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Full-Text Articles in Musicology
A Revaluation Of Learning Practices In Indian Classical Music Using Technological Tools, Julien Debove, Dorian Cazau, Olivier Adam
A Revaluation Of Learning Practices In Indian Classical Music Using Technological Tools, Julien Debove, Dorian Cazau, Olivier Adam
Papers
Each khyāl performance of Indian classical music is unique and unreproducible because it is mainly based on improvisation. As for most orally transmitted musical repertoires, learning practices are essential as they guarantee that the musical codes are properly reproduced from one generation to another. In Indian classical music, practice, tightly imbricated in the pupil – teacher relation, favors clearly the imitation. Students tend to reproduce more or less successfully their master’s style. That’s why in order to be creative, it is necessary that each musician develops his own skills of understanding, experimentation and invention. Today, technological tools have considerably transformed …
Proceedings Of The 6th International Workshop On Folk Music Analysis, 15-17 June, 2016, Pierre Beauguitte, Bryan Duggan, John D. Kelleher
Proceedings Of The 6th International Workshop On Folk Music Analysis, 15-17 June, 2016, Pierre Beauguitte, Bryan Duggan, John D. Kelleher
Papers
The Folk Music Analysis Workshop brings together computational music analysis and ethnomusicology. Both symbolic and audio representations of music are considered, with a broad range of scientific approaches being applied (signal processing, graph theory, deep learning). The workshop features a range of interesting talks from international researchers in areas such as Indian classical music, Iranian singing, Ottoman-Turkish Makam music scores, Flamenco singing, Irish traditional music, Georgian traditional music and Dutch folk songs. Invited guest speakers were Anja Volk, Utrecht University and Peter Browne, Technological University Dublin.