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Full-Text Articles in Musicology
Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, James Ryan
Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, James Ryan
The Research and Scholarship Symposium (2013-2019)
The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life’s work was that of the Protestant Reformation and the theology of the Lutheran church. Through this research, it is evident that Bach strongly held to the doctrines and theology of the Lutheran church and that his employment in the Lutheran church was not merely a vocation for him, but an outward expression of his inward religious and theological conviction. This position is evidenced by the writings and teachings of Martin …
The Three Parents Of The Violin, Hanna Bahorik
The Three Parents Of The Violin, Hanna Bahorik
The Research and Scholarship Symposium (2013-2019)
The history of the violin is one full of examination and documentation, and yet speculation as to it’s true ancestry remains at the forefront of research. While it can certainly be said that the violin was derived from multiple instruments, this paper seeks to answer the question of which instruments exhibit essential characteristics and should be considered as the violin’s direct ancestors. Theories concerning the violin’s family tree abound, such as the bow theory and the sound chest theory which each attempt to trace the ancestry of the violin down through dozens of instruments, focusing on one critical, structural element. …
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Research and Scholarship Symposium (2013-2019)
In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality—the whole gives meaning …