Musicology Commons^™

Ben Wendel : The Manipulation Of Sound And 'Shapes' In The Construction Of An Improvised Solo, Luke Christopher Minness

Theses : Honours

The aim of this dissertation is to define and analyse several idiosyncratic devices utilised by tenor saxophonist Ben Wendel in order to manipulate elements of sound, rhythm and melody in the construction of an improvised solo. Through transcription and analysis of selected improvisations performed both live and in the recording studio. This paper will also outline and observe Wendel’s use of several articulation techniques as well as examining key methods of manipulating melodic and rhythmic cells unique to Wendel’s improvisational style. Definitions of each device and their application will be taken from transcription analysis of solos taken over "What …