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Articles 61 - 81 of 81
Full-Text Articles in Ethnomusicology
Vol. 14 No. 2 (1991): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 14 No. 2 (1991): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 14 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 14 No. 2, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 14 (1991): Pacific Studies Full Issue 2
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 6, No 1 Fall Edition of the Pacific Studies Journal
Vol. 14 No. 2 (1991): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 14 No. 2 (1991): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 14 No. 1 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 14 No. 1 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 14 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 14 (1990): Pacific Studies Full Issue 1
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Book Listing for the Vol 14, No 1 Edition of the Pacific Studies Journal
Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 14 No. 1 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 13 No. 3 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 13 No. 3 (1990): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Contributors list of Vol. 13 (1990): Pacific Studies Full Issue 3
Elizabeth Tatar's Review Of Richard Moyle's Traditional Samoan Music, Elizabeth Tatar
Elizabeth Tatar's Review Of Richard Moyle's Traditional Samoan Music, Elizabeth Tatar
Pacific Studies
No abstract provided.
Larry V. Shumway's Review Of Richard Moyle's Tongan Music, Larry V. Shumway
Larry V. Shumway's Review Of Richard Moyle's Tongan Music, Larry V. Shumway
Pacific Studies
No abstract provided.
Music In The Funeral Traditions Of The Akpafu, V. Kofi Agawu
Music In The Funeral Traditions Of The Akpafu, V. Kofi Agawu
Publications and Research
"Nna lo senu kuwe, fie oresire somoloo?" ("Who laid a mat for him, so that he slept so deeply?") With this rhetorical question, the Akpafu of Southeastern Ghana initiate a period of public mourning occasioned by the death of one of their number.1 The philosophic significance of death in Akpafu culture is twofold. First, it marks the completion of the earthly cycle of existence, birth-circumcision-puberty-marriage-death. Second, it opens the door to a higher, spiritual realm in which the deceased, as an ancestor, takes his place alongside the lesser gods and the Supreme Being in the higher reaches of the hierarchy …
Richard M. Moyle's Review Of Steven Feld's Sound And Sentiment: Birds, Weeping, Poetics, And Song In Kaluli Expression, Richard M. Moyle
Richard M. Moyle's Review Of Steven Feld's Sound And Sentiment: Birds, Weeping, Poetics, And Song In Kaluli Expression, Richard M. Moyle
Pacific Studies
No abstract provided.
Rubellite Kawena Johnson's Review Of Elizabeth Tatar's Nineteenth Century Hawaiian Chant, Rubellite Kawena Johnson
Rubellite Kawena Johnson's Review Of Elizabeth Tatar's Nineteenth Century Hawaiian Chant, Rubellite Kawena Johnson
Pacific Studies
No abstract provided.
Saka, Fane Telena, Unknown Sikaiana
Saka, Fane Telena, Unknown Sikaiana
Sikaiana Traditional Songs
These are two saka, songs composed for a secret lover (hina) in traditional Sikaiana society. I know that one was collected from Fane Telena, the other I found in my notes.
Tani Various, Sikaiana People
Tani Various, Sikaiana People
Sikaiana Traditional Songs
These are transcriptions of several tani or funeral dirges. Tani are composed after a person dies. I do not have a record of who gave me the transcriptions, most likely John Kilatu and/or Reuben Tenai. I do not have recordings for these songs.
Puina Songs, Joseph Tealo, Fane Telano
Puina Songs, Joseph Tealo, Fane Telano
Sikaiana Traditional Songs
The Puina were times when men and women divided into separate groups to secretly compose songs that are critical of the opposite sex. These are song transcriptions given to me by Joseph Tealo and Fane Telena, both are noted composers. They were composed for the 1981 puina.
Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr
Mako Hatu Composed Songs, Reuben Tenai, John Kilatu Dr
Sikaiana Traditional Songs
Two traditional composed songs (mako hatu) that I found in my notes, most likely from John Kilatu and/or Reuben Tenai.
The Carter Family: Traditional Sources For Song, Margaret Bulger
The Carter Family: Traditional Sources For Song, Margaret Bulger
Masters Theses & Specialist Projects
The recorded repertory of the original Carter Family was analyzed for traditional influences. Of the 119 songs examined, it was found that fifty-five, roughly one-fourth of their total repertory, have definite roots in one or more traditional sources. The Carters employed traditional texts within their repertory throughout their professional career. Three genres of song were analyzed: sentimental songs, religious songs, and ballads. Of these, sentimental songs was the largest category with 113 songs. These songs were found to be remarkably similar in thematic content and moral sensibilities to Victorian parlor songs (ca. 1860-1910). The religious songs were shown to be …