Other Music Commons^™

Sing Lustily And With Good Courage: Reinventing Methodist Hymns In The Context Of The Indonesian Methodist Church, Budi Taniwan

Doctor of Pastoral Music Projects and Theses

The majority of Methodist churches continue to uphold the legacy of hymn singing, a practice highly esteemed by early Methodists. John and Charles Wesley employed hymns alongside sermons as a means of teaching Methodist theology, shaping Christian discipleship, and forming Methodist identity. However, in contemporary times, Indonesian Methodist churches recite fewer doctrinal hymns. Inadequate early translations, the absence of authentically Indonesian Methodist hymns, and the emergence of contemporary Christian music have contributed to this decline. Changes in liturgy, worship culture, and technology have also transformed the way congregations learn and sing their faith. This study explores the historical and theological …

Love In Passing Time, Elysa T. Adams

Masters Theses

Elysa Adams, 2026

Love in Passing Time reflects on how the Black church has molded my understanding of faith, family, and community. Working across relief, screenprint, sculpture, and sound, my practice explores how knowledge is shared across generations through music, tradition, and adornment.

The exhibition draws on my upbringing as a pastor’s child, in which the church serves as both a spiritual and communal home. These experiences appear through sculptural paper garments based on childhood memories, tambourines featuring the faces of people who have impacted my life, carved portraits of my grandparents, and sculptural pews that reference the architecture of …

Tuning The Neighborhood: Purifying People, Places, And Environments In Suburban Kolkata, Sourav Saha

Yale Journal of Music & Religion

In modern science, disciplines such as physics, mechanical and civil engineering, seismology, and acoustics have conceptualized vibration as a quantifiable mechanical phenomenon, measured through the metrics of frequency, amplitude, and resonance. In contrast, scholarship in anthropology, musicology, and sound studies has approached vibration as a socio-historical, cultural, and political phenomenon. This article examines how vibration (spandan) operates as a metaphysical, sensory, and ethico-affective force that mediates relations among people, places, and environments. Focusing on the practice of satsang adhibesan (devotional congregation), the article demonstrates how members of the Deoghar-Satsang community participate in sonic rituals of prayer, silent chanting, meditation, sacred …

“No Soy Una Santa Pero Estoy Blessed”: El Álbum Lux, La Lingüística, Y Rosalía Como Una Santa Moderna, Abigail H. Gustafson

Scripps Senior Theses

Esta tesis analiza el álbum LUX (2025) de Rosalía como un proyecto artístico que fusiona la espiritualidad, la lingüística y la identidad femenina en un contexto contemporáneo y globalizado. A través de referencias a figuras religiosas femeninas como Anandamayi Ma, Santa Rosa de Lima y Rabia Basri, Rosalía reinterpreta el concepto tradicional de la santidad y propone una visión moderna de la feminidad. Este análisis se apoya en la teoría de la performatividad de género de Judith Butler, argumentando que la identidad femenina en LUX se construye de manera fluida, múltiple y no limitada por categorías culturales o religiosas rígidas. …

Spell Of Forty Small Failings, Erin B. Ehren

Theses and Dissertations

Spell of Forty Small Failings is a collection of images and writings that draws from an unruly range of literary forms, academic disciplines, and religious cannons in order to address the Divine—all that which exists on account of the phenomena of what it is to see and be seen: to hear and be heard: to touch and be touched: to know and be known, and through that knowing proceed beyond mediation. I wrote this thesis for me in the hopes that all along I was writing for you.

Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel

Yale Journal of Music & Religion

This article explores the performativity of timbre, summarizing key perspectives from the English-language scholarship on the topic and setting them in conversation with Latin American perspectives on timbre. In addition, it examines a performance of “500 Graus” (500 degrees), a song performed by Brazilian Pentecostal artists Cassiane and Shirley Carvalhaes, to demonstrate how the performativity of timbre unfolds within a particular expression of Latin American religious musicking. In doing so, it investigates the phenomenon of timbre between music and sound studies, and theology and church music studies, providing insights relevant to the study of timbre and the study of religious …

Timbre — A Transcendent Paradox?, Eugenia Siegel Conte

Yale Journal of Music & Religion

Timbre, as ethnomusicologist Cornelia Fales writes, is “paradoxical” precisely because it is one of the most exacting processes in which the human body may sense and comprehend the source of a sound even as that comprehended sound is impossible to describe outside of metaphor or comparison. As one of the more recognizable qualities of sound but the most difficult to describe, timbre allows us to consider physical/emotional (affective) experiences of sound as a key aspect of faith and meditation. In this article, I examine physical-affective intersections of faith and meditation that often are key to praxes of worship, and show …

Live Wires: The Angelus Temple And The Timbre Of Power, Catherine Provenzano

Yale Journal of Music & Religion

This article is a media history and contemporary case study of The Angelus Temple in Los Angeles, founded by Aimee Semple McPherson in 1923. My analysis of the Angelus insists upon the centrality of a hyperaudible paradigm of worship that uses media to maximize the legibility of a Christian message, and, more than this, imagines that media itself as a living soul in need of redemption. Many contemporary megachurches employ savvy applications of sound and sound transmission as instruments of belonging as well as action, and these rely on high-budget investments in church infrastructure, software and personnel. I argue that …

From The Heaviest, Dirtiest Depths To The Washy Ambient Clouds: Guitar Timbre In/As Schismogenesis In North American Christianity, Joshua K. Busman, Nathan Myrick

Yale Journal of Music & Religion

This essay argues that within the socio-cultural context of North American Christianity, the timbral qualities of electric guitar, with its long lineage as a site of cultural values conflict and identity negotiation, serves a theological function in the emerging and cohering sonority of digital worship. Using as comparative case studies the timbral qualities of delay and ambience as promoted and sold by Worship Tutorials as representing normative sonic values for these Christians, on the one hand, and the dialectic and schismatic deployment of distortion by the band My Epic on the other, we suggest that these timbral qualities become important …

Sounds Like 'Saudade': Eschatological Echoes In Brazilian 'Gospel' Music, Fernando Berwig Silva

Yale Journal of Music & Religion

This paper analyzes the song “Saudade” by the Brazilian gospel singer Stella Laura. In the song, I argue that Stella Laura uses Brazilian timbral markers from the Sertanejo and Gospel Brazilian music genres to articulate a unique perspective on eschatology, one that is based on the affective structure of the Lusophone word ‘saudade.’ Furthermore, I contend that the song, rooted in the Brazilian nostalgic sertanejo music tradition, leans on stylistic and timbral tools to communicate the idea of saudade from heaven. Beyond lyrics that feature theological notions of origin, identity, and nostalgia, Stella Laura’s song employs timbral, poetic, …

Music In The Catholic Church: An Analysis Of Hymns And Congregational Singing In Roman Catholic Churches In The United States, Andrew T. Medrick

Senior Theses

This thesis examines the musical dilemma in the American Catholic Church, highlighting issues such as inappropriate musical selections for the Mass and a profound lack of congregational singing. Through a literature review of Vatican documents, expert opinions, and hymns, I analyze the criteria for music used in the Mass, identify common failures of musical selections presented in many Catholic churches, and offer practical guidance to improve sacred music in parishes and dioceses. I conclude that music used in the Mass must be sourced primarily from Sacred Scripture, in full conformity to the doctrines of the Roman Catholic Church, and easy …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan I. Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …

“Christ For The World We Sing”: What Twentieth-Century Churches Of Christ Sang About Missions, Monty L. Lynn, Derran Reese, Kelly Cross Elliott, D. J. Bulls

Management Sciences

What twentieth-century members of acapella Churches of Christ sang to one another about missions informed, reinforced, and reflected congregational perspectives and practices. Fifty-four missions hymns from hymnals used within Churches of Christ suggest thirty-nine themes that encourage urgent and empathetic responses to spiritual distress, near and far. Hymns resonate with the trajectories of missions among Churches of Christ and provide insight into the ethos of congregations.

Luther’S Musical Legacy In The Preaching Of His Students, Robert Kolb

Consensus

No abstract provided.

Frozen Ii And Girls’ Spiritual Formation: How The Music Of An Animated Musical Resonates With Girls And Women, Cristen Mitchell

Doctor of Pastoral Music Projects and Theses

Frozen II (2019) is a popular Disney animated movie for children and depicts striking spiritual elements while weaving in feminist practices such as justice and equity, and feminist theology through representations of female spirits and connection to the earth. Through this movie, its themes, and the historical exclusion of women in the church, this thesis seeks to show that representation of women in the divine is an important, and necessary part of the spiritual and psychological development of girls and women. The methods of this thesis include exploring the following synchronicities:

1. Parallels between feminist issues in the church and Walt …

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The Technical Code For Worship: Inquiry Of Technological Use In Corporate Musical Worship, Rayah Smith

Senior Honors Theses

There are many people who have researched and written on the topic of technology in corporate musical worship. The research reveals eight biblical principles for the use of technology in those contexts as follows: technology in corporate musical worship is meant to be practical; is meant to help the Church communicate; is meant to be driven by the Holy Spirit; is meant to be intentionally efficient; is meant to encourage a unified heart of worship to God; is meant to communicate the gospel; is meant to reflect and amplify God; and is meant to be done with hearts pleasing to …

Singing Common Ground: Inshallah Offers An Embodied Response To Polarization To An Interfaith Audience, Debbie Lou Ludolph, Héctor A. Acero Ferrer

Consensus

No abstract provided.

Religious Musical Art Of Ukraine In The Conditions Of Cultural Transformations, Maksym Melnychuk, Oleh Sokolovskyi

Occasional Papers on Religion in Eastern Europe

The article explores Ukrainian religious musical art and highlights the transformative aspects of the development of Ukraine's spiritual music against the backdrop of cultural and historical changes. This phenomenon is analyzed as both a manifestation of the religiosity of the Ukrainian nation and its spiritual essence, as well as the result of the creative pursuits of composers--their doubts and efforts to infuse musical harmony with religious meaning and envelop their works with profound Christian significance. Spiritual music manifests and functions in various spheres of social existence but most naturally, fully, and effectively demonstrates its “life parameters” within temple and church …

Worshipers At War: The Church’S Call To Praise On The Frontlines, Keely Cox

Senior Honors Theses

As spiritual warfare wages on and battles are constantly fought, the worship leader must understand the power of worship the Church wields in the love and strength of the Lord. In order for the role of the worship leader to be fully recognized and understood as a significant part of the body of Christ, its unique history must also be examined. It can be seen in the appointment of the Levites to the ministry of the Israelite tabernacle and their leadership on the battlefield. It can be found in first-century Christian leaders who persisted to praise the one true God …

Ruth Duvall Crawford’S Wonderful Career In Music And Evangelism, Dan D. Crawford

Zea E-Books Collection

This book is a study of the career and ministry of Ruth Duvall Crawford (1916–1986), the wife of prominent evangelist Percy Crawford (1902–1960). As pianist for Percy’s evangelistic team and director of music for his various evangelistic enterprises, Ruth put together an ensemble of 40–50 musicians, and produced hundreds of high-quality music programs, geared to Percy’s nationwide radio and television audiences. These programs set a new standard of performance in evangelical circles in the Northeast and Central United States in the 1930s and 40s. In the process of building this musical program, Ruth developed a format and an original style …

Editor’S Note, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

This special issue of Monsoon is dedicated to the studies honoring the goddess traditions in South Asia. The onset of the Monsoon Season in South Asia typically commences in June and continues until late August and early September. The publication of this issue, therefore, has been strategically timed to coincide with that season, which is a vital source of sustenance for millions of individuals in this part of the world. This anthology consisting of five papers—written by scholars with expertise in the field of goddess and women studies—speak unequivocally about the goddesses or women for their strength, beauty, wisdom, and …

Constructing Jain Goddess Padmavātī In Gujarati Literature, Venu Mehta

Monsoon: South Asian Studies Association Journal

Worship of the goddess Padmāvatī emerged more than a thousand years ago. This article explores three songs about her in Gujarati by Paṇḍit Vīrvijayajī (1773-1852). By analyzing the style and form of his work, one learns a great deal about devotional liturgies that commemorate goddess Padmāvatī’s protection of the Jina Pārśvanātha and, in turn, his protection of her.

Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu

Monsoon: South Asian Studies Association Journal

Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.

Mai Bhago And Amrita Devi Bishnoi: Women Of Strength, Sowmya Ayyar

Monsoon: South Asian Studies Association Journal

Mai Bhago (1670-1720), also known as Bhag Kaur, distinguished herself on the battlefield to defend the Sikh faith. Amrita Devi Bishnoi (d. 1730) is said to have sacrificed her life with 362 others to protect the Khejari trees in the Rajasthan desert. Both women continue to inspire social justice and ecological activism.

An Examination Of Gandhian Economic And Political Thought And Its Relevance To The Empowerment Of Women, Purnima Mehta Bhatt

Monsoon: South Asian Studies Association Journal

Mahatma Gandhi (1869-1948) sought to alleviate poverty and empower women. His commitment to nonviolence and the economic ideal of “small is beautiful” continue to inspire grassroots movements around the globe. This article discusses the Chipko movement of northern India, the protection of rain forests in Kerala’s Silent Valley, the Self Employed Women’s Association (SEWA), and Medha Patkar’s valiant though ultimately futile attempt to save the Narmada River from a massive government damming project. The ongoing legacy of these movements can be found in AWAG, the Ahmedabad Women’s Action Group and Women’s Shanti Sena (Peace Force).

Indigenous Stitch-Arts Of India: Tradition And Revival In A Global Age, Punam Madhok

Monsoon: South Asian Studies Association Journal

Stitch art allows for the creative expression and economic support of countless women throughout India. This article examines four notable styles: chikankari, flora and fauna stitched in white thread on fine white cotton, rabari, the stitching of mirrors into colorful cloth, phulkari, resplendent flowery motifs sewn into shawls in Punjab, and kantha, Bengali patch work yielding quilts and seating mats. In addition to describing each technique, this article discusses how women have been economically empowered through this art by such organizations as Self-Help Enterprise (SHE) in Kolkata and Adithi, a women’s cooperative, in Bihar.