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Full-Text Articles in Music Therapy

Software Implementations And Analyses Of The Emotional Impact Of Various Binaural Beat Classifications Layered Into Music., Neil Azimi Dec 2024

Software Implementations And Analyses Of The Emotional Impact Of Various Binaural Beat Classifications Layered Into Music., Neil Azimi

Student Scholar Symposium Abstracts and Posters

This study explores the psychoacoustic effects of binaural beats, which are produced when sinusoidal waves of slightly differing frequencies are played into each ear, leading to brainwave entrainment. Binaural beats are categorized by frequency bands (e.g., Beta: 14–30 Hz for energy, Theta: 4–8 Hz for relaxation), each associated with different psychological effects. This research contributes to the field by empirically analyzing whether binaural beats alter the emotional impact of music. Past studies have investigated the potential benefits of binaural beats in relaxation and energy stimulation. However, their effects, when combined with music, especially regarding a song's perceived emotional quality or …


Supporting Coordination Of Children With Asd Using Neurological Music Therapy: A Pilot Randomized Control Trial Comparing An Elastic Touch-Display With Tambourines, Franceli L. Cibrian, Melisa Madrigal, Marina Avelais, Monica Tentori Sep 2020

Supporting Coordination Of Children With Asd Using Neurological Music Therapy: A Pilot Randomized Control Trial Comparing An Elastic Touch-Display With Tambourines, Franceli L. Cibrian, Melisa Madrigal, Marina Avelais, Monica Tentori

Engineering Faculty Articles and Research

Aim

To evaluate the efficacy of Neurologic Music Therapy (NMT) using a traditional and a technological intervention (elastic touch-display) in improving the coordination of children with Autism Spectrum Disorder (ASD), as a primary outcome, and the timing and strength control of their movements as secondary outcomes.

Methods

Twenty-two children with ASD completed 8 NMT sessions, as a part of a 2-month intervention. Participants were randomly assigned to either use an elastic touch-display (experimental group) or tambourines (control group). We conducted pre- and post- assessment evaluations, including the Developmental Coordination Disorder Questionnaire (DCDQ) and motor assessments related to the control of …


Bendablesound: An Elastic Multisensory Surface Using Touch-Based Interactions To Assist Children With Severe Autism During Music Therapy, Franceli L. Cibrian, Oscar Peña, Deysi Ortega, Monica Tentori May 2017

Bendablesound: An Elastic Multisensory Surface Using Touch-Based Interactions To Assist Children With Severe Autism During Music Therapy, Franceli L. Cibrian, Oscar Peña, Deysi Ortega, Monica Tentori

Engineering Faculty Articles and Research

Neurological Music Therapy uses live music to improve the sensorimotor regulation of children with severe autism. However, they often lack musical training and their impairments limit their interactions with musical instruments. In this paper, we present our co-design work that led to the BendableSound prototype: an elastic multisensory surface encouraging users to practice coordination movements when touching a fabric to play sounds. We present the results of a formative study conducted with 18 teachers showing BendableSound was perceived as “usable” and “attractive”. Then, we present a deployment study with 24 children with severe autism showing BendableSound is “easy to use” …


Richard Wallaschek's Nineteenth-Century Contributions To The Psychology Of Music, Amy B. Graziano, Julene K. Johnson Jan 2006

Richard Wallaschek's Nineteenth-Century Contributions To The Psychology Of Music, Amy B. Graziano, Julene K. Johnson

Music Faculty Articles and Research

RICHARD WALLASCHEK (1860-1917) is most widely known for his contributions to comparative musicology; however, he also made significant contributions to the field of music psychology. From 1890 to 1895, Wallaschek pursued interdisciplinary studies at the British Museum in London. During this time Wallaschek proposed theories about the perception and production of music. According to Wallaschek, the perception of music occurs through two types of mental representation: Tonvorstellung (tone representation), which referred to the perception of individual musical elements, and Musikvorstellung (music representation), which referred to the perception of the higher-order structure of music. Wallaschek emphasized Gestalt-like concepts in his discussion …