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Articles 1 - 30 of 903
Full-Text Articles in Ethnomusicology
Expresiones Musicales Rurales, Ana Betina Morgante Combariza, Rosa Delia Acosta León, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin, Andrés Felipe Acuña Duarte
Expresiones Musicales Rurales, Ana Betina Morgante Combariza, Rosa Delia Acosta León, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin, Andrés Felipe Acuña Duarte
Ciencias Sociales, Humanidades y Ciencias Políticas
La riqueza musical de una región no solo reside en sus sonidos y melodías, sino en las historias, las tradiciones y los valores que estos transmiten de generación en generación. Este libro de partituras es el resultado de un proceso de investigación etnomusicológico que busca documentar, preservar y divulgar las expresiones musicales rurales de tradición oral en Cundinamarca. Las partituras contenidas en esta publicación no son solo transcripciones musicales, representan una ventana a la cosmovisión de las comunidades rurales cundinamarquesas, donde la música es un medio de comunicación, un canal para la memoria colectiva y una herramienta pedagógica de inestimable …
La Rumba Criolla Al Estilo De Emilio Sierra, Desde El Contexto Académico Y Creativo, Adalberto Pardo Rodríguez, Jair Herrera Bohórquez
La Rumba Criolla Al Estilo De Emilio Sierra, Desde El Contexto Académico Y Creativo, Adalberto Pardo Rodríguez, Jair Herrera Bohórquez
Ciencias Sociales, Humanidades y Ciencias Políticas
La rumba criolla es un género musical identitario del departamento de Cundinamarca, cuyo precursor más destacado es el maestro Emilio Sierra Baquero, quien a través de sus composiciones puso a rumbiar al país en los años cuarenta, legado que aún sigue vigente. Este libro representa el estilo compositivo e interpretativo característico del maestro y su orquesta, incorporando arreglos, grabaciones y composiciones que permiten exaltar ese legado cultural y patrimonial reflejado en esta música, resultado de un proceso de investigación y análisis realizado por docentes investigadores del programa de Música de la Universidad de Cundinamarca. Se rinde homenaje al compositor Emilio …
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov
Music, Poetry And Identity In Badakshan, Tajikistan: Singing And Sounding Community, Chorshanbe Goibnazarov
Music & Performance in Muslim Contexts
An illuminating account of Ismaili music, spiritual poetry and social change in Badakhshan.
In the riverine valleys of the Pamir Mountains of Tajik Badakhshan, a thriving millennium-old community of Nizari Ismaili Muslims created a unique spiritual culture in which the performance of music and poetry plays a central role. This book focuses on the central musical and poetic tradition of the Pamiri Ismailis, qasīda-khonī (also known as maddo), tracing its origins, evolution, delocalisation and relocation.
This book introduces readers to leading performers of qasīda-khonī and to the Ismaili gnosis that inspires its music and poetry.
• Based on six …
La Música Que Nos Une: Prácticas Y Expresiones Musicales Rurales De Tracidión Oral, Rosa Delia Acosta León, Ana Betina Morgante Combariza, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin
La Música Que Nos Une: Prácticas Y Expresiones Musicales Rurales De Tracidión Oral, Rosa Delia Acosta León, Ana Betina Morgante Combariza, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin
Ciencias Sociales, Humanidades y Ciencias Políticas
La Música que nos une surge como una herramienta de mediación cultural concebido como producto del proyecto de investigación Etnomusicología de expresiones musicales rurales de tradición oral cundinamarquesas como elementos de educación y cultura, desarrollado por el programa de Música de la Universidad de Cundinamarca. Su propósito es reconocer y preservar las prácticas musicales de los artistas regionales, así como sus historias de vida para contribuir a la preservación de la identidad cultural de las nuevas generaciones de la región. establecer conexiones significativas entre el material recopilado durante el trabajo de campo, enfocado en las prácticas musicales. de los artistas …
Islamic Themes In Us Hip-Hop Culture, Anders Ackfeldt
Islamic Themes In Us Hip-Hop Culture, Anders Ackfeldt
Music & Performance in Muslim Contexts
Explores how Islam is produced in American hip-hop culture by both Muslims and non-Muslims
Islam has been a part of hip-hop culture since it sprang from New York’s street culture in the 1970s. Today hip-hop has evolved into a global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production.
Anders Ackfeldt analyses a collection of lyrics, sounds and images to show how Islamic themes are featured …
Lost In Time, Keefus Flax
Lost In Time, Keefus Flax
Writing Beyond the Prison Living Archive
Poem on Prison life; Despair; Popular culture (music)
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Faculty Books & Book Chapters
Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …
Music Making In Iran From The 15th To The Early 20th Century, Amir Hosein Pourjavady
Music Making In Iran From The 15th To The Early 20th Century, Amir Hosein Pourjavady
Music & Performance in Muslim Contexts
Music Making in Iran looks at the change and evolution of music in Iran from both social and theoretical perspectives.
Amir Hosein Pourjavady scrutinises the emergence and development of modal entities, rules for modulation, the formation of court repertoires, the progress of rhythmic structures, vocal and instrumental genres and forms of composition. Through this lens, Hosein investigates how Iranian music has been impacted by Western influence, socio-political developments and contact with other musical cultures.
Based on primary sources, the book reveals many new discoveries in its examination of music making during this period, including its centres of patronage, the social …
Making American Opera After Einstein, Ryan Ebright Dr.
Making American Opera After Einstein, Ryan Ebright Dr.
ICS Fellow Lectures
In the wake of the avant-garde opera Einstein on the Beach in 1976, opera in the United States experienced a renaissance, one which has continued to the present. My book project, Making American Opera after Einstein, centers on contemporary attempts to remake opera in an American image. In it, I detail how American opera—as a genre, a sphere of cultural institutions, an expression of national identity—has transformed significantly over the past four decades. Whereas many composers embrace operatic convention, tailoring their operas to audiences through adaptations of cherished American stories, others attempt to test the genre’s aesthetic boundaries. By exploring …
Director's Statement, Andrea Leland
Mixtape Assignment, Apryl Berney
Mixtape Assignment, Apryl Berney
Assignment Prompts
Context: I designed several assignments to accompany the March 1st symposium “Listen Differently: Black Feminism, Music, and Popular Culture.” One assignment is a Mixtape assignment. It encourages students to apply Dr. Tricia Rose’s analysis of sexual politics from her seminal work Black Noise to popular songs from the last 5 to 10 years. The assignment should help students investigate how songs by women of color, especially Black women, changed since the mid-1990s when Dr. Rose’s critique of hip hop was first published.
From Rumi To The Whirling Dervishes: Music, Poetry And Mysticism In The Ottoman Empire, Walter Feldman
From Rumi To The Whirling Dervishes: Music, Poetry And Mysticism In The Ottoman Empire, Walter Feldman
Music & Performance in Muslim Contexts
Mevlana Jalaluddin Rumi, whose life and mystical poetry provided the inspiration for the Mevlevi Sufi order, is one of the world's best-known poets.
Yet the centuries-long musical tradition cultivated by the Mevleviye remains much less known. In this deeply researched book, renowned scholar Walter Feldman traces the historical development of Mevlevi music and brings to light the remarkable musical and mystical aesthetics of the Mevlevi ayin – the instrumental and vocal accompaniment to the sublime ceremony of the 'Whirling' Dervishes.
This accessible introduction to the relationship between music and the performative elements of Sufi practice presents the biographies of the …
Singing Out: Gala Choruses And Social Change, Heather Maclachlan
Singing Out: Gala Choruses And Social Change, Heather Maclachlan
Books and Book Chapters by University of Dayton Faculty
Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity …
Ancient Mesopotamian Music, The Politics Of Reconstruction, And Extreme Early Music, Samuel N. Dorf
Ancient Mesopotamian Music, The Politics Of Reconstruction, And Extreme Early Music, Samuel N. Dorf
Books and Book Chapters by University of Dayton Faculty
I write this piece primarily as a musicologist and amateur early music practitioner (viola da gamba player) who tries to understand the ways twentieth- and twenty-first century musicians and scholars have imagined and performed ancient music and dance. This essay emerged from my book project Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1935 and brings my training as a historical musicologist and dance historian to bear on issues typically of concern to archaeologists, classicists, and linguists.
While working on that book, I kept running across a number of individuals working now who are deeply engaged in …
Myanmar’S Pop Music Industry In Transition, Heather Maclachlan
Myanmar’S Pop Music Industry In Transition, Heather Maclachlan
Books and Book Chapters by University of Dayton Faculty
In the wake of the November 2010 elections, one important signal of the Myanmar government’s commitment to change was the cessation of the censorship of music recordings in October 2012.
1 Prior to that date, the country’s Press Scrutiny Board conducted rather rigorous censoring of so-called stereo series (albums), in cassette and later in compact disc formats. Producers wishing to sell their series in retail shops were required to submit a copy of the recording and ten copies of the song lyrics to the censors at the Press Security Board (MacLachlan 2011:148). Although the censoring was supposed to be provided …
Hip-Hop In Africa : Prophets Of The City And Dustyfoot Philosophers, Msia Kibona Clark
Hip-Hop In Africa : Prophets Of The City And Dustyfoot Philosophers, Msia Kibona Clark
Ohio University Press Open Access Books
Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.
Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the …
The Somali Cultural Integration Through Music In Minneapolis, Cleo Knickerbocker
The Somali Cultural Integration Through Music In Minneapolis, Cleo Knickerbocker
All Zyzzogeton Presentations
As a jazz pianist and music major, I had the unique opportunity to perform with and study Somali music. Through this experience, I not only learned about Somali music but also its significance to Somali culture and how music can act as a bridge, bringing together Somali and non-Somali communities in Minneapolis. As a result of my research, I’ve developed "The Somali Music Minnesota" website which displays information about the history of Somali music, events, and resources available for Somali music. Most importantly, the website includes a variety of Somali music excerpts. The site is accessible to English-speaking as well …
Alexander Cannon, Carol Barber
Alexander Cannon, Carol Barber
International Faculty Researchers
A chance introduction to a largely unknown genre of Vietnamese royal court music that Dr. Alexander Cannon experienced while majoring in economics and music as an undergraduate forged an interest that changed the trajectory of his intended career path from analyzing economic trends to becoming an ethnomusicologist and an expert on don ca tai tu.
Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.
Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.
Zea E-Books Collection
Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …
Marshall University Department Of Music Presents The Marshall University African Drumming & Dance Ensemble, Steven Hall, Betsy Jordan
Marshall University Department Of Music Presents The Marshall University African Drumming & Dance Ensemble, Steven Hall, Betsy Jordan
All Performances
No abstract provided.
Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner
Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner
Sikaiana Ethnography
A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.
A related website is www.sikaianaarchives.com
Summer 2006, 90.9 Wmpg Fm
Summer 2005, 90.9 Wmpg Fm
Spring 2005, 90.9 Wmpg Fm
Fall/Winter 2005, 90.9 Wmpg Fm
Summer 2004, 90.9 Wmpg Fm
Spring 2004, 90.9 Wmpg Fm
Fall 2004, 90.9 Wmpg Fm
Fall 2003, 909 Wmpg Fm
Winter/Spring 2003, 90.9 Wmpg Fm