Music Practice Commons^™

Of Cicadas And Ducks: Humor In Emmanuel Chabrier's "Les Cigales" And "Villanelle Des Petits Canards", Hope V. Dornfeld

Montview Journal of Research & Scholarship

This research project consists of a vocal performance of two songs from Emmanuel Chabrier’s “Barnyard Suite” (Volailleries), a song cycle on poems of Edmond Rostand and Rosemonde Gérard. It will be accompanied by program notes and a separate oral presentation that detail the research process and creative decisions inherent in presenting a work of musical performance art. The project will provide a broad historical context for Chabrier’s work, with special attention given to the role of humor in French art song. The first song presented, Les cigales, masterfully depicts cicadas and their raucous noises, while the second, …

Challenges And Opportunities In Adult Group Piano Pedagogy, Sarah Faulk

Student Scholar Symposium

Poster presentation describing one teacher's experience and observations of adult group piano teaching. This addresses challenges and making the most out of the opportunities presented.

From Cathedral To Concert Hall: The Evolution Of The Requiem Mass, Thomas Butler

Student Scholar Symposium

Requiem aeternam dona eis, Domine – Grant them eternal rest, Lord. These five words make up one of the most well-known texts in the classical music canon: the Requiem Mass. Built on foundations laid by church composers such as Machaut, Dufay, and Palestrina, eighteenth and nineteenth century giants like Mozart, Berlioz, Verdi, and Brahms popularized the Requiem setting as a concert work. The twentieth and twenty-first centuries have seen compositions by Benjamin Britten, Gabriela Frank, and others, which include narrative elements in conjunction with the traditional Latin texts. My research on this topic explores how and why the Requiem Mass …

Louise Talma's Second Piano Sonata: Unity Within Variety, Caroline Petrick

Dissertations, 2020-current

Though an important composer in her lifetime, Louise Talma (1906-1996) has fallen into relative obscurity today. In recent years, a small number of scholars and musicians have begun to promote her music. Many have written about the three chronological periods that Talma used to categorize her compositions, but few have recognized how Talma combines the opposing compositional tools of her three periods to create one unified style. In this study, I hope to add to the growing body of research by highlighting the complex, multifaceted nature of Talma and her music. The goal of the study is to show how …

Corporeality In Choral Sound: Elements Of Consonant Diction Shaping Pre-Expressive Presence, Perceived Clarity, And Expression In English-Language Choral Music, Addison Walton

Dissertations, 2020-current

The genesis of this project stems from a lived experience performing with a professional choir, whose sung physical shaping of the English language—its crystalline clarity, profound expressivity, and the pre-expressive elements inherent in the delivery—was deeply and viscerally compelling. This overwhelming reaction was in response to their bodies; specifically, the sound their bodies produced that evoked a sense of corporeality, or tangible bodily presence. There was beauty to be found in the way their mouths physically formed the language, both within and removed from the semantic context.

This study sought to acknowledge those fleeting, pre-expressive moments in choral music and …

From Inside The Recording Studio, Mckayla J. Adkison

Capstone Projects and Master's Theses

This project documents the historical, technical, and creative significance of recording studios through both industry examples and the design and construction of a personal backyard studio. By examining iconic studios such as Abbey Road and Capitol Records, the paper highlights how technological innovation, acoustic engineering, and architectural design have shaped the evolution of recorded music. These concepts are then applied to the planning and construction of a custom-built recording studio, emphasizing room dimensions, sound isolation techniques, acoustic treatment, lighting, and sustainable design choices. In addition, the project addresses the importance of aesthetics and emotional comfort in creating a space that …

Democratizing Music Production Through Technology, Jacob W. Alfaro

Capstone Projects and Master's Theses

This paper explores the history of recording technology and the effects of innovations on recording contemporary music. It follows the changing roles and relationships between artist and producer, as well as a brief look into the recording of our album as a real-time example.

Passive Listening: Exploring Interpassivity In Ambient Music, David Chechelashvili, Alan Brown

Staff Scholarship - New Zealand

The landscape of ambient music presents unique challenges for critique and classification due to its wide range of subgenres, functions and goals. Often defined by its atmospheric and immersive qualities, ambient music is traditionally seen as providing a backdrop for relaxation or as a means to block out the harsh reality of the outside world. This dominant theory, while valuable in certain contexts, tends to oversimplify the multifaceted nature of ambient music and ignores the potential for more nuanced listening experiences. The proposed alternative theory of interpassivity challenges existing understandings of ambient music production and consumption modes. Drawing on psychoanalytic …

Haydn's Canonic Minuets, James S. Mackay

HAYDN: Online Journal of the Haydn Society of North America

Haydn composed many hundreds of minuets during his long career, enriching the courtly dance with compositional skill and ingenuity. One of the ways in which he sought to elevate the minuet genre was through contrapuntal artifice, including canon. The famous “Hexenmenuett” (“Witches’ Minuet”) from his “Quinten” Quartet, Op. 76 no. 2, dating from 1797, is the most famous of these works, in which the viola and cello duplicate the leading voice of violins I and II at the distance of an octave. Haydn’s interest in canonic minuets dates back to the early 1760s, however. Minuets from three early symphonies (Nos. …

Reimagining Musical Improvisation Through Poetic Inspiration: A Creative Practice Investigation, Sean Foran

Staff Scholarship - Australia & Dubai

This presentation explores creative practice as research through an innovative approach to musical improvisation that challenges traditional boundaries between music and literature. Working with experienced improvising musicians, this study investigates how poetic texts serve as catalysts for new creative processes and musical outcomes.

The methodology involved musicians responding improvisationally to recorded poetry narrations, followed by reflective discussion and re-improvisation, extending Hannan's concept of 'comprovisation' while maintaining complete musical agency. Significantly, the final creative works present only the improvised music, requiring audiences to read poems independently and construct their own text-music relationships.

This approach differs from established music-poetry collaborations by positioning …

Learning How To Practice Takes Practice, Micah Killion, Robert Duke

John J. Cali School of Music Scholarship and Creative Works

Effective music learning depends on effective music practice. Although time spent with teachers is an important component of young musicians’ development, time spent alone practicing is perhaps even more consequential. Researchers and teachers have offered many prescriptions about effective music practice, yet observations of young musicians’ actual practice reveal that their behavior in the practice room is often quite unlike what teachers envision. The most important aspects of effective practice are the thinking, perceiving, and decision-making that serve to organize how musicians spend their time. We discuss how to help students focus their attention in ways that lead to the …

Between Sound And Theology: Timbral Performativity In Brazilian Religious Musicking, Marcell Silva Steuernagel

Yale Journal of Music & Religion

This article explores the performativity of timbre, summarizing key perspectives from the English-language scholarship on the topic and setting them in conversation with Latin American perspectives on timbre. In addition, it examines a performance of “500 Graus” (500 degrees), a song performed by Brazilian Pentecostal artists Cassiane and Shirley Carvalhaes, to demonstrate how the performativity of timbre unfolds within a particular expression of Latin American religious musicking. In doing so, it investigates the phenomenon of timbre between music and sound studies, and theology and church music studies, providing insights relevant to the study of timbre and the study of religious …

Examining Stress And Anxiety Levels Among Undergraduate Music Majors At The University Of South Carolina, Elise F. Halbig

Senior Theses

The purpose of this study was to examine the stress and anxiety levels among undergraduate music majors at the University of South Carolina (USC) and identify potential stressors that might be unique or more prevalent among that specific population. To evaluate this, a questionnaire consisting of 42 questions was administered to participants. Most of the questions were carefully developed by the researcher; however, the Perceived Stress Scale (Cohen et al, 1983) was used to examine participants' stress levels, and 13 selected questions from the Burns Anxiety Inventory (Burns, 1989) were used to examine their anxiety levels. A total of 45 …

Tradition, Individuality, And Innovation In Western Classical Music Performance: A Quantitative Analysis Of Bach’S Fourth Cello Suite Prelude, Clare Monfredo

Dissertations, Theses, and Capstone Projects

Why do we seek out new performances of a commonly performed piece of music? An essential tradition of Western classical music (WCM) is the performance of canonical works by composers, an activity that requires the interpretation and execution of written scores by individual performers. In this practice, performers are not only expected to determine the composer’s “intentions,” but also somehow (paradoxically) share these in a “unique” performance interpretation. In musical education, performers are trained by teachers to create these “unique” interpretations by learning how to intuit composers’ intentions in a system that passes down interpretative traditions through master-apprentice one-on-one lessons. …

Asian American Artists, Improvisation, And Collaboration, Johnna Wu

Dissertations, Theses, and Capstone Projects

The purpose of my dissertation is to explore how contemporary Asian Americans artist-performers have formulated their identities through collaborations with the Association for the Advancement of Creative Musicians (AACM). The project addresses issues in the existing literature on this topic and provides an alternative framework of cosmopolitanism to understanding the multidimensional aspects of artistic collaborations. The dissertation examines the history of the AACM and the Asian American improvisers and reveals ideological differences among its members on how music should reflect their identities. These histories paved the way for the artist subjects of my three case studies: Miya Masaoka, Vijay Iyer, …

The Disappearance Of The Popular Song: Authenticity In The Age Of Ai Generated Music, Leah C. Kinzer

Proceedings of the New York State Communication Association

In the past several years, the prevalence of AI has become undeniable. From AI features on Google to ChatGPT, AI is providing us with instant knowledge and answers. But what happens when AI enters the creative sphere? Specifically, what happens when AI is used to create music mimicking the style and voice of artists who already exist? Is this stealing? Can this be described as true, authentic art? This paper discusses difference instances of AI generated music (AIGM) in pop culture as well as the philosophical and legal implications in an attempt to further the discussion about the role of …

Art Management Of Batavia Madrigal Singer (Bms) In The International Choir Competition, Agustinus Arbi Putra, Hery Budiawan, Rien Safrina

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

This study aims to find out the management of the Batavia Madrigal Singers (BMS) choir, especially in achieving achievements at the international level. Batavia Madrigal Singers is a choir from Indonesia that is consistent in participating in and winning choir competitions at the international level. This study uses a qualitative research method with a descriptive approach through observation techniques, interviews, and literature studies. The results of the study show that the art management of Batavia Madrigal Singers includes (1) Planning, (2) Organization, (3) Leadership, and (4) Control. Based on the results of the research, it was found that Batavia Madrigal …

Bob Becker: An Examination Of His Compositional Approach And His Chamber Work Never In Word, Kaipo Lan

Dissertations, 2020-current

In the late twentieth century, the dual role of percussionist-composer became more visible, supported by the growth of percussion ensembles, specialized university training, and musicians who embraced both performance and composition as central to their artistic identity. Bob Becker is such a musician, a world-renowned percussionist and composer notable for the fusion of North Indian classical music and Western music conventions. His chamber pieces are excellent additions to the repertoire and notable for his multicultural music aesthetic, orchestration, range of musical colors, and idiomatic writing for the performers. Moreover, Becker’s ongoing exploration of his interest in poetry has been reflected …

Key Center Workout: Scale Patterns For Trombonists, Ryan M. Heinlein

Sabbatical Projects

No abstract provided.

Jazz Scale Patterns With Abjad And Lilypond, George K. Thiruvathukal

Computer Science: Faculty Publications and Other Works

Background

Jazz method books often advise students to “learn it in all keys,” yet most present examples in only one or two keys (if that, as they start from C, the easiest key, and usually stop there). For many "classically-trained" players—especially those who check fingerings, enharmonics, and voice-leading by reading—the absence of complete, notated materials is a barrier. While most scales can be internalized as Whole (W) / Half (H) step patterns, important exceptions (e.g., harmonic and melodic minor, octatonic, whole tone, and blues) are aided by having notated patterns in front of us.

Aims

To generate clear, consistent notation-first …

Integrating World Percussion Into Graduate Jazz Training: A Practitioner Reflection, Eugene Seow

Publications and Research

This reflection explores the pedagogical and artistic impact of a non-traditional instructional choice made during the author’s final semester of graduate study at Queens College (CUNY). Initially enrolled in the Jazz Studies: Performance Track (Drum Set), the author elected to substitute formal principal study lessons with a personalised programme of world percussion study under Professor Michael Lipsey. This decision, initially motivated by artistic restlessness, led to foundational experiences in frame drumming, South Indian rhythmic structures, gamelan ensemble, and classical snare etude work. The outcomes of this shift have since permeated the author’s teaching, performance, and curriculum development practice, including the …

Community Engagement In Music Therapy: Reflections From The Field, Jess Rushing, Denise M. Cumberland

Journal of Community Engagement and Higher Education

This paper reflects on a music therapy community engagement project that incorporates clinical training, service learning, and community music therapy. Two faculty members and a practicum student in a Midwestern university engaged community members connected to Parkinson’s disease to create a music-based program. We offer a conceptual framework that connects approaches situated within community music therapy (CoMT) qualities and community-based participatory research (CBPR) principles. We share project processes, findings, and recommendations, emphasizing all as equal stakeholders.

Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov

Music & Performance in Muslim Contexts

An illuminating account of Ismaili music, spiritual poetry and social change in Badakhshan.

In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, delocalisation and relocation.

This book introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry.

• Based on six …

In Search Of A Granada School Of Lutherie, James Westbrook

Soundboard Scholar

A review of Alberto Cuéllar et al., La guitarra tradicional en Granada = Granada and the Traditional Guitar (Granada: Diputación Provincial de Granada, 2024).

Reimagining Musical Collaboration: Ai And Music Real-Time Communication (M-Rtc), The Future Of Musical Creativity, Dana Kemack Goot

Journal of the Association for Technology in Music Instruction

This project explored the intersection of Music Real-Time Communication (M-RTC), artificial intelligence (AI), and machine learning (ML) in online musical collaboration. Presented at the 2023 National CMS/ATMI conference, the project served as a preliminary inquiry into how online musicking technologies impact human-to-human interactions and sought out the capabilities in creativity in music technology. The live performance featured three musicians performing from different geographic locations using an AI-generated composition and an AI-powered accompaniment application. The project demonstrated the creative potential of integrating AI and ML into M-RTC, expanding the possibilities for remote collaboration, composition, and performance. The musicians navigated both the …

Clarifying Issues Surrounding The “First” Jazz Recording, Mark C. Gridley

The IASJ Journal of Applied Jazz Research

Ten questions are answered regarding the first jazz recording, whether it was really the first, and if so, how it qualifies as jazz. They touch on the nature of swing feeling, the extent of improvisation in the recordings, the primacy of the Original Dixieland Jazz Band, the recordings of Wilbur Sweatman, and the comedy team of Harlan and Collins, and why the Original Creole Orchestra of Bill Johnson, featuring Freddie Keppard, did not record.

Friends And Family: How To Prepare A Themed Recital, Henry Broughton

University Honors Theses

Recital preparation is an essential part of being a successful musician that can be very challenging to students that are unfamiliar with the process. A recital that revolves around a theme can lead to greater audience engagement and make a sense of continuity to multiple pieces on a recital. Though there are countless method books to brass playing, very few of them discuss a method or process for organizing recitals, especially recitals revolving around a theme.

In this paper I will discuss the methods that I used to prepare my senior thesis recital: the techniques I used to practice difficult …

Kevin Bobo's Boboland: A Performer's Guide, Tyler D. Whitehead

LSU Doctoral Dissertations

Kevin Bobo is an active American percussionist, educator, and performer that continues to leave a lasting influence in the percussion community. His works for chamber percussion ensemble and solo marimba continue to push the limitations for percussionists in terms of technical ability, new compositional methods and techniques for expanded timbral effects. Bobo’s compositions such as Boboland, a marimba solo with percussion quartet, present technical and musical challenges that are generally unaligned with traditional performance practices in percussion and especially the marimba. This document aims to provide detailed guidance and instruction for the performance of Boboland and will cover all aspects …

“How Can We Sing In A Strange Land?” The Pastoral Musician As A Master Griot/Griotte, Dollie Howell

Doctor of Pastoral Music Projects and Theses

The writer of Psalm 137 asks a question that poignantly resonates with the experiences of enslaved Africans who were taken captive, exiled from their homelands, and told to forget their languages, worship practices, and tribal traditions. Their dehumanization was intensified by expectations that “required a song and . . . mirth.” The question was “How shall we sing the Lord’s song in a strange land?” In response to this question of engaging in song as a community while in a strange land of deep and persistent systemic suffering, enslaved African-descended people founded a unique tradition within Christianity that responded to …

Futurismo Cósmico: Sonic Dislocation Under The Fifth Sun, Rodrigo Martínez Torres

Dartmouth College Master’s Theses

Futurismo Cósmico is a text in which I tune into the interstices of my sonic practice: popular musical styles, alternative tuning systems, and different, contrasting epochs of my experience as Mexicano and Latino. I discuss three projects of mine that engage with sound, time, and space in different ways. The journey concludes by looking at my practice in the context of a culturally dislocated space I inhabit, in my own psyche. However, understanding that I am a social being, this same practice is what provides a drive and a sense of purpose in an otherwise loosely articulated identity.