidman in “Can the Subaltern Sing” argued that aural space for the subaltern musician was shrinking in the face of a rapidly globalizing Euro-American music industry. My presentation argues that it is not a question of if …

Marching Band And The College Transition, Jessica Fix

Honors Projects

The relationship between college student engagement and personal growth has been studied for decades. However, involvement in specific types of organizations or activities has not been researched as in-depth. This study examined involvement in college marching band specifically and how it affects transition into college and overall growth and learning of college students. This study analyzes quantitative data of all marching band participants at Bowling Green State University in the most recent year (2016-2017), as well as qualitative data retrieved through focus group sessions with first year marchers and returning marchers. Results of this study suggest that involvement in marching …

Moody Blues: The Social Web, Tagging, And Nontextual Discovery Tools For Music, Susannah Cleveland, Gwen Evans

University Libraries Faculty Publications

A common thread in discussions about the Next Generation Catalog is that it should incorporate features beyond the mere textual, one-way presentation of data. At the same time, traditional textual description of music materials often prohibits effective use of the catalog by specialists and nonspecialists alike. Librarians at Bowling Green State University have developed the HueTunes project to explore already established connections between music, color, and emotion, and incorporate those connections into a nontextual discovery tool that could enhance interdisciplinary as well as specialist use of the catalog.

Rediscovering Toscanini: The Man Behind The Legend, Mark Mcknight, Susannah Cleveland

University Libraries Faculty Publications

Focuses on the Don Gillis Collection, which the University of North Texas Music Library acquired after Gillis's death in 1978. Gillis, a longtime associate of Arturo Toscanini, served as the conductor's assistant and the producer for the NBC Symphony broadcast concerts from 1944 until they ended ten years later. The collection includes hundreds of tape recordings, among them complete tapes of the NBC Radio programsToscanini: The Man Behind the Legend and Toscanini: The Centennial Series, and the interviews conducted for these two programs.