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Articles 1 - 2 of 2
Full-Text Articles in Musicology
Commonality And Diversity In Recordings Of Beethoven’S Middle-Period String Quartets, Nancy November
Commonality And Diversity In Recordings Of Beethoven’S Middle-Period String Quartets, Nancy November
Performance Practice Review
A widespread opinion in recent research about the performance of Beethoven’s works is that artists need to restore a connection to "tradition," and that recordings from the early twentieth century can help with this. However, these early recordings tell us most about the aesthetics and performance ideals of their day, and hence how Beethoven and his string quartets were received by early twentieth-century audiences. Case studies of early recordings of Beethoven middle-period quartets reveal ways in which these these performances differed, sometimes radically, from the kinds of performances Beethoven would have expected to hear, especially with regard to the use …
Unearthing Forgotten Treasures: Anonymous Arias With Obbligato Violoncello At The Estense Library, Modena, Alessandro Sanguineti
Unearthing Forgotten Treasures: Anonymous Arias With Obbligato Violoncello At The Estense Library, Modena, Alessandro Sanguineti
Performance Practice Review
Recent studies regarding the first steps of the violoncello in North Italy at the end of the seventeenth century have been concentrating on the vast musical output collected by Francesco II, Duke of Modena, now held at the Biblioteca Estense Universitaria. Nonetheless, there is still a conspicuous number of anonymous manuscripts copied in Modena at the end of the seventeenth century containing opera arias which include several examples with obbligato violoncello. A connection has been made with one of these collections and a particular performance of L’Ercole Trionfante in Piacenza in 1688 with music by the composer and organist Bernardo …