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Ethnomusicology Commons™

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2023

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Articles 31 - 41 of 41

Full-Text Articles in Ethnomusicology

Listening To The World: A Brief Survey Of World Music, Antoni Pizà Feb 2023

Listening To The World: A Brief Survey Of World Music, Antoni Pizà

Publications and Research

A short and engaging introduction to music around the world.

Listen to the world. Explore music from around the globe. Acquaint yourself with a variety of international music styles and traditions. Investigate issues in popular music from both a social perspective (such as race, religion, language, economics, gender, diaspora, and politics), as well as an intrinsically musical position (beat, pitch, meter, rhythm, form, timbre, texture). Learn about how music reinforces values and negotiates tradition with innovation; how rural and urban contexts inform musical experiences; how soundscapes shape identity. Learn how to collect sounds and ask questions: what is this instrument’s …


Ol Woman Blong Wota (The Women Of The Water), Sandy Sur, Ashley Burgess, Maeve Mckenna, Catherine Grant Feb 2023

Ol Woman Blong Wota (The Women Of The Water), Sandy Sur, Ashley Burgess, Maeve Mckenna, Catherine Grant

World Music Textbook

The women of Leweton have been performing Water Music for international audiences since the founding of the Leweton Cultural Village in 2008, and have been practising this tradition for as long as they remember. The women performers who feature in this film are Denilla Frazer, Melinda Frazer, Jerolyn Frazer, Beverley Frazer, Cecilia Tingris, Cicilia Wari, Marie Sur, Sonrin Sur, Trisha Sur, and Margaret Tingris.


Pleasure And Power In A Cover Culture: Audiences, Musicians, And Venues In İZmi̇R’S Popular Music Scene, Yılmaz Onur Sönmez Feb 2023

Pleasure And Power In A Cover Culture: Audiences, Musicians, And Venues In İZmi̇R’S Popular Music Scene, Yılmaz Onur Sönmez

Dissertations, Theses, and Capstone Projects

The live popular music scene in İzmir, Turkey, is dominated by slow-changing cover repertoires that are performed by musicians who have been on stage for a few decades, at places that have been hosting covers shows for a prolonged time. In this dissertation, I question the reasons behind this practice, which I call cover culture, and analyze it from the three different but interrelated perspectives of audiences, musicians, and venues. My analysis relies on the fieldwork data I collected between March 2019 and May 2022, and on my long-term involvement with and observations of the scene since the early 2000s. …


The Exceptional Fauziah Gambus: Negotiating Novelty, Piety, And Self-Promotion In An Androcentric Malaysian Musical Scene, Joe Kinzer Jan 2023

The Exceptional Fauziah Gambus: Negotiating Novelty, Piety, And Self-Promotion In An Androcentric Malaysian Musical Scene, Joe Kinzer

Library Faculty & Staff Publications

This article highlights several performance personas—including novelty and Islamic piety—at work in the career of Fauziah Gambus, a female gambus player in a highly androcentric musical scene. I argue that gendered assumptions and stereotypes have not restricted her but have instead enabled her to gain more popular success and notoriety than many of her Malaysian male counterparts. In unpacking her career, I examine how Fauziah synthesizes a variety of self- promotion strategies to achieve success beyond traditional gambus music channels.


Does Gender Matter? Gendered Relations In The Recording Studios, Diane Wong Jan 2023

Does Gender Matter? Gendered Relations In The Recording Studios, Diane Wong

Theses and Dissertations

Only 8.6% of all recording engineers currently employed in the United States are women. To understand the influence of a woman’s gender in their recording career, this study presents their experiences from multiple angles – the recording studio business, women engineers’ obstacles, the recording education pipeline, and diversity and inclusion in the industry.


Director's Statement, Andrea Leland Jan 2023

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.


Revolutionary Songs From Myanmar: Reconsidering Scholarly Perspectives On Protest Music, Heather Maclachlan Jan 2023

Revolutionary Songs From Myanmar: Reconsidering Scholarly Perspectives On Protest Music, Heather Maclachlan

Department of Music Faculty Publications

Since the February 1, 2021 military coup in Myanmar, Burmese musicians have been creating and circulating anti- coup songs. This article describes a representative sample of these songs, explaining how the lyrics reference important tropes in Burmese life and history. Further, the article argues that these anti-coup songs, while they can be understood as protest music, do not fit precisely into categories previously delineated for protest songs. Nor do these songs provide a neat answer to the question that scholars so often pose of protest music, to wit: do these songs work to persuade listeners to take an anti-authoritarian position? …


Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone Jan 2023

Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone

Williams Honors College, Honors Research Projects

In recent years, social movements have raised awareness on issues like whitewashing and the oppression of minority voices in fields such as music. These social movements have drawn attention to the cultural appropriation that sometimes occurs in music classrooms. Outcomes from recent legislation proposals and social conflicts across the United States threaten to limit educational opportunities. Although many people have understood these pieces of legislation to affect topics such as history and English, it may also affect music education. When choosing music to teach their students, music educators are often challenged as many songs have questionable pasts and make references …


Feeling Analogue: Using Modular Synthesizers, Designing Synthesis Communities, Eliot Bates Jan 2023

Feeling Analogue: Using Modular Synthesizers, Designing Synthesis Communities, Eliot Bates

Publications and Research

When Harald Bode nominally invented the modular synthesiser in 1960, it was not yet clear whether it was a musical instrument or a less-defined form of studio-sited audio technology (Subotnik 1970). Much of the technology, from the interface design to the specific parts, was shared with nonmusical test and measurement equipment. Sixty years later, hardware modular synthesis is used not just for musical creation but for noise, sound art and data sonification/visualization. Through an ethnographic study of the design and use of the Eurorack modular synthesis format, and of modular synthesis maker and user communities spread through North America, Europe …


Unconventional Wisdom In Resonating Echoes Of The Past: A Memoir On The Life And Music Of Royal Hartigan, Joseph Elias Boulos Jan 2023

Unconventional Wisdom In Resonating Echoes Of The Past: A Memoir On The Life And Music Of Royal Hartigan, Joseph Elias Boulos

Graduate Theses, Dissertations, and Problem Reports (ETD)

Unconventional Wisdom in Resonating Echoes of the Past:

A Memoir on the Life and Music of royal hartigan

Joseph Elias Boulos

Detailed fieldwork achieved by people in the discipline of social/humanistic studies, specifically ethnomusicologists, in any form: book, biography, documentary, etc., have contributed to the strengthening the understanding of any group of people, community, or culture. This research project is a co-authored memoir grounded in oral history and collaborative ethnography on, and with, Dr. royal hartigan. The purpose of this ethnographic research is to fill in the lack of information readily available on royal, from his sole perspective, and to …


Analysis And Performance Of Osvaldo Golijov’S Hebreische Milonga, Gerardo Sanchez Pastrana Jan 2023

Analysis And Performance Of Osvaldo Golijov’S Hebreische Milonga, Gerardo Sanchez Pastrana

Graduate Theses, Dissertations, and Problem Reports (ETD)

Argentinian composer Osvaldo Golijov is one of the most important and well-recognized composers of the 21st century. His works are unique because of the diverse mixing of styles due to the interculturalism present in his music. In the program notes of his Hebreische Milonga, Golijov mentions that this piece can connect his Argentinian and Jewish roots as well as the influence of Astor Piazzolla’s music. In addition, there is a connection between the tango and the Jewish people residing in Buenos Aires, Argentina, that is not addressed frequently when discussing the history of the tango. This research begins …