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University of Nebraska - Lincoln

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Articles 1 - 12 of 12

Full-Text Articles in Ethnomusicology

Heartbeat Of The Heartland: Sonic Engagement With Hip-Hop In The American Midwest, Lauren R. Millhorn May 2025

Heartbeat Of The Heartland: Sonic Engagement With Hip-Hop In The American Midwest, Lauren R. Millhorn

Department of English: Dissertations, Theses, and Student Research

This project analyzes Hip-Hop artists from the American Midwest through the context of the Midwest’s construction as a nostalgic, peaceful area where conflict seems nonexistent. This study applies Adam Ochonicky’s concept of nostalgic spatiality, or “instances in which nostalgia is projected onto a physical environment, thereby altering the perception, understanding, and/or experience of that space and its accompanying cultural sphere” (Ochonicky 29) to close readings on Midwest Hip-Hop texts. In the case of the Midwest, projected nostalgia is rooted in whiteness and propels the narrative that the Midwest is predominantly occupied by white people who maintain its peace and serenity …


Native American Choral Music: Strategies For Celebrating And Incorporating Music Of Indigenous People, Mary Ruth Young May 2024

Native American Choral Music: Strategies For Celebrating And Incorporating Music Of Indigenous People, Mary Ruth Young

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

*Language usage is fluid and evolving, representing past and present people groups. During my discussions with my Indigenous composer colleagues, I've found that they hold varying preferences regarding how they wish to be addressed and the terminology they prefer. Because of this, I use the terms Native, Native American, First Nations, Indigenous, American Indian, and First Peoples interchangeably.*

This document will discuss the historical exclusion of Native American music in the Western art forms, specifically the choral tradition, and provide solutions to incorporate it in modern choral performances. Considering first the wars, disease, displacement, colonization, and missionization, it is no …


Sun, Thunder, Daugava: Accessible Choral Music From The Latvian Choral Tradition, Paul M. Von Kampen May 2024

Sun, Thunder, Daugava: Accessible Choral Music From The Latvian Choral Tradition, Paul M. Von Kampen

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

I have been fortunate enough to visit Latvia twice, once in 2009 and again in 2023. With connections made through the global outreach arm of the Lutheran Church Missouri–Synod, I was able to incorporate myself into Latvian culture in ways that may not have been possible had I been a standard tourist. I am grateful to have been invited into the homes of Latvian friends, to have studied in the Jāzeps Vītols Music Academy Library, and to have celebrated both the Jāņi midsummer festival in the Latvian countryside and my twenty-second birthday on the shores of the mighty Daugava River. …


An Unnecessary Barrier: A Critical History Of Efforts To Define A Core Repertoire For The Wind Band, Trevor Frost May 2024

An Unnecessary Barrier: A Critical History Of Efforts To Define A Core Repertoire For The Wind Band, Trevor Frost

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

The wind band saw significant development in its literature, instrumentation, and programming practices throughout the twentieth century. Midway through the twentieth century the identification of a “core” repertoire began to make its way into the forefront of the wind band profession’s priorities, resulting in three significant studies by Acton Eric Ostling Jr. (1978), Jay Warren Gilbert (1993), and Clifford N. Towner (2011). Along with these studies many smaller studies and surveys were being published with this same goal of identifying either a “performance core” or an “intellectual core.” However, with new works of serious artistic merit constantly being written and …


Music Of The Divine: Interweaving Threads Connecting Contemporary Chant-Based Piano Repertoire, Jeremy D. Duck Dec 2023

Music Of The Divine: Interweaving Threads Connecting Contemporary Chant-Based Piano Repertoire, Jeremy D. Duck

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this document is to prove chant remains an important source of inspiration among living composers, and, despite the number of piano works already incorporating chant, composers today are still finding unique ways to include chant in their music. To achieve this objective, representative works have been selected for research and analysis for four of the major chant traditions. Connor Chee’s The Navajo Piano, Victoria Bond’s Illuminations on Byzantine Chant, and Hayes Biggs’ E.M. am Flügel: Poem-Étude for Piano Solo, though the chants from which they are inspired are diverse in concept and style, they …


The Influence Of Jazz Elements In Don Freund's Sky Scrapings For Alto Saxophone And Piano, Wade Howles Jan 2017

The Influence Of Jazz Elements In Don Freund's Sky Scrapings For Alto Saxophone And Piano, Wade Howles

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Jazz influence surfaces within traditional repertoire for the saxophone more often than other instruments. This is due to the saxophone’s close association with the jazz idiom. Of particular interest is the use of jazz elements in Don Freund’s Sky Scrapings for alto saxophone and piano. Often, while studying a jazz-influenced work, students and professors alike may not recognize the importance of these elements appropriately. Because of this, their performance loses a portion of the stylistic nuance the composer intended while writing the work. This lack of recognition and loss of stylistic nuance is commonly due to a lack of …


Werner Jaegerhuber’S Messe Sur Les Airs Vodouesques Or Messe Folklorique Haïtienne: A Performance Edition, Canes Nicolas May 2015

Werner Jaegerhuber’S Messe Sur Les Airs Vodouesques Or Messe Folklorique Haïtienne: A Performance Edition, Canes Nicolas

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Originally written for solo soprano with choir and organ, Werner Jaegerhuber completed this work in 1953, and his close friend and artistic collaborator, Louis Maximilien, commissioned it for the sesquicentennial of Haiti’s independence on January 1, 1954. However, since there are no published scores or even a reliable manuscript of this piece, what has been kept in the archives of the Société de recherche et de diffusion de la musique Haïtienne in Montreal, Canada are two dissimilar scores by unknown sources. One is the choral and organ version, which was made by a professional copyist in the 1950’s (judging by …


Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed. Aug 2014

Syntagma Musicum Ii: De Organographia, Parts Iii – V With Index, Michael Praetorius, Quentin Faulkner Trans. & Ed.

Zea E-Books Collection

Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with …


Review Of Helen Deeming, Ed., Songs In British Sources, C.1150–1300, Musica Britannica 95., Peter M. Lefferts Jan 2014

Review Of Helen Deeming, Ed., Songs In British Sources, C.1150–1300, Musica Britannica 95., Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

By the time of his death, John Stevens (1921–2002), emeritus professor of medieval and Renaissance literature at Cambridge University, had been working for over two decades on a study and edition of the trilingual repertory of song in medieval England from c.1150 to c.1350.1 The initial products of that research were themselves so lengthy and detailed that the scope of the whole endeavour appears to have been enormous, and it is understandable if immensely to be regretted that the undertaking remained unfinished in his lifetime. The edition under review is the fresh work of a younger Cambridge-educated scholar, Dr Helen …


The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii Jul 2011

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …


The Contributions Of Axel Jørgensen To The Solo Trombone Repertoire Of Denmark In The Twentieth Century, Andrew H. Converse Apr 2009

The Contributions Of Axel Jørgensen To The Solo Trombone Repertoire Of Denmark In The Twentieth Century, Andrew H. Converse

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Axel Jørgensen is one of a few Danish composers who has contributed compositions to the solo trombone repertoire that gained an international and lasting reputation in the twentieth century. Jørgensen, like many Danish composers from the first part of the twentieth century, is often overlooked due to the imposing figure of Carl Nielsen. Jørgensen’s compositions, while not overly patriotic, give the trombonist a sense of the Danish Nationalistic Romantic style of the late nineteenth and early twentieth century.

Jørgensen was one of the first composers to write for the emerging slide trombone idiom in Denmark at the beginning of the …


Tones And Intervals Of Hindu Classical Music, Donald A. Lentz Jan 1961

Tones And Intervals Of Hindu Classical Music, Donald A. Lentz

University Studies (University of Nebraska) (1888–1984)

ART IS ALL ENDURING and limitless, and defies positive, unvariable classification. No attempt is being made in this book to compare artistic, subjective or emotional factors. Only the objective elements, techniques and procedures of music that are tangible and definite are being compared and classified. Western music, having reached a plateau under the present harmonic system, is projecting into new channels for textural inspiration. Composers have exploited the present system, using existing intervals in every conceivable manner under existing tonal and atonal theories. Devices such as smaller intervals (example: tempered quarter tones), electronic combinations, aleatonic principles, etc. are being dealt …