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Articles 1 - 30 of 157
Full-Text Articles in Music Education
Performing Methods Of Beethoven’S Violin Concerto In D Major, Op. 61, Third Movement: “Rondo: Allegro”, Zike Qi
Dissertations, 2020-current
This document examines the third movement “Rondo: Allegro” of Violin Concerto in D major, Op. 61 by Ludwig van Beethoven, focusing on how structural relationships in the score are transformed into auditory experience through performance methods. Rather than treating performance as a direct reproduction of the text, this research understands it as a process in which structure becomes perceptible in time.
Combining structural analysis, recording comparison, and self-recording practice, the study interprets the movement within a rondo–sonata framework (A–B–A–C–A–B–A). It demonstrates that the rondo theme assumes different functions—presentation, transition, and development—depending on its structural position.
Through comparison of recordings by …
The High School Piccoloist: A Resource Guide, Rebecca Needham
The High School Piccoloist: A Resource Guide, Rebecca Needham
Dissertations, 2020-current
This project aims to curate a piccolo resource guide for high school music educators and their students. Currently, there are limited pedagogical materials available for beginning piccoloists or their music educators, and these materials are primarily scattered across decades of The Instrumentalist and the now-defunct Flute Talk journals. In addition, future band directors are rarely required to study auxiliary instruments like the piccolo in their collegiate coursework. These two factors combine to create a detrimental situation: frequently, neither teacher nor student in a typical high school setting has appropriate resources to understand the instrument and its essential differences from the …
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He
Dissertations, 2020-current
This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …
Examining The Experiences And Career Of A Highly Effective Orchestra Teacher: A Narrative History, Charlotte A. Hebert
Examining The Experiences And Career Of A Highly Effective Orchestra Teacher: A Narrative History, Charlotte A. Hebert
Masters Theses, 2020-current
Much of the available literature on the status of string education in the United States highlights the need for qualified string teachers. However, limited researchers have analyzed the reflections and perspective of retired string teachers. Retired string teachers have a unique ability to provide insight to preservice and current string teachers from a reflective lens. In this historical narrative study, I examined the 40-year career of orchestra director Laura Mulligan Thomas through her contributions and experiences. I utilized previous string education literature to define an effective string teacher. I employed semi-structured interviews, observations of a string techniques class that Thomas …
Corporeality In Choral Sound: Elements Of Consonant Diction Shaping Pre-Expressive Presence, Perceived Clarity, And Expression In English-Language Choral Music, Addison Walton
Dissertations, 2020-current
The genesis of this project stems from a lived experience performing with a professional choir, whose sung physical shaping of the English language—its crystalline clarity, profound expressivity, and the pre-expressive elements inherent in the delivery—was deeply and viscerally compelling. This overwhelming reaction was in response to their bodies; specifically, the sound their bodies produced that evoked a sense of corporeality, or tangible bodily presence. There was beauty to be found in the way their mouths physically formed the language, both within and removed from the semantic context.
This study sought to acknowledge those fleeting, pre-expressive moments in choral music and …
A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20, Wei Mo
A Discussion Of Rodion Shchedrin’S Ten Piano Pieces, Op. 20, Wei Mo
Dissertations, 2020-current
Russian composer and pianist Rodion Shchedrin (b. 1932) is considered one of the most successful contemporary Russian composers. He established his reputation at a young age. This document will discuss Shchedrin’s early musical style as reflected in his Ten Piano Pieces, Op. 20, a collection of ten pieces composed between 1952 and 1961. By analyzing the structure, harmony, and character of these pieces, this document aims to explore the commonalities among them and explore the distinctive appeal of Shchedrin's music.
Elements Of Greek Identity In The Eight Dances From The Greek Islands By Yiannis Constantinidis, Afroditi Mitsopoulou
Elements Of Greek Identity In The Eight Dances From The Greek Islands By Yiannis Constantinidis, Afroditi Mitsopoulou
Dissertations, 2020-current
The purpose of this research is to present elements of Greek style and identity in the composition for solo piano, Eight Dances from the Greek Islands (Οκτώ Νησιώτικοι Ελληνικοί Χοροί, για πιάνο) (1954) by Yiannis Constantinidis. What is regarded as Greek national identity? How was it formed and developed throughout the centuries, and what compositional techniques did Greek composers before Constantinidis use in their works to define Greek identity? A topic examined in this document was the construction and deconstruction of Greek identity, and the question addressed was whether Greek identity can ultimately be defined. Constantinidis (1903-1984) was …
Move It! The Percussionist’S Guide To Developing Performance Skills And Emotional Connection, Shelby N. Shelton
Move It! The Percussionist’S Guide To Developing Performance Skills And Emotional Connection, Shelby N. Shelton
Dissertations, 2020-current
What is this?
The primary goal of this book is to enable students to be more comfortable projecting emotionally to an audience through their body movement and touch while also providing lesson plans and support for the front ensemble instructor. We want this collection to be useful for a student alone in a practice room as well as in a large ensemble setting. There are 10+ activities with examples that encourage the student to dive deeper into the emotion of their piece. Each etude has curated exercises that develop necessary techniques used in the tune. Program/performance notes aid the student …
Taking It To The Limit: Curricular Responses To Credit Hour Caps In Music Teacher Education Programs, Phillip D. Payne, Edward C. Hoffman Iii, Aaron T. Wacker, Ashley D. Allen
Taking It To The Limit: Curricular Responses To Credit Hour Caps In Music Teacher Education Programs, Phillip D. Payne, Edward C. Hoffman Iii, Aaron T. Wacker, Ashley D. Allen
Research & Issues in Music Education
As tuition rates continue to rise, credit hours required for degree completion emerges as a primary topic of concern. Undergraduate music education programs (or degrees) typically require a high number of credit hours which may also necessitate student class overloads, summer coursework, and/or program completion that could exceed the expected term of four years. To better understand the extent of current degree requirements and offerings, we examined credit allocation practices at 100 randomly selected NASM institutions. Specifically, we focused on emerging trends, commonalities, and potential insights to better guide policymakers when addressing legislative mandates focused on credit hour caps. Findings …
Arranging, Teaching And Performing The Cypriot Folk Song, Αχερόμπασμαν (Aherombasman), Georgia Orfanides
Arranging, Teaching And Performing The Cypriot Folk Song, Αχερόμπασμαν (Aherombasman), Georgia Orfanides
Senior Honors Projects, 2020-current
This paper documents my process of arranging, teaching, and conducting the Cypriot folk song, Αχερόμπασμαν (Aherombasman) to JMU’s Treble Chamber Choir. I am Cypriot-American and I wanted to create an accessible arrangement of a Cypriot folk tune in order to introduce the musical culture and language of Cyprus to a Western audience. The first section of this paper provides a brief history of the cultural and political influences on Cyprus, and an introduction to common practices in the Cypriot folk tradition. The second section details the process of transcribing the original tune from Alkinoos Ioannides’ arrangement, creating the final arrangement …
Pedagogical Tools And Techniques For The Development Of Harmonic Audiation, Ensemble Intonation, And Textual Imagery Through The Choral Music Of Ola Gjeilo, Nikolaos Myrogiannis-Koukos
Pedagogical Tools And Techniques For The Development Of Harmonic Audiation, Ensemble Intonation, And Textual Imagery Through The Choral Music Of Ola Gjeilo, Nikolaos Myrogiannis-Koukos
Dissertations, 2020-current
Aspiring and dedicated choral directors strive to program music that is not only valuable to the growth of their ensembles’ skills in music literacy and choral performance but also institutes opportunities for memorable and meaningful performing experiences. Research in choral pedagogy conducted within the past two decades suggests that choral music is considered pedagogically appropriate, regardless of the musical aptitude of the performers involved, when it showcases elements that are often summarized in three separate yet equally essential qualities: the simultaneous development of multiple technical aspects of singing and a sense of intonation, including the development of sight-singing skills, the …
The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski
The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski
Dissertations, 2020-current
Undergraduate voice students spend hours over their degree in coursework relevant to bettering their overall musicianship. Coursework in music history and music theory, coupled with applied lessons, allows students to develop the knowledge necessary for their future professions. While universities strive to equip students with advanced music proficiencies, as the landscapes of professional opportunities shift and morph into work in multiple genres of expertise, students may not receive the full scope of skills needed to be independent entrepreneurial designers.
The purpose of this DMA document is to explore the intersectionality of stage presence, artistry, and entrepreneurship through a course offering …
The Call Is Coming From Inside The House: Sexual Misconduct In U.S. Band Programs, Hannah Greer-Young
The Call Is Coming From Inside The House: Sexual Misconduct In U.S. Band Programs, Hannah Greer-Young
Masters Theses, 2020-current
The purpose of this study was to articulate the experiences of former band students related to sexual misconduct among students and between staff and students. Researchers and investigators have claimed that band professionals have prioritized performance level and musical accomplishment over the safety and well-being of students (Office of University Compliance and Integrity, 2014; Nadolny, 2018; Wells, 2022). Authors of studies related to sexual misconduct in U.S. Bands have also suggested that educators in the band profession prefer to handle sexual misconduct “in-house” (Wells, 2022) and that, in general, teachers may be the least likely group to report educator sexual …
The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther
The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther
Dissertations, 2020-current
The purpose of this study is to identify the most current and successful advances in audience engagement that champion connection and result in sustainability through purposeful educational experiences.
The Symphony Orchestra currently serves an audience which represents a multiplicity of perspectives, background, and understanding. In an era of expanded canon and outreach to local communities, the orchestra must acknowledge that change is necessary if we are to truly create fulfilling experiences for our listeners. Unfortunately, many orchestras fail to connect their outreach to the concert hall, woefully categorizing their patrons into pre-determined subsets. What if all patrons were trusted with …
The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone
The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone
Dissertations, 2020-current
Clarinet is a versatile and expressive instrument that can be used in a variety of musical genres. This document is intended to investigate its versatility, how to develop it, and whether there are benefits from the adoption of an old approach, which today is generally considered obsolete.
Chapter 1 explores major issues involved in clarinet playing and tone production. I will discuss the physics of clarinet tone, as well as secondary approaches to tone production, such as double-lip embouchure. I will also devote a section of this chapter to clarinet equipment, especially the mouthpiece and the reed, and their mutual …
Etudes For Marimba: An Assessment Of Intermediate And Advanced Techniques With Four New Works, William Alderman
Etudes For Marimba: An Assessment Of Intermediate And Advanced Techniques With Four New Works, William Alderman
Dissertations, 2020-current
Over the past century, the marimba has experienced rapid growth. From its construction, performance practices, and technical approach, the instrument has been elevated to a well-respected instrument. Since the development of the five-octave marimba in the early 1980s, literature for the marimba has expanded exponentially. Through this expansion, works for the beginning and advanced performer has become widely available. However, a gap in literature exists within intermediate to intermediate-advanced range. Although it is of utmost importance for the progressing performer, this stepping stone literature can be difficult to find. In response, I have written my book, Etudes for Marimba: Four …
Repertoire Selection For High School Band Assessment, Miranda Cook
Repertoire Selection For High School Band Assessment, Miranda Cook
Masters Theses, 2020-current
Selecting repertoire is one of the most dynamic responsibilities music educators face, as it often serves as the music curriculum for band directors. Selecting high quality repertoire for students that achieves musical, educational, and culturally responsive goals is vital as part of their ensemble experience. When selecting repertoire for assessment, band directors must determine what repertoire their ensemble can perform well according to the Virginia and Band and Orchestra Directors Association performance rubric, while demonstrating musical and educational growth. The purpose of this study is to examine elements used by high school band directors when choosing repertoire for assessment. Research …
A Survey Of Secondary Music Educators Regarding The Perceived Impact Of Integrating Non-Ensemble General Music Activities Within Secondary-Level Performing Ensembles, Brandon Morris
Masters Theses, 2020-current
The purpose of this study was to survey Commonwealth of Virginia middle and high school music educators concerning the impact of integrating non-ensemble general music activities within secondary ensembles. Specifically, the questions focused on integrating guitar/piano, composition, and music technology into (non-jazz) performance ensembles, as identified through the lens of the NAfME Performing Strand. For the purposes of this study, non-ensemble general music courses were defined as courses that are traditionally not viewed as performance classes. Throughout this study, the integration of general music activities in secondary performance ensembles was examined through the lens of the NAfME Performing Strand.
The …
Klavar: From Tablature To Comprehensive Music Notation System, E. Joop Van Zoelen
Klavar: From Tablature To Comprehensive Music Notation System, E. Joop Van Zoelen
Research & Issues in Music Education
Music students often encounter problems in reading sheet music, because of the complexity of Traditional Music Notation (TMN). Klavar is an alternative music notation system that is simple, intuitive, and easy to learn. Thousands of compositions from many composers are available in Klavar. In its original form, Klavar can be considered as tablature for keyboard instruments. The present paper compares advantages and disadvantages of Klavar and TMN. Subsequently, the author proposes an innovative extension of the Klavar music notation, such that enharmonic notes can be discriminated, and harmonic and melodic lines can be identified. The resulting Klavar20 notation is complete, …
White Supremacy And The Major Scale: Reframing Narratives To Teach The Blues, Improvise, And Check In With Students, John B. Bass Iii
White Supremacy And The Major Scale: Reframing Narratives To Teach The Blues, Improvise, And Check In With Students, John B. Bass Iii
Research & Issues in Music Education
Increasing diversity and equity in secondary and college music programs is a common thread in the scholarship across disciplines in the field. While crucial work is being done to decolonize curricula broadly, students often express difficulty relating to formal music study and teachers struggle to balance desires to diversify repertoire and incorporate alternative pedagogical strategies with their own training. Narratives of white supremacy and music have intersected for over 400 years, but the effect goes beyond the composers and pieces we choose to program or teach. It influences foundational concepts of theory, tuning, and even what notes are (the major …
Music Education Majors And Mental Health: A Follow-Up Study, Philip D. Payne
Music Education Majors And Mental Health: A Follow-Up Study, Philip D. Payne
Research & Issues in Music Education
Music education majors across the United States (N = 1029) self-reported indicators of depression, anxiety, personality, and stress. According to the results, music education majors are highly busy, and report elevated levels of stress as compared to their peers. Semester enrollment averages include: 18.5 hours (including 0 credit courses) a semester, rehearsing an average of 9.08 hours a week, and a majority of whom work an average of 13-15 hours a week all while reporting high perceived stress levels. Furthermore, 74% of respondents required additional screening on the DSM-V for depression with over 70% exhibiting symptoms of moderate or severe …
Steve Mcneal: Sustained Excellence In Orchestral Education Through Relational Trust, Matthew H. Spieker
Steve Mcneal: Sustained Excellence In Orchestral Education Through Relational Trust, Matthew H. Spieker
Research & Issues in Music Education
No abstract provided.
Toward An Informal Informed Classrooms: Professional Musicians' Informal Music Learning Experiences, Rachel M. Smith
Toward An Informal Informed Classrooms: Professional Musicians' Informal Music Learning Experiences, Rachel M. Smith
Masters Theses, 2020-current
Authors have studied informal music learning with different age groups. Lucy Green (2005) studied the topic with adolescents and identified it an intuitive and natural way children learn. Chad West and Radio Cremata (2016) studied informal music learning at the collegiate level, and Martina Vasil (2019) studied secondary music teachers who implemented informal music learning strategies in their teaching practices. Informal music learning in adults is relatively under-explored compared to adolescent and collegiate age groups. Utilizing lenses drawn from John Dewey’s curricular ideas to help students find meaning in learning and motivation as viewed through Self-Determination Theory, I sought to …
An Investigation Of The Violin Teaching Method Of Lin Yaoji From A Personal Perspective, Mo Zhou
An Investigation Of The Violin Teaching Method Of Lin Yaoji From A Personal Perspective, Mo Zhou
Dissertations, 2020-current
As a Western musical instrument, the Violin has a history spanning more than three hundred years. Contemporary approaches to its performance and pedagogy have been developed and influenced by the Russian, the Franco-Belgian, and the German Violin Schools. It was not until the 1920s and '30s, that the violin entered the public realm of Chinese society.
From the 1980s until today, several generations of violinists have emerged as Violin Educators in China. Among them, Lin Yaoji was the most famous. This study will research and examine Lin Yaoji’s violin teaching method. Specifically, this document will consist of five chapters discussing …
Early Career Music Teachers And Trauma: A Mixed Methods Study, Tiffany N. Sitton
Early Career Music Teachers And Trauma: A Mixed Methods Study, Tiffany N. Sitton
Masters Theses, 2020-current
Existing research rarely directly addresses individual trauma experiences of early career music teachers, despite copious research on adjacent areas such as stress and burnout. Early career music teachers have seldom had the opportunity to share stories of their trauma in the literature. Following an explanatory-sequential mixed method (Creswell, 2015), the researcher surveyed 250 music educators about their self-reported trauma experiences and then interviewed six of those participants to gain explanation of the survey data and to further illuminate their stories. Participants evaluated their own experiences using the definition of individual trauma from the Substance Abuse and Mental Health Services Administration …
Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff
Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff
Masters Theses, 2020-current
Though over the years documents about shape-note music from Joseph Funk and Sons and the Ruebush-Kieffer companies have been spread throughout many archives, they are now being brought back together online in one digital archive. Interpreting the information contained in these documents and the ledger book of subscribers for The Southern Musical Advocate and Singer’s Friend magazine through graphs and maps makes the information contained in them easier to access for researchers. The collaboration between a physical museum site, a website, and a Omeka site allow for multiple ways to learn about the history of shape-note music in the Shenandoah …
Making Band Class Rock!: Incorporating Modern Band Into A Traditional Band Class, Melissa Harper
Making Band Class Rock!: Incorporating Modern Band Into A Traditional Band Class, Melissa Harper
Masters Theses, 2020-current
The purpose of this qualitative phenomenological study is to explore the use of informal music and Modern Band practices in the contexts of secondary music ensemble classrooms. Primary data collection was comprised of semi-structured interviews with teachers who used informal music learning practices and/or Modern Band programs at the secondary level. Results indicated that the inclusion of informal learning practices and/or Modern Band within the traditional music ensemble promotes the development of music individualism among students. Students and teachers together create environments that promote creativity, composition, and peer collaboration. Popular music and/or socially and culturally relevant genres are incorporated.
What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway
What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway
Masters Theses, 2020-current
Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …