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Articles 1 - 11 of 11
Full-Text Articles in Ethnomusicology
Dumy And The Nation: How Folklore And Folk Songs Help Compose A Distinct Ukrainian Narrative, Amy Herd
Dumy And The Nation: How Folklore And Folk Songs Help Compose A Distinct Ukrainian Narrative, Amy Herd
Senior Theses
Historiography and ethnography have played a critical role in the development of modern Slavic nationalisms, particularly in Ukraine. As these studies became increasingly popular in the nineteenth century, scholars and members of the bourgeoisie identified folk culture as the key component for the making of the modern nation. Viewed as an authentic window into national history and tradition due to their limited interaction with the modernizing world, rural folk offered the perfect opportunity to illustrate how Ukraine had always been distinct from Russia and its other historical oppressors. As folk culture fervor gripped the intellectual elite of Eastern Europe, however, …
Rap In The United States And Cuba: A Genre Uniquely Emblematic Of The Paradox Of (De)Colonization, Maya Rose Bliffeld
Rap In The United States And Cuba: A Genre Uniquely Emblematic Of The Paradox Of (De)Colonization, Maya Rose Bliffeld
Senior Theses
Music, as a profound and resonant cultural expression, captures the nuance of societal dynamics, political climates, and the collective emotions of communities throughout time. Colonialism, more specifically the Atlantic slave trade and the experience of suffering, has been reflected in the music as much as it has pioneered styles of new global music in the present. Music, specifically rap, contextualized in the hip-hop movements of the United States and Cuba, reveals primary sources of the effects of systemic racism and the marks of slavery in the contemporary context. The United States and Cuba each have a close relation to the …
Why Hip Hop Began In The Bronx- Lecture For C-Span, Mark Naison
Why Hip Hop Began In The Bronx- Lecture For C-Span, Mark Naison
Occasional Essays
No abstract provided.
Critical Review Of Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years, Corey Lionel Spencer
Critical Review Of Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years, Corey Lionel Spencer
Occasional Essays
No abstract provided.
Girl Groups In The Bronx: Race Gender And The Pursuit Of Respectability, Mark Naison
Girl Groups In The Bronx: Race Gender And The Pursuit Of Respectability, Mark Naison
Occasional Essays
No abstract provided.
Italian Americans In Bronx Doo Wop-The Glory And The Paradox, Mark Naison
Italian Americans In Bronx Doo Wop-The Glory And The Paradox, Mark Naison
Occasional Essays
No abstract provided.
The Multiracial Bronx: A Unique Cultural Incubator In Post War America, Mark Naison
The Multiracial Bronx: A Unique Cultural Incubator In Post War America, Mark Naison
Occasional Essays
No abstract provided.
The Unacknowledged Economic And Political Forces Which Shaped The Rise Of Rock And Roll, Mark Naison
The Unacknowledged Economic And Political Forces Which Shaped The Rise Of Rock And Roll, Mark Naison
Occasional Essays
No abstract provided.
Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple
Antonio T. De Nicolás: Poet Of Eternal Return, Christopher Key Chapple
Research Resources
This book includes essays in honor of Professor Antonio de Nicolas.
Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison
Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison
Occasional Essays
No abstract provided.
Postmodern Musicology, Babette Babich
Postmodern Musicology, Babette Babich
Articles and Chapters in Academic Book Collections
The discipline of musicology is a rather specificially 20th century institution growing out of a disparate range of 19th century studies of music theory, history, composition, etc. The OED edition extant at the time of the writing of this article dates the term musicology itself to 1909 or later. Although there are indeed practitioners throughout the world, most theorists are Anglo-American, with echoes in the French tradition of musicologie and German Musikwissenschaft. As a still-modern project, postmodern musicology derives from a predominantly Austro-German generation of scholars who translated an originally European tradition of analysis (Heinrich Schenker and -- in …