Musicology Commons^™

Ruth Crawford's "Spiritual Concept": The Sound-Ideals Of An Early American Modernist, 1924-1930, Judith Tick

Judith Tick

This article investigates the musical thought and stylistic evolution of the American modernist composer Ruth Crawford Seeger (1901-1953) in her formative years. It shows the relationship of style and idea to what she termed "spiritual concept": the core of her transcendental modernism. The sources of Crawford's spiritual aesthetics are Theosophy, Eastern religious philosophy, nineteenth-century American Transcendentalism, and the imaginative tradition of Walt Whitman. Thus Crawford drew on an eclectic legacy of ideas that had been linked in American intellectual life since the turn of the century. Documentation of her thought is based on unpublished diaries, poems, and correspondence. The mediation …