Music Theory Commons^™

A Schenkerian Approach To The Marches Of Karl L. King, Dylan J. Custer

Electronic Theses and Dissertations

While the American march is a staple of wind band repertoire, it has been underrepresented in the field of advanced music theory. This thesis examines marches through the lens of Schenkerian analysis, which uncovers deep levels of structural cohesion and brings a fresh perspective to the American march genre. Specifically, this study uses Schenkerian methods to study the music of Karl L. King (1891-1971) across the span of his half-century career. King’s extensive output established an enduring blueprint for the genre. By applying an analytical framework derived from the work of Harald Krebs, this research demonstrates how the march can …

Bass And Drum Grooves In R&B: Analysis And Composition, Hugh Taylor

Electronic Theses and Dissertations

The term “R&B” has existed within the musical lexicon for nearly eighty years. It was first introduced in 1949 to replace the label “race music,” and was a combination of blues, jazz, gospel, and rock. Since then, the genre has transitioned from swing-based, live instrumentation toward straight-eighth backbeats and electronically produced sounds. Despite these shifts, contemporary R&B continues to borrow from its ancestral roots while maintaining a modern aesthetic. A primary feature that has persisted through this landscape is the “groove,” specifically defined here as the rhythmic layer created by the drums and bass. In R&B, the bass provides both …

Schemata Of Barbershop Tags, Brian A. Cromer

Electronic Theses and Dissertations

This thesis explores the genre of barbershop tags, brief musical compositions in the barbershop style. After the introduction in Chapter 1, Chapter 2 describes the barbershop style and outlines a modified roman numeral system that reflects barbershop norms. Chapter 3 analyzes the 125 entries of the Classic Book of Tags based on two features: the harmonic point of interest (HPI) and the penultimate chord. Patterns emerging from these two criteria include eleven primary schemata along with a few secondary schemata accounting for the harmonic design for a majority of tags. Chapter 4 analyzes two barbershop arrangements: “Come Fly With Me” …

Típica Style Vs. Latin Jazz: A Comparison Of Traditional Salsa Piano Accompaniment And Latin Jazz Comping, Victorino C. Perez

Electronic Theses and Dissertations

Salsa is a popular Latin American musical genre that combines dance and vocal music with a unique rhythmic style that draws influences from jazz and African rhythms. Salsa shares characteristics with Latin jazz. Traditional salsa, or típica style, features traditional tonal harmonies with few alterations, whereas Latin jazz typically employs complex harmonies including tritone substitutions, chord extensions, and chords with extensions and alterations. The primary argument of this research is that Latin jazz pianists maintain the functions of the traditional salsa while infusing it with jazz harmonic, rhythmic, and textural elements. This thesis compares accompanying (“comping”) traits, including form, harmony, …

Metamorphosis: An Original Jazz Guitar Concerto Exploring Improvisation And Polystylistic Strategies In The Modern Concerto, Ronnie J. Whitt

Electronic Theses and Dissertations

The electric guitar is underutilized in large ensemble art music. Some composers have sought to alleviate this deficiency by expanding the literature through the electric guitar concerto. Few electric guitar concerti are written for improvised jazz guitar, therefore presenting a need for this research. In this thesis, I explore the development of the jazz guitar concerto and nine compositional strategies that benefit composers writing a multi-genre jazz guitar concerto. I analyze selected jazz guitar concerti through lenses, including phrase-level compositional devices, textural and timbral schema, and musical hybridity, to identify these strategies. These concerti include: D.J. Sparr’s Katrina, Jake …

Discovering Eternal Sunshine: Storytelling Functions Of Vocal Timbre And Layering In Ariana Grande’S 2024 Album, Emily Mcquaid

Electronic Theses and Dissertations

This thesis analyzes the narrative of Ariana Grande’s 2024 concept album eternal sunshine in relation to the 2004 film Eternal Sunshine of the Spotless Mind. Chapter 1 contextualizes the album and its related media, including music videos, additional album releases, a short film, and interviews with insights from Grande. Chapter 2 realizes Peaches as the narrator of the album, demonstrates how the lyrics of each track of the album connect to the film Eternal Sunshine of the Spotless Mind, and establishes the framework for vocal timbre analysis in the rest of the paper. Chapters 3 through 5 analyze how …

A Study And Comparison Of Two Trinidadian Panorama Arrangements For Steelband By Jit Samaroo: “Pan In A Minor” And “The Bee’S Melody, Alexica A. Adams

Electronic Theses and Dissertations

This thesis analyzes two Panorama arrangements by Trinidad and Tobago arranger Jit Sukha Samaroo: “Pan in A Minor” (1987) and “The Bee’s Melody” (1992). These works are analyzed to understand his arranging style and their significance within the field of steelband music. The study addresses the cursory scholarship on Panorama arrangements and focuses on how Samaroo reinterpreted Aldwyn “Lord Kitchener” Roberts’ Calypsos for the Amoco Renegades Steel Orchestra. This study highlights Samaroo’s approaches to melodic and rhythmic development, thematic expansion, orchestration, and textural variation. “Pan in A Minor” retains much of Kitchener’s original material while introducing structural expansion, whereas “The …

The Resonance Of Desire: A Sonic Exploration And Guide To Recreating Disney’S Signature ‘I Want’ Songs, Aiyanna E. Riley

Electronic Theses and Dissertations

This thesis explores the sonic architecture of Disney’s Renaissance-era “I Want” songs and develops a framework for recreating their signature production style. This study analyzes how vocal timbre, microphone choices, layering, stereo placement, and mixing strategies contribute to the immersive qualities that define the Disney sound. Drawing from historical accounts, interviews with industry professionals, and technical literature, the thesis documents production practices unexamined in scholarly work. Inspired by David Gibson’s The Art of Mixing, my analyses prioritize spatial and textural qualities in Disney mixes, highlighting how sound design shapes narrative impact. The study culminates in two original compositions modeled …

Idiomatic Compositional Techniques In John Rutter’S Requiem, Marguerite Walsh

Student Publications

John Rutter is an extremely significant figure in choral music, and his 1985 Requiem is one of his most widely performed works. Despite this popularity, it has yet to be analyzed in a rigorous academic capacity. Requiem is a harmonically rich and sophisticated work, and said lack of previous analysis represents a gap in theoretical research. This thesis analyzes Requiem for significant harmonic structures and idiomatic compositional techniques and applies those techniques in an original composition. Subtopics of note included harmonic non-functionality, modulations, and orchestration. The original work is comprised of two movements for choir and piano respectively titled “Requiem …

The Scream Notation System: A Notational System For Screamed Vocals, Matthew Delcambre

Electronic Theses and Dissertations

In Western music notation, there is no specified system of notation for screamed vocals, a style of singing that has become increasingly popular since the late 1970s with the advent of metal music and seen increased interest in screams in other genres since. Screams are a unique and diverse vehicle of delivery that can be differentiated according to timbre, technique, pitch and physiology. This research aims to first identify the anatomical and timbral differences between named screams and create a database of screams to be studied. The next task is to design a notational system appropriate for screams and then …

Old Becoming New Again: A Form-Function And Narrative Analysis Of Ralph Vaughan Williams’ 'Fantasia On A Theme Of Thomas Tallis', Aileen E. Sager

Electronic Theses and Dissertations

Ralph Vaughan Williams, a leading figure in the early twentieth-century movement to preserve traditional English music, composed Fantasia on a Theme of Thomas Tallis as a tribute to his love of Tudor music and English folksong. The piece is based on a psalm setting by Thomas Tallis, known as the Third Mode Melody, which features the Phrygian mode. Vaughan Williams discovered this theme while researching for the new English Hymnal. A brief history of the Tallis theme, along with an exploration of Vaughan Williams' education and early endeavors as a composer, are critical to understanding the Fantasia's historical …

Sing A New Song: Analyzing A Cappella Arrangements Of Contemporary Worship Music, Ashley S. Cox

Electronic Theses and Dissertations

Music is indispensable to Christian worship services, and pop/rock-influenced contemporary worship music (CWM) serves an important role in modern worship. This thesis explores strategies for arranging CWM for a cappella settings by comparing the originals with two a cappella arrangements: one intended for group performance and the other for congregational worship. This will be accomplished through examining the following five songs: “Hymn of Heaven,” “Raise a Hallelujah,” “Build Your Kingdom Here,” “Psalm 34 (Taste and See),” and “Battle Belongs.” Analysis of elements such as form, texture, harmony, and rhythm reveals many arranging techniques. The songs are categorized by the level …

Pedal Points: Harmony And The Double-Action Pedal System In Modern Harp Music, Mckenna Jennings

Electronic Theses and Dissertations

Pedals are an invisible guide in chromatic harp repertoire. While the evolution of tonality and rise in chromaticism incentivized the invention of the double-action pedal harp, the unique restraints and extensions of this technological system influence harmony and pitch collections in chromatic harp music. This thesis explores the pedal harp and the influence the affordance and idiomacy of the pedal layout exerts onto chromatic harp repertoire. It draws on embodiment and schema theory to describe patterns of pedal motion in harp music, thus presenting and demonstrating an original theory of pedal schemas. Pedal schemas are patterns of motion defined by …

Modes In Heavy Metal Music, Richard W. Young Jr.

Electronic Theses and Dissertations

Modality is quite commonplace in heavy metal music, including some of the less common modes such as Phrygian and Locrian. This thesis provides musical examples and analyses of heavy metal music based on theories of scholars such as Brett Clement and Nicole Biamonte and demonstrates how modes are used in conjunction with other musical elements such as meter, tempo, instrumentation, and timbre to paint the text and color the sound. The primary focus of repertoire is selected works from the 1970s and early ’80s by early metal pioneers Black Sabbath, Ozzy Osbourne, and Scorpions. Other brief examples from Metallica, Yngwie …

Defining Recomposition Through The Works Of Gregson, Richter, And Peck: Creating A Dialogue With Vivaldi And Bach To Compose New Music., Amanda Peck

Electronic Theses and Dissertations

Recomposition has been a commonly utilized compositional method for hundreds of years, yet there is no universally accepted definition in the musical community. The existing literature on the subject is limited, so this project will examine various sources to define this term more accurately. This research analyzes successful recompositions for string ensemble, Peter Gregson’s Bach - The Cello Suites Recomposed (2018) and Recomposed by Max Richter: Vivaldi - The Four Seasons Recomposed (2012), and my two new compositions, Air on the G String Recomposed and Vivaldi Cello Sonata No. 3 in A Minor Recomposed. My compositions incorporate the …

La Fiesta Del Espiritu Santo: An Original Work For Choir, Soloists, And Small Ensemble Influenced By The Santeria Music Of The African-Dominican Community In The Dominican Republic, Rafael Scarfullery

Electronic Theses and Dissertations

ABSTRACT

This study examines the role of Santería music as practiced by African Dominicans in Villa Mella, a neighborhood of Santo Domingo, Dominican Republic. This musical tradition comes from the culture and religion of the Yoruba people who were brought as slaves from Africa, and features complex drum rhythms and call-and-response chants. This paper deals with the historical and social context of Santería music within the Dominican Republic, but its principal objective is to adopt the musical language of this tradition and use it to create a new contemporary work for mixed choir and small ensemble.

One of the most …

Character Development And Revolution: Use Of Leitmotif In The First Acts Of Les Misérables And Hamilton: An American Musical, Mary Katherine Pezzillo

Electronic Theses and Dissertations

Leitmotif, a recurring musical theme that represents a character, idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif as a storytelling device. This thesis explores how the two musicals use leitmotif differently, through the lens of the protagonists, antagonists, and supporting characters. Though the leitmotifs in Les Misérables generally represent ideas and the leitmotifs in Hamilton are mostly character-based, this tool aids the overall …

Making Malice Musical: Verdi’S Compositional Journey Through The Eyes Of Six Villains, Michael Chadwick

Electronic Theses and Dissertations

Giuseppe Verdi is a pillar of the operatic world and had a profound impact on the evolution of the art form. From a rudimentary beginning, he developed over time from a popular creator of operas in the solita forma style of 19^th century Italy into a master craftsman of combining music, text, and theatrical drama. Verdi utilized the popular compositional formal convention of solita forma to begin his career. Over time he evolved beyond its boundaries and shifted his focus to the holistic theatrical presentation of the drama. Much has been written about this evolution through analysis of Verdi’s …

Early Instruments In 21st Century Composition And An Original Composition For Saxophones And Viols, Jacob Bitinas

Electronic Theses and Dissertations

Composers continually seek new timbres and sonorities to bend to their will. The early music revival of the twentieth century has resurrected dozens of instruments that have gone unutilized in contemporary composition for centuries. The historically-informed-performance movement has now evolved to a point where early instruments and period performance techniques can add extraordinary new characters to twenty-first century compositions. This thesis explores how composers effectively utilize early instruments like the viola da gamba, harpsichord, lute, and recorder in their compositions.

The document also contains interview transcripts from eight composers and performers, including Nico Muhly, Liam Byrne, Martha Bishop, David Loeb, …

Escape Beneath: An Original Game Score Inspired By An Analysis Of Garry Schyman's Music, Daniel Cooper

Electronic Theses and Dissertations

Video-game music has grown into a vast array of different styles, sounds, and applications. As a newer field of music, game scoring has begun to receive high acclaim. Garry Schyman has become one of the most successful composers within the video-game industry. His music has received many awards and nominations throughout the years. Despite this, research and analysis into his compositions and techniques are almost non-existent. This thesis studies his techniques within the video-game scores for BioShock, BioShock 2, BioShock Infinite, Middle Earth Shadow of War, and Torn; and then applies them into an original …

Listen To The River: Dolores, Ophelia, And Female Resistance In Opera, Daniel Aaron Barnidge

Electronic Theses and Dissertations

The music of female characters in the great masterpieces of opera often demonstrates resistance to and undermines the abuse they have historically received in opera plots. The Mexican folktale that my opera, The Tragedy of La Llorona, draws inspiration from plays on many of the same tropes historically found in female characters in opera including madness, sexuality, and lack of agency. This led to research into the portrayal of women in opera as part of my pre-compositional process and my desire to access this tale free from the traditional 'marianismo' and 'machismo' narratives it is associated with and which …

Telling Stories: An Analysis Of Speech-Melody Compositions And An Original Speech-Melody Composition For Wind Ensemble, Kevin Cheek

Electronic Theses and Dissertations

This thesis explores the compositional technique of speech melody and provides a brief historical overview of speech in music. This thesis also examines recent works (2005-2014) that have sourced their melodies from the spoken word and in turn creates an original composition for wind ensemble consisting of melodies sourced from recordings of members of United States military forces speaking about their lived experiences. In conjunction with the analytical and compositional aspects of this thesis, I also conducted an interview with Dutch composer Jacob ter Veldhuis (Jacob TV). i

Embodied Cognition In The Music Theory And Aural Skills Classrooms, Leslie Thompson

Electronic Theses and Dissertations

Applying concepts of embodied cognition positively impacts pedagogy in the theory and aural skills classrooms. This thesis defines a holistic view of the student and identifies how classroom instruction from that perspective can benefit student learning as well as overall well-being. The opening chapters provide a brief scientific background and connect concepts of embodied cognition with specific music theory and aural skills examples from an interview. A select survey of the music theory pedagogy literature also illustrates principles of embodied cognition. Based on this background, the final chapter presents new sample lesson plans and discusses how to adapt to student …

The Arranging Techniques Of Leon “Smooth” Edwards And Their Application To Calypso-Styled Classical Music Arrangements For Steel Orchestra, Michelle A. Rudder

Electronic Theses and Dissertations

The steelpan was invented in the 1930s in Trinidad and Tobago. It has evolved over the past eighty years. Although steelbands are now found across the globe and at all levels of music education, academic research regarding the music of the steelpan and its composers and arrangers is scarce. This paper examines six works for steelband by Leon “Smooth” Edwards, a prominent arranger of indigenous steelband music for the Panorama competition in Trinidad and Tobago. Music scores for four of the works have been notated for the first time. The paper documents Edwards’ variation development techniques, voicing, and orchestration. The …

A Rhythmic Analysis Of Michael Torke: Three Colors And Primary, Secondary, Tertiary: An Original Work For Symphonic Band, Aaron Fast

Electronic Theses and Dissertations

This thesis analyzes three early Michael Torke “color” pieces, Ecstatic Orange, Bright Blue Music, and The Yellow Pages. This analysis provides insight into the compositional process of his early works, which continues to define his style today. Torke’s techniques include rhythmic motives and their variations, rhythmic canon, sectioning as the basis of form, and stratification. This thesis also provides an analytical notational device when defining a Rhythmic Canon Sequence or a Rhythmic Entrance Series. Through this analysis I demonstrate that all three pieces share these compositional techniques but are displayed in three very different pieces. I also explore …

The Performer As Analyst In The Piano Sonata Opus 12 By Jean Sibelius, Jesse Tingle

Electronic Theses and Dissertations

This thesis examines and models the process of analysis as a means for performers, particularly pianists, to engage with the large-scale organizational features of musical works, using the Piano Sonata, Opus 12 by Jean Sibelius as a case study. The unique character and structure of each of the three movements suggests an equally wide range of approaches to analysis, including studies in sonata form, construction of a musical narrative based on external source material, and the use of concepts from Sonata Theory to explain the logic of a highly unconventional tonal and thematic design. The analyses are interwoven with a …

Working With Metal: The Stylistic Characteristics Of The Swedish Band Meshuggah And An Original Composition Inspired By Their Work, Adam J. Benefield

Electronic Theses and Dissertations

I have long been fascinated by music that is created through the amalgamation of more than one style of music. As a composer, this has led to me exploring paths that combine elements of contemporary, classical, jazz, world, film, and video game music. In this thesis I explore elements of progressive metal band Meshuggah. More specifically I examine their use of polymeter, polyrhythm, and other rhythmic devices used in six of their songs. I then demonstrate how I applied those same components to an original composition, Armageddon, scored for flute, Bb clarinet, C trumpet, trombone, percussion, piano, violin, viola, cello, …

Comparing Traditional And Modern Trends In Jazz Improvisation, Ryan M. Johnson

Electronic Theses and Dissertations

This thesis compares traditional and modern jazz improvisation through analysis. These analyses discuss various musical techniques and ideas specific to each differing era. The case studies focus on three traditional jazz standards: "Autumn Leaves," "Someday My Prince Will Come," and "Cantaloupe Island." Two solo transcriptions (one traditional and one modern) represent each tune, including performances by Bill Evans, Miles Davis, Paul Desmond, Herbie Hancock, Yohan Kim, and Cory Henry. The older transcriptions showcase classic chord-scale relations, diatonic chord harmony, consistent rhythms with spacious phrasing, and recalled material. The newer transcriptions consist more of dense harmony, scales independent from the composed …

Marvin Gaye's What's Going On And The Civil Rights Movement: A History And Analysis, Jacob Barnhill

Electronic Theses and Dissertations

Marvin Gaye’s first self-produced album, What’s Going On is a timeless work in American popular music. This thesis illuminates many of the intricacies that went in to the creation of the album and discusses its relevance during the Civil Rights Movement. Chapter 1 provides a background in popular music analysis and the genre of Soul music. Chapter 2 includes a biography of Gaye and a brief history of the Detroit record label known as Motown. The collaboration of musicians and engineers at Motown, along with Gaye’s influences from his personal life and music career, had profound effects on the outcome …

Eclectic: A Recording Project Of Original Crossover Compositions, Chance Moore

Electronic Theses and Dissertations

Music makers have always borrowed one another’s influences, across philosophies, across culture, and thus, across genres. Since the 1950’s, a time when classical music was at its farthest reach from popular music, the rift between these two “worlds” has shrunk, and music crafters from each category are free to take from the other as they please. As a figure who stands between the cultivated and vernacular traditions, my aim for this thesis is to give an introduction to some of the ways genre hybridization has been achieved since 1950, present a collection of my own compositions (along with recordings) that …