Open Access. Powered by Scholars. Published by Universities.®
- Keyword
Articles 1 - 2 of 2
Full-Text Articles in Musicology
Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell
Unmasking Wagner's Grail: Homoeroticism, Androgyny, And Anxiety In Parsifal, Tyler Cole Mitchell
Masters Theses
Most readings of Wagner’s final music drama Parsifal seek to illumine a clandestine presentation of Wagner’s racist doctrine or make sense of a less-shrouded but still ambiguous panegyric to Christianity. However, little scholarly material addresses Wagner’s provocative account of sensuality and homoeroticism in this Bühnenweihfestspiel [Stage Consecration Festival Play]. This thesis explores desire and homosexuality within the drama and considers how and why Wagner masks these themes through the opaque mythos of religion, race, and community. Parsifal was partly informed by Wagner’s own complex neuroses: his sexual anxieties and scandals, amalgam of German philosophies, and confusion concerning Germanness. As filtered …
Brundibár: Confronting The Misrepresentation Of Resistance In Theresienstadt, Anna Catherine Greer
Brundibár: Confronting The Misrepresentation Of Resistance In Theresienstadt, Anna Catherine Greer
Masters Theses
Brundibár, a children’s opera written by Czech composer Hans Krása (1899-1944), routinely appears in Holocaust musical scholarship as a depiction of “thriving” Jewish cultural activity during the Holocaust. First performed clandestinely in a Prague orphanage in 1942, the work was ultimately co-opted by Nazi authorities in Theresienstadt. Under the jurisdiction of the Freizeitgestaltung (Leisure Time Activities), the opera came under control of the camp administration and became part of several propaganda schemes, including the 1944 Nazi propaganda film, Der Führer schenkt den Juden eine Stadt (The Führer Gives a City to the Jews). In preparation for the International Red …