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Articles 1 - 15 of 15
Full-Text Articles in Ethnomusicology
The Effects Of Operatic Voice Type On Singer Identity, Adelaide J. Mcdonald
The Effects Of Operatic Voice Type On Singer Identity, Adelaide J. Mcdonald
Graduate Theses, Dissertations, and Problem Reports (ETD)
Within Western art music, voices are typically classified using the Fach system, which is based upon vocal characteristics and separates singers into the categories of soprano, mezzo soprano, contralto, counter tenor, tenor, bass, and baritone. Over time, these categories have become embedded with social and cultural meaning within the operatic world, leading to the development of stereotypes and expectations surrounding singers, as well as social categories and identities, referred to in this study as “sociocultural vocal categories” and “sociocultural vocal identity,” respectively. Currently, there are limited explorations of the sociocultural vocal categories and their associated stereotypes, with research on singer …
“Let A Hundred Flowers Bloom, To Discard The Old For The New.” The Building Of The Modern Chinese Orchestra, Ema Plafcan
“Let A Hundred Flowers Bloom, To Discard The Old For The New.” The Building Of The Modern Chinese Orchestra, Ema Plafcan
Music Undergraduate Honors Theses
“Let a hundred flowers bloom, to discard the old for the new.” Mao Zedong first said this when outlining his expectations for artists under the regime of the Communist Party in 1954, but it is also a quote that embodies what the Modern Chinese Orchestra is and has been throughout time. This paper aims to analyze this Chinese instrumental tradition and how it represents the people of China past and present, both inside China and in its diaspora. It shows music as a powerful tool for creating a collective identity. Starting with influences from ancient China, origins in the folk …
Babel, Daniel Horowitz
Babel, Daniel Horowitz
Dissertations, Theses, and Capstone Projects
This thesis is a series of three memoiristic essays around the vortex of identity. The first is an exploration of how childhood overmedication split the continuity of the author’s self-conception. The second traces the slipperiness of Jewish and Queer identifications detailing their synthesis in the klezmer revival in New York City in late 1980s and early 90s. The third is a polyphonic narration of the recovery of a lost klezmer’s life story in the face of the silence of time and slaughter.
Social Power Of Jazz Festivals, Olga Bekenshtein
Social Power Of Jazz Festivals, Olga Bekenshtein
LSU New Orleans Theses and Dissertations
Jazz festivals occur in all parts of the world, small cities and metropolises, urban and rural landscapes, stadiums, churches, streets, and abandoned factories. Being a part of the entertainment industry, they have the potential to impact social change. Jazz festivals help us reconsider notions of identity and community, and their communal experience has the potential to undermine dominant social norms. The industry of jazz festivals is based on Black music and has a history of positive and negative social outcomes. Evaluating festivals through the symbolic meaning of music provides an optic into how festivals marginalize and exploit African American cultural …
Folk Music In New England: A Living Tradition, Monica Diane Littlefield
Folk Music In New England: A Living Tradition, Monica Diane Littlefield
Masters Theses
This master’s thesis investigates traditional folk music in New England in an effort to recognize its current practices and understand how this music creates and reflects identity for participants. Often described as a living tradition, folk music culture is deeply embedded in a historical context but is constantly shaped by musicians that play it today. During fieldwork in Vermont and Maine I examine this relationship between the music and musicians, recognizing that folk music provides a holistic experience that is deeply meaningful to participants. With an emphasis on fiddle and via an outsider lens, I discover what a beginner can …
“Because We Are Catholic”: Music As A Bridge Between Identities Within The Catholic Community Of South India, Johnathan Theodore Travis Rhodes
“Because We Are Catholic”: Music As A Bridge Between Identities Within The Catholic Community Of South India, Johnathan Theodore Travis Rhodes
Electronic Theses and Dissertations
In this thesis, I argue that the music of the Catholic Church of South India, which draws from Indian and Western music genres, functions as a cultural bridge allowing the worshiper to express a distinctively Catholic identity without distancing themselves from their Hindu roots. This cultural connection reinterprets Karnatak musical styles, practices, and traditions as distinctively Catholic rather than Indian or Hindu. Thus, Indian cultures are recontextualized within a Catholic paradigm, as these practices are regarded as Catholic regardless of their historical, cultural, or religious origin. These identities, Indian and Catholic, are not in tension with one another, but instead, …
"La Reyna Es El Rey": Expressions Of Gender Identity By Female Mariachis In The Southwest, Erika J. Soveranes
"La Reyna Es El Rey": Expressions Of Gender Identity By Female Mariachis In The Southwest, Erika J. Soveranes
Theses and Dissertations
Since the 1990s, the popularity of all-female mariachis has grown in the United States. These ensembles push the boundaries, both socially and stylistically, of a genre which has traditionally disregarded female participation. In this thesis, I study two all-female mariachi groups in the Southwest in which I have participated: Mariachi Buenaventura from Santa Fe, New Mexico, and Mariachi Margaritas from Brownsville, Texas. These two groups struggle to establish their reputation and aspire towards equal recognition to their male counterparts on the basis of musicality. Based on musical analysis and ethnographic reflections, I argue that the mariachi tradition embodies patriarchal values …
How Native American Rappers Communicate And Create A Modern Identity, Hannah J. Berge
How Native American Rappers Communicate And Create A Modern Identity, Hannah J. Berge
Masters Theses, 2010-2019
Current research concerning identity and Native Americans is sparse outside the realm of expressly Native American scholarship. While most conversations about identity and Native Americans focuses on historical and political aspects, many sources do not explore alternative avenues of contemporary identity creation. This thesis uses Kenneth Burke’s pentad to analyze the lyrics for “AbOriginal” by Frank Waln. The pentad is used to analyze each line of the rap. A new term, alter-agent, is used to identify agents who the agent either associates with or who the agent views as hindering his progress. There is then a count of the number …
"Only The Name Is New:" Identity, Modernity, And Continuity In Afghan Star, Timothy Olson
"Only The Name Is New:" Identity, Modernity, And Continuity In Afghan Star, Timothy Olson
Masters Theses
In 2005 a televised singing competition took Afghanistan by storm. In a nation previously known for censorship of music and violations of women’s rights, a new precedent began to take shape. People of all ages and ethnic groups followed Afghan Star and cast their votes by mobile phone—a technology that had only recently become available. Though followed by a sea of controversy, Afghan Star has persisted for more than a decade and remains one of the most popular television programs in Afghanistan. Prior to the Taliban, Afghanistan already had a vibrant musical culture, but most people felt that playing music …
Ultramontane Piety And Catholic Sociability: The Prescription And Practice Of Identity In Acadian Patriotic Songs, Jeanette Gallant
Ultramontane Piety And Catholic Sociability: The Prescription And Practice Of Identity In Acadian Patriotic Songs, Jeanette Gallant
Yale Journal of Music & Religion
The emergence of ultramontane thought during the Catholic Enlightenment in eighteenth-century France had wide-reaching effects in Catholic communities beyond Europe. One such community was a francophone colonial minority population in Atlantic Canada called the Acadians who, as Canada became a nation-state in the second half of the nineteenth century, came under the control of ultramontane nationalists working to protect Acadian cultural rights from the English-speaking Protestant majority. This paper looks at the role that music played in the transmission of ultramontane thought with these new socio-political circumstances. The Acadians, exiled for seven years during Canadian colonization, were resettled in disparate …
Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus
Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus
Audre Lorde Prize
This paper looks into the cultural synthesization and the transnational ties of cumbia between Latin America and the United States. Three case studies look at the story of migrants and their transnational ties through cumbia and are analyzed through an ethnomusicology framework.
Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz
Mission In Evolving Cultures: Constructively Managing Music-Related Conflict In Cross-Cultural Church Planting Contexts, David R. Dunaetz
CGU Faculty Publications and Research
The choice of music, an essential element of worship and church life, must be addressed in cross-cultural church planting contexts. As cultures evolve, church planters are faced with choices about musical styles that may lead to interpersonal conflicts within the church. The purpose of this study is to empirically examine factors that may enable cross-cultural church planters to constructively manage music-related conflicts when they arise. Members of church plants, like all people, have various goals when entering into such conflicts. They are concerned about the content of the conflict (i.e., the musical style) and thus have content goals. They are …
The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber
The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber
Lawrence University Honors Projects
Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …
Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos
Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos
Communication Studies
No abstract provided.
Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng
Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng
Faculty Scholarship
Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …