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Musicology Commons

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University of Tennessee, Knoxville

Lesbian, Gay, Bisexual, and Transgender Studies

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Full-Text Articles in Musicology

“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder Aug 2017

“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder

Masters Theses

This thesis examines the musical community of GeekyCon, a convention centered around popular media, such as Harry Potter, Broadway, and Disney. The GeekyCon community results from the connection between the unofficial convention Facebook group and the yearly physical event. This interconnectivity allows both the live and mediated space of GeekyCon to function as a heterotopia, a concept first conceived by Foucault (1967) as a separate space outside of the dominant society in which ideas and identities can be freely explored. Through ethnographic research, including participant observation as well as interviews, I present the music of GeekyCon as an audiotopia, a …


Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell Aug 2014

Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell

Masters Theses

Most readings of Wagner’s final music drama Parsifal seek to illumine a clandestine presentation of Wagner’s racist doctrine or make sense of a less-shrouded but still ambiguous panegyric to Christianity. However, little scholarly material addresses Wagner’s provocative account of sensuality and homoeroticism in this Bühnenweihfestspiel [Stage Consecration Festival Play]. This thesis explores desire and homosexuality within the drama and considers how and why Wagner masks these themes through the opaque mythos of religion, race, and community. Parsifal was partly informed by Wagner’s own complex neuroses: his sexual anxieties and scandals, amalgam of German philosophies, and confusion concerning Germanness. As filtered …