Music Commons^™

Sigma Alpha Iota, Alpha Upsilon Chapter In A Sister Recital, March 7, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Bass Studio Recital, March 7, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Guest Artist Concert: Dr. Alexander Meszler, March 7, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Junior Recital: Darius Botley, Saxophone; Thaddeus Tukes, Piano; Jameel Stephens, Drums; John St. Cyr, Bass; March 7, 2024, Darius Botley, Thaddeus Tukes, Jameel Stephens, John St. Cyr

School of Music Programs

Kemp Recital Hall
March 7, 2024
Thursday Evening
8:30 p.m.

Listening To The Gordon Natural Area: Field Recording As Means Of Connecting With The More Than Human World, Devin Arne

Sustainability Research & Practice Seminar Presentations

Professor Devin Arne (Music Theory, History, and Composition) shares "Listening to the Gordon Natural Area: Field Recording as Means of Connecting with the More Than Human World"

Charles W. Bolen Faculty Recital Series: Dr. Jillian Kouzel, Oboe; Dr. Midori Samson, Bassoon; Dr. Satoko Hayami, Piano; Lu Witzig, Piano; March 6, 2024, Jillian Kouzel, Midori Samson, Satoko Hayami, Lu Witzig

School of Music Programs

Kemp Recital Hall
March 6, 2024
Wednesday Evening
7:30 p.m.

Make It Funky For Me: Black British Women’S Explorations Of Britishness, Womanhood, And Artistry Through 2000s Music, Monique Charles

Sociology Faculty Articles and Research

2000s Britain was an interesting and expansive time musically for Black Britain (Bradley 2013), as underground music gained traction in mainstream spaces. This article examines the context in which Black British women were able to cross over into the British mainstream and explores how U.K. garage and U.K. funky artists expressed their creativity, autonomy, womanhood, Blackness, and Britishness. Female U.K. garage artists set a precedent in the creation of “new” diverse identities for Black British women artists, but artists in both underground and mainstream music scenes were also forced to contend with restrictive and harmful misogynoir.

Ensemble Concerts: University High School Symphonic Band And Illinois State University Symphonic Band, March 5, 2024, Jason Landes, Brady Parks, Tj Mack

School of Music Programs

Center for the Performing Arts
March 5, 2024
Tuesday Evening
7:00 p.m.

Nordes Trio Concert, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Choral Collage Concert, March 5, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Recital: Convocation, March 5, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
March 5, 2024
Tuesday Morning
11:00 a.m.

Charles W. Bolen Faculty Recital Series: Mukyia Musics: Excavating The Rich Intellectual Traditions Of Africa, March 5, 2024, Ama Oforiwaa Aduonum

School of Music Programs

Kemp Recital Hall
March 5, 2024
Tuesday Evening
7:30 p.m.

Charles W. Bolen Faculty Recital Series: Dr. Rachel Hockenberry, Horn; March 4, 2024, Rachel Hockenberry, Lu Witzig, Allison Hoffman, Lydia Cermak

School of Music Programs

Kemp Recital Hall
March 4, 2024
Monday Evening
7:30 p.m.

Richmond Piano Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Chapman University Vocal Jazz Ensemble, Chapman University Vocal Jazz Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Ua12/2/1 College Heights Herald: Inventing Yourself On The Hill, Wku Student Affairs

WKU Administration Documents

Magazine edition of the College Heights Herald for the period January 29 - March 3, 2024.

• Anderson, Alexandria. Letter from the Editor
• Costellow, Ali. Passions Provide Outlets for Self-Expression – Nathan Neal, Chase Winemiller, Gracie Silvia, Nico Silverthorn
• Reed, Bailey. Chinese Music Club Brings New Sound to the Hill
• Historic Building Makes for Unique Apartments – Columns, Bowling Green High School
• Parks, Adin. Inside the Bowling Green Warming Centers – Homeless
• Murray, Debra. Kentucky Museum Exhibits Curator Details Research on Women’s Culture – Tiffany Isselhardt
• Anderson, Alexandria. Who Owns WKU’s Dorms – Student Life Foundation, Hilltopper Hall
• Coppinger, Carrington. Forensics …

Recital: Celebrating Women's Music, March 3, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
March 3, 2024
Sunday Evening
7:00 p.m.

Doris Wylee-Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Afternoon Of Brass, March 3, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
March 3, 2024
Sunday Afternoon
5:00 p.m.

Carlos Mejia Master's Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Woodwind Extravaganza Gala Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

An Evening With Bach, Teleman, & Vivaldi, Marianne Kordas

Faculty Publications

Program Notes

2023-2024 Senior Recital - Clarece Lamarr (Violin), Clarece Lamarr, Sheng Yuan Kuan, Rumiana Drumeva

Junior and Senior Recitals

No abstract provided.

Women Guitar Orchestra Conductors, 1885 To Present, Part 1, Mariette Stephenson

Music Faculty Publications

Passion, innovation, musicianship: these are reflected in the careers and offerings of women and the guitar. As I continue my research on women’s contributions to guitar orchestras, I became interested in discovering how many women have led guitar orchestras since they began in the 1800’s and learn what women today are experiencing in this role. Guitar orchestras have played an important role in many musicians’ development throughout its history, but unfortunately women have been often unacknowledged and under-represented in this ensemble format’s leadership roles.

This article includes a list I have compiled of women guitar orchestra conductors (past/present), will discuss …

Harmonic Data: Ai Music, Edm Transcription, & Minimalist Jazz, Trevor Freed

Electronic Theses and Dissertations

This thesis presents research in the domains of music theory and music technology. The topics of the three chapters are as follows: (1) the technical and artistic limitations of artificial intelligence when generating music, (2) the transcription of electronic dance music (EDM) using a hybrid notation system, and (3) the effective convergence of jazz and minimalism in the music of Joe Hisaishi from Studio Ghibli. Each topic investigates a different aspect of harmony and the modern ways in which humans communicate in terms of harmony. The first chapter surveys the latest research projects in AI-generated music and proposes ideas for …

Applications Of Information Literacy To Teaching Independent Music Analysis, Katrina Roush

Journal of Music Theory Pedagogy

Undergraduate and graduate music students learn many tools beneficial for music analysis, and they practice applying these tools to music in their music theory classes. However, they often struggle to perform useful analysis on their own without the guidance of an instructor. They can have trouble understanding that analysis should communicate their personal interpretation of a work, and they may not realize that independent analysis usually requires some preparatory work (analytical research),such as discovering if others have analyzed the work and learning new analytical methods. This article shows that there is a strong connection between various steps in the music-analytical …

Report On The 2023 Workshops In Music Theory Pedagogy At The University Of British Columbia, Jason Yin Hei Lee, Kaylee Therieau

Journal of Music Theory Pedagogy

No abstract provided.

Applications Of Information Literacy To Teaching Independent Music Analysis, Katrina Roush

School of Music Faculty Publications

Undergraduate and graduate music students learn many tools beneficial for music analysis, and they practice applying these tools to music in their music theory classes. However, they often struggle to perform useful analysis on their own without the guidance of an instructor. They can have trouble understanding that analysis should communicate their personal interpretation of a work, and they may not realize that independent analysis usually requires some preparatory work (analytical research),such as discovering if others have analyzed the work and learning new analytical methods. This article shows that there is a strong connection between various steps in the music-analytical …

Gestural Temporality In Sciarrino’S Recitativo, Antares L. Boyle

School of Music + Theater Faculty Publications and Presentations

Sciarrino’s writings describe a compositional philosophy that prizes multidimensionality and spatiotemporal discontinuity (1998, 2004). Yet his simultaneous allegiance to teleology, holism, and fractal hierarchies reveals an underlying unifying organicism with which these qualities may initially seem to conflict. I take Sciarrino’s 1999 piano concerto Recitativo oscuro as a case study for examining the composer’s gestural organicism and its various contradictions and double meanings. First, close analysis of the opening piano solo demonstrates how seemingly contradictory aesthetic priorities—organic unity and temporal multiplicity—co-exist within a single passage. Drawing from Kramer’s (1988) concept of “gestural time,” Hatten’s (2004) theory of gesture, segmentation theories, …