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Articles 1 - 16 of 16
Full-Text Articles in Ethnomusicology
December 1992
Shake, Rattle & Roll
Vol. II, no. 6 featured Billy Lee Riley and a preview of the 1992 Jazz Homecoming.
August 1992
Shake, Rattle & Roll
Vol. II, no. 2 featured the Bar-Kays and the 6th Annual Elvis Impersonators Contest.
July 1992
Shake, Rattle & Roll
Vol. II, no. 1 featured Shawn Lane, the Kronos Quartet, and an article about women in the music business.
June 1992
Shake, Rattle & Roll
Vol I, no. 12 featured a special report on the Christian underground music scene in Memphis, as well as gospel artist O'Landa Draper.
May 1992
Shake, Rattle & Roll
Vol. I, no. 11 featured Tora Tora, Come In Berlin, and the Suspicions.
Spring 1992, Wmpg 90.9 Fm
Spring 1992, Wmpg 90.9 Fm
WMPG Program Guides
WMPG program guide for Spring 1992
Includes notes from Program Director, information on shows and events, and schedule.
April 1992
Shake, Rattle & Roll
Issue 10 featured Larry Springfield, the 25th Anniversary Memphis Horns performance, and the schedules for the Beale Street Music Festival, Crossroads, and Memphis in May MusicFest.
February 1992
Shake, Rattle & Roll
Issue 8 featured S.M.K., Todd Snider, Lance Strode, Jimmy Davis, and Tommy Burroughs.
Spring 1992, 90.9 Wmpg Fm
Winter 1992-1993, 90.9 Wmpg Fm
Winter 1992-1993, 90.9 Wmpg Fm
WMPG Program Guides
WMPG Program Guide Winter 1992-1993
January 1992
Shake, Rattle & Roll
Issue 7 featured Cordell Jackson, Good Question, and Bobby O'Jay.
Representing African Music, Kofi Agawu
Representing African Music, Kofi Agawu
Publications and Research
Of all the currents of change that have swept the humanities during the last half-century, the most far-reaching revolve around language. Philosophy, history, and literary criticism, among other language-based disciplines, have developed what is often presented as a largely unprecedented self-consciousness about representation. The message to scholars in nonlanguage-based disciplines is clear: to be taken seriously, one can no longer view language as a transparent window to an objective reality but must confront the foundational political and ideological baggage of the medium itself, as well as its constant slippage in the hands of the producer.