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Ethnomusicology Commons™

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1991

Discipline
Institution
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Articles 1 - 13 of 13

Full-Text Articles in Ethnomusicology

December 1991 Dec 1991

December 1991

Shake, Rattle & Roll

Issue 6 featured Keith Sykes, Ruby Wilson, and Jim Dickinson.


October 1991 Oct 1991

October 1991

Shake, Rattle & Roll

Issue 5 featured DDT, Neighborhood Texture Jam, and Little Jimmy King.


September 1991 Sep 1991

September 1991

Shake, Rattle & Roll

Issue 4 featured B.B. King and John Kilzer.


August 1991 Aug 1991

August 1991

Shake, Rattle & Roll

Issue 3 featured Clearance Giddens, "The Black Elvis," Jimi Jamison, Todd Snider, and the Voodoo Village People.


July 1991 Jul 1991

July 1991

Shake, Rattle & Roll

The second issue featured Memphis band Come In Berlin, guitarist Eric Gales, and a follow up on Sweet, Sweet Connie.


Spring 1991, Wmpg 90.9 Fm Apr 1991

Spring 1991, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Spring 1991

Includes notes from Program Director, information on shows and events, and schedule.


Vol. 14 No. 2 (1991): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1991

Vol. 14 No. 2 (1991): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Contributors: Vol 14 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1991

Contributors: Vol 14 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 14 (1991): Pacific Studies Full Issue 2


Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1991

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 6, No 1 Fall Edition of the Pacific Studies Journal


Vol. 14 No. 2 (1991): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1991

Vol. 14 No. 2 (1991): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …


Summer 1991, 90.9 Wmpg Fm Jan 1991

Summer 1991, 90.9 Wmpg Fm

WMPG Program Guides

Newsletter format.


Spring 1991, 90.9 Wmpg Fm Jan 1991

Spring 1991, 90.9 Wmpg Fm

WMPG Program Guides

Newsletter format.


The Cassette Industry And Popular Music In North India, Peter L. Manuel Jan 1991

The Cassette Industry And Popular Music In North India, Peter L. Manuel

Publications and Research

Since the early 1970s the advent of cassette technology has had a profound effect on music industries worldwide. This influence has been particularly marked in the developing world, where cassettes have largely replaced vinyl records and have extended their impact into regions, classes and genres previously uninfluenced by the mass media. Cassettes have served to decentralise and democratise both production and consumption, thereby counterbalancing the previous tendency toward oligopolisation of international commercial recording industries.

While the cassette boom started later in India than in areas such as the Middle East and Indonesia, its influence since the early 1980s has been …