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Full-Text Articles in Musicology

Cleveland Clinic Concert Band (Live At Blossom Music Center), Dan Rager Jul 2006

Cleveland Clinic Concert Band (Live At Blossom Music Center), Dan Rager

Dan Rager

1) Introduction at Blossom Music Center
2) Liberty Bell - John P. Sousa
3) His Honor - Henry Fillmore
4) Spanish Dance No. 5 - Enrique Granados/arr: Charles Yeago (Euph. Soloist: John Clough M. D.)
5) American Sailing Songs - Gene Milford
6) Piano Concerto No. 2 - Beethoven/arr: Charles Yeago (Piano Soloist: Howard Jacobs)
7) Black Horse Troop - John P. Sousa/arr: Frederick Fennell
8) Somewhere Over the Rainbow - Harold Arlen/arr: Dan Rager
9) We The People - James Barnes
10) Washington Post March - John P. Sousa


Structural Analysis Or Cultural Analysis? Competing Perspectives On The "Standard Pattern" Of West African Rhythm, Kofi Agawu Apr 2006

Structural Analysis Or Cultural Analysis? Competing Perspectives On The "Standard Pattern" Of West African Rhythm, Kofi Agawu

Publications and Research

Polyrhythmic dance compositions from West Africa typically feature an ostinato bell pattern known as a time line. Timbrally distinct, asymmetrical in structure, and aurally prominent, time lines have drawn comment from scholars as keys to understanding African rhythm. This article focuses on the best known and most widely distributed of these, the so-called standard pattern, a seven-stroke figure spanning twelve eighth notes and disposed durationally as <2212221>. Observations about structure (including its internal dynamic, metrical potential, and rotational properties) are juxtaposed with a putative African-cultural understanding (inferred from the firm place of dance in the culture, patterns of verbal discourse, …


Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson Jan 2006

Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson

Music Faculty Publications

In a brief but perspicacious study of Mennin' s music in 1954, Walter Hendl describes the composer as "a consummate craftsman who devotes great attention to the organization of materials." Although Hendl may not have known Canzona, which had been premiered in 1951 but not published until the year of his essay, the author's statement could well have been written with Mennin's sole piece for band specifically in mind. Not only is every aspect of Canzona integrally related to every other, but the relationships are deployed with a remarkable economy of means.