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Articles 1 - 30 of 41
Full-Text Articles in Musicology
Pro Rege Chr. Brass Band: A Century Of Sound, Jonathan T.J. Henneveld
Pro Rege Chr. Brass Band: A Century Of Sound, Jonathan T.J. Henneveld
Dissertations
The Christian Brass Band Pro Rege of Heerenveen, The Netherlands, celebrated its one hundredth birthday in 2024. As one of the most prominent community-based brass bands in the region, Pro Rege is part of a Dutch wind ensemble tradition that goes largely undocumented. While they and other bands like them function as cultural and educational institutions, academic literature remains limited, almost ignoring them completely. This dissertation wishes to address this oversight by providing an historical study of the brass band from its establishment in 1924 to the present day.
Starting out in the Dutch ensemble tradition of the Fanfare band, …
Sex And Danger, Airborne Ranger: A Historical Analysis Of G.I. Songs, Jody Calls, And Marching Cadences, Travis G. Salley
Sex And Danger, Airborne Ranger: A Historical Analysis Of G.I. Songs, Jody Calls, And Marching Cadences, Travis G. Salley
Dissertations
Military marching cadences have long served as a core feature of basic combat training, reinforcing cohesion, discipline, and esprit de corps. Tradition attributes their origin to a Black soldier, Private Willie Duckworth, who lifted the spirits of his unit with an improvised chant during a 1944 forced march. The chant soon gained national attention and was formally adopted into Army training through the efforts of Colonel Bernard Lentz—Duckworth’s commanding officer and the author of the Army’s close order drill manual. Their relationship, framed by military hierarchy and racial inequality, reflects broader American patterns where Black cultural forms gain institutional legitimacy …
Mocking Birds: Investigation And Performance Of Selected Works Featuring Birdsong By Messiaen And Westerlinck, Sarah Hinchey
Mocking Birds: Investigation And Performance Of Selected Works Featuring Birdsong By Messiaen And Westerlinck, Sarah Hinchey
Honors Theses
This thesis is a creative project that includes a study of the lives and compositional techniques of Olivier Messiaen and Wilfried Westerlinck. Investigation of the composers’ techniques explains aural similarities between the two pieces. The research informed a live performance of Messiaen’s Le merle noir and a recording project of Westerlinck’s Meeting a Mockingbird in Texas.
Camp À La Campagne: Francis Poulenc’S Les Animaux Modèles, C.J. Everett
Camp À La Campagne: Francis Poulenc’S Les Animaux Modèles, C.J. Everett
Dissertations
Francis Poulenc’s ballet Les Animaux modèles [The model animals] premiered in 1942 at the Paris Opéra during the German occupation of Paris to favorable reviews from prominent voices in the Parisian musical scene. Set in the French countryside (la campagne) in the seventeenth century, the ballet is a seemingly honest depiction of quaint rural life. To create the short vignettes that comprise the work, Poulenc (1899–1963) adapted well-known fables of the poet Jean de La Fontaine (1621–95). Existing discussions of Les Animaux modèles primarily focus on the ballet’s conception during World War II and the political implications of …
Einstein's Dream By Cindy Mctee: An Analysis And Transcription For Wind Ensemble, Kyle Aufderhar
Einstein's Dream By Cindy Mctee: An Analysis And Transcription For Wind Ensemble, Kyle Aufderhar
Dissertations
Cindy McTee’s 2005 composition for strings, percussion, and computer music is an exploration in pluralism, combining newly composed music and computer-synthesized sounds with the music of Johann Sebastian Bach and Charles Ives. McTee’s initial use of Bach’s music comprises the complete harmonization of the chorale “Wir glauben all’ an einen Gott.” In later sections of the work, McTee creates entire textures from the chorale’s soprano line, subjecting it to a variety of treatments including augmentation, diminution, inversion, retrograde, and retrograde inversion. In addition to the inclusion of his music, McTee reiterates the importance of Bach through composition that relies on …
Dong Qing Fang’S Musical Depiction Of Lin Chong: An Analysis Of Chinese Traditional Music Elements In His Cello Composition Of 2009, Congcong Bi
Doctoral Projects
Dong Qing Fang (b. 1981) is a prolific composer of cello music. His contribution includes twenty compositions, many of which have been performed around the world.[1] While Fang is the most famous composer in China as well as a leading figure of recent music, his compositions have not been recognized world-wide. This project focuses on his representative cello composition Lin Chong (2009). Lin Chong is a significant character in Chinese literature, known for his role in the classic novel, Water Margin (1524). Fang's musical portrayal of Lin Chong's life incorporates elements of Chinese traditional music.
The methodology for this …
A Look Into Spiritual Sketches: A Performance To Damien Sneed’S Arrangements Of Selected Spirituals, Katrina Cox
A Look Into Spiritual Sketches: A Performance To Damien Sneed’S Arrangements Of Selected Spirituals, Katrina Cox
Doctoral Projects
The African American Spiritual is a long-standing genre of music in the classical arena that drew influence from slave songs or enslaved Africans in America. The Spiritual has always required specific knowledge and understanding of the Black culture and struggle since its conception. As an art form, its genesis came around the end of the 18th century with the abolishment of slavery. The Spiritual (folk melodies) became a popular addition to the concert hall repertoire and were first brought to the forefront by the famed Fisk Jubilee Singers between 1853 and 1943. The Concert Spiritual became more popular in the …
Applications Of Tao Of Bass, Vol. I, In Orchestral And Solo Double Bass Repertoire, Santiago Zorrilla De San Martin
Applications Of Tao Of Bass, Vol. I, In Orchestral And Solo Double Bass Repertoire, Santiago Zorrilla De San Martin
Dissertations
This dissertation is not only an exploration of left-hand techniques found in Tao of Bass, Vol. 1, but also an inside of the performance and didactic approach of Dr. Marcos Machado to organize and create its content. That said, one of the objectives of this dissertation is to focus on developing an awareness of the didactic strategies in Tao of Bass created to develop the utmost proficiency in double bass performance. I expect to prove this objective in my dissertation by acknowledging how Tao of Bass encompasses a didactic approach that is universal and academically relevant to prepare for …
Three Etudes For Marimba And Pandeiro: Contemporary Marimba Music As A New Setting For The Brazilian Pandeiro, Eduardo Marques Do Prado
Three Etudes For Marimba And Pandeiro: Contemporary Marimba Music As A New Setting For The Brazilian Pandeiro, Eduardo Marques Do Prado
Doctoral Projects
The history of frame drums and idiophones has thousands of years. The modern versions of the pandeiro and the marimba are relatively new to those families of instruments. While the marimba found its niche in contemporary music, the pandeiro has been mostly used in Brazilian traditional music. The current project brings those two instruments together, allowing the pandeiro to express its versatility. Executing the intricate rhythms, uneven patterns, and alternating time signatures from within the Three Etudes for Marimba and Pandeiro is an example of what can be done with this amazing frame drum. These three pieces provide the pandeiro …
A Hungarian Exotic Ingredient In Operetta: The Csárdás In Three Settings, Michelle Lange
A Hungarian Exotic Ingredient In Operetta: The Csárdás In Three Settings, Michelle Lange
Dissertations
The inclusion of the Hungarian National dance in Viennese operetta during the height of the genre’s popularity expresses an intricate relationship between two nations in the Austro-Hungarian Empire during a time of immense change. Examining the Hungarian elements of the Csárdás in the compositions of three operettas provides a deeper understanding of Hungarian influence in Viennese operetta culture and performance. While there is a wealth of information on Hungarian folk music, there is a gap in the application of this knowledge within the operetta genre. This document’s primary purpose is to explore the exotic Hungarian musical folk elements found in …
Offenbach’S Operetta As Performance Practice: A Pedagogical, Dramatic, And Stylistic Role Guide For Pâris In La Belle Hélène, Peter Lake
Dissertations
This dissertation originated from my personal experience in performing the role of Pâris in Offenbach’s La belle Hélène and the research I conducted in preparation for the performance. Upon examining the score, I discovered the role to contain vocal elements that seemed foreign to my expectations of operatic repertoire. After consulting as many scholarly sources as I could find on the subject, I discovered little to no sense of direction in preparing and performing this unique role or for French operetta as a genre. I decided to compile my experience and research into a usable tool for preparing a French …
Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, Sarah Elias
Nadia Boulanger’S Fantaisie Variée Pour Piano Et Orchestre A Study Of A Significant Unpublished Piece, Sarah Elias
Dissertations
The research consists of a brief historical and biographical overview of Nadia Boulanger (1887-1979), a main focus of a thematic and motivic analysis of her work Fantaisie variée pour piano et orchestre, along with touching upon the influences of Fauré, Debussy, Widor, Reger, and Franck on its composition, and a mention of the process of obtaining the Fantaisie from the Centre international Nadia et Lili Boulanger. Boulanger produced works in a variety of genres, including: a fugue; more than thirty songs for voice and piano; two completed works for solo piano; three works for organ; several chamber works; three works …
Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote
Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote
Dissertations
Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.
Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), Everette Smith
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), Everette Smith
Dissertations
In the years following World War II, several American composers began breaking from the confines of music notation relegated to five lines and four spaces. Of particular interest to this study, John Cage (1912–1992) began liberating his compositions from the restraint posed by traditional notation in 1951 with his work Imaginary Landscape No. 4. He continued to create and develop varying systems of graphic notation with his indeterminate works, which became increasingly influenced by his interest in the environment and in South and East Asian aesthetic and philosophical considerations, themselves environmentally influenced. One of the latest products of Cage’s coalescence …
The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely
The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely
Dissertations
In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations of …
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
Dissertations
The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present flute community.
My research focused on gathering data about the flute section and the individuals who were instrumental for the creation and development of …
Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson
Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson
Dissertations
This dissertation sprang from a combination of two personal interests: cowboy culture and classical art song. The union of my cowgirl heritage with my career as a classical vocalist has long fueled an interest in a particular niche of repertoire: soprano art song with thematic connections to the North American cowboy. A conducted state of research reveals no scholarly literature exploring this specific topic. Libby Larsen’s collection, Cowboy Songs, fulfills the aforementioned niche, successfully capturing the spirit, musical idioms, and cultural themes of the North American cowboy.
Chapter I lays a contextual foundation for cowboy song, providing a catalogue …
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, Gustavo Schafaschek
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, Gustavo Schafaschek
Dissertations
Despite his significance as the most important Latin American composer of the twentieth century, serious analytical studies on the music of the Brazilian composer Heitor Villa-Lobos are still few and far between. Recent scholarship has started to demystify the figure of Villa-Lobos as an intuitive composer with no technique, revealing an artist that strove to develop an idiosyncratic musical language. The present document aims to contribute to this new trend in Villa-Lobos’s scholarship by analyzing pieces from the piano cycle Cirandas, W220, considered one of the most important works from the composer’s mature style. Each of the sixteen pieces …
Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, Jesus Castro Turriago
Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, Jesus Castro Turriago
Dissertations
This dissertation contains an analysis, comparison, and transcription of three Colombian pieces for flute and piano, written by composers of three different styles of folk music: pasillo, bambuco, and danza. An understanding of the historical context of these Colombian musical genres, and comparison of these instrumental pieces for flute and piano to those of other Colombian composers, informed my subsequent transcription and edition. The selected musical material comprises Bandolita, a pasillo composed by Luis Uribe Bueno, Bambuquísimo, a bambuco by Leon Cardona, and Adiós a Bogotá, a danza by Luis Antonio Calvo.
Choral Theatre, Albert Joseph Wolfe Jr.
Choral Theatre, Albert Joseph Wolfe Jr.
Dissertations
Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.
Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …
First Critical Performing Edition Of The Zarzuela Maria La O, By Ernesto Lecuona, Orchestrated By Felix Guerrero, Ivan A. Del Prado
First Critical Performing Edition Of The Zarzuela Maria La O, By Ernesto Lecuona, Orchestrated By Felix Guerrero, Ivan A. Del Prado
Dissertations
The First Critical Performing Edition of the Zarzuela Maria la O by Ernesto Lecuona (as orchestrated by Felix Guerrero), is the rescue of the complete score of one of the most important works by a Cuban composer. The complete but still unpublished original score to Maria la O will finally have a clear and accurate performing edition. This will serve, both expert performers in Cuban popular music and anyone else interested in the subject. In this new score, indigenous rhythms and other traditional performance practice issues have been fully written out.
This document will also include a brief history and …
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
Dissertations
As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …
Sehnsucht In The Heine Lieder Of Schubert’S Schwanengesang, Kathleen P. Brandau
Sehnsucht In The Heine Lieder Of Schubert’S Schwanengesang, Kathleen P. Brandau
Honors Theses
This thesis considers the theme of Sehnsucht in the context of German Romantic music, in particular, the Heine Lieder from Franz Schubert’s Schwanengesang. Of particular interest is the ordering of the Heine Lieder and the narrative that emerges when the songs are reordered to conform to the arrangement in Heinrich Heine’s poetic collection, Buch der Lieder. The final chapter identifies instances of Sehnsucht in the text and suggests a hidden poetic cycle that sheds light on some unusual musical connections between the poetry and Schubert’s settings of individual songs.
Blue Mountain: A Chamber Opera For Winds And Voices By Justin Dello Joio: A Unique Contribution For Wind Band Literature, Armando Saldarini
Blue Mountain: A Chamber Opera For Winds And Voices By Justin Dello Joio: A Unique Contribution For Wind Band Literature, Armando Saldarini
Dissertations
Blue Mountain is an opera in one act scored for four voices, and thirty-three instruments, commissioned by Det Norske Blaseensemble. Under the direction of Kenneth Jean, the premiere took place on October 8, 2007, at Kanonhalen in Oslo, Norway, as part of the Edvard Grieg Centennial celebrations and the 2007 Ultima contemporary Music Festival. The opera takes place in Troldhaugen, Norway, during the last days of Edvard Grieg’s life. Suffering from emphysema, Grieg was being treated by his doctor with morphine that created great anxiety, fear, and mental torment. A visit from his friend, Percy Grainger, gave Grieg great …
A Document In Death And Madness: A Cultural And Interdisciplinary Study Of Nineteenth-Century Art Song Settings On The Death Of Opelia, Jennifer Leigh Tipton
A Document In Death And Madness: A Cultural And Interdisciplinary Study Of Nineteenth-Century Art Song Settings On The Death Of Opelia, Jennifer Leigh Tipton
Dissertations
In the nineteenth century the character of Ophelia transformed from a minor role in Hamlet into one of the great muses of the Romantic period. Ophelia’s rise to an archetype of feminine madness was not a result of Shakespeare’s pen alone, but of the accumulation of interpretations of her character from actresses, artists, critics, writers, musicians, and social attitudes toward women. This paper focuses on nineteenth-century interpretations of her death, specifically art song.
A brief survey of the nineteenth-century European cultural and social climate pertaining to Ophelia is included in the paper:
*Shakespeare in France and Germany
*Nineteenth-Century Actresses in …
Performing Jonathan Newman's "Symphony No. 1: My Hands Are A City", Joseph Corey Francis
Performing Jonathan Newman's "Symphony No. 1: My Hands Are A City", Joseph Corey Francis
Dissertations
The purpose of this document is to provide analysis for interpretation of and rehearsal suggestions for Jonathan Newman’s Symphony No. 1: My Hands Are a City (2009). This document serves as the first significant scholarly work on the entire composition and is intended to be a resource for musicians seeking to gain information about the work. Included in the document is a biography of Jonathan Newman, as well as history concerning the commissioning of Symphony No. 1, a formal analysis of the work, and insight to conducting concerns. Information was gathered through formal interviews with Jonathan Newman, Jeff Gershman (Associate …
Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena
Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena
Dissertations
This purpose of this study is to provide the keyboard percussionist with information and examples for breaking chords and properly executing arpeggio passages in J. S. Bach’s solo violin Sonatas and Partitas. Primary sources included Baroque treatises on performance practice and recent scholarship of the past one hundred years. Various editions of the Sonatas and Partitas were surveyed for this document but, in the end, only Bach’s autograph manuscript and Gunther Hausswald’s critical edition were used for the musical examples as well as the marimba transcriptions included in appendices.
Topics covered are appropriate places to break chords and the various …
Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey
Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey
Dissertations
Werner Jaegerhuber (1900-1953), a composer and leading ethnographer from Haiti, lived a life and career committed to bringing the folk music of Haiti to international recognition. His most significant work, Messe Folklorique Haïtienne, the background leading to its composition, performance of the work and a conductor’s analysis is the focus of this study. The folk music of Haiti consists primarily of Vodou melodies which are performed in Vodou ceremonies. Haiti’s long history of colonization, slavery, chronic economic struggle, African roots, and Catholic influence all play unique, but significant roles in the life of Werner Jaegerhuber and his passionate study. …
An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse
An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse
Dissertations
This document was constructed using a qualitative research approach to discuss and illuminate the various compositional techniques used by Frank Ticheli in his composition Cajun Folk Songs. The content will include a biographical background of Mr. Ticheli, documentation related to the Cajun Culture and Cajun Music, an analysis of Ticheli’s composition Cajun Folk Songs, and valuable information related to the rehearsal and performance of this work. The intent of the study is to shed light on the relevant aspects pertinent to the musical interpretation of the selected work for the conductor, the performer, and the listener.
Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr.
Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr.
Dissertations
Joseph Kreines is a well-respected composer, conductor and educator who has maintained an illustrious musical career in Florida and elsewhere. Originally from Chicago, Illinois, Kreines came to Florida in the 1960s as the Associate Conductor of the Florida Symphony Orchestra. Other professional conducting appointments with the Brevard Symphony Orchestra, The Gulf Coast Symphony Orchestra and appointments as the conductor of the Florida Symphony Orchestra Youth Symphony, Pinellas Youth Symphony Orchestra and Brevard Youth Symphony Orchestra proved to be the launching of a successful free-lance career as guest conductor for hundreds of Secondary programs in Florida and elsewhere including band, orchestra …