Music Commons^™

The Girl Of My Dreams, Wilbur D. Nesbit, Otto Hauerbach, Karl Hoschna, M. Witmark & Son

Popular Sheet Music of the 1900s-Archive

Joseph M. Gaites Presents John Hyams & Leila Mc Intyre in the Musical Play The Girl of My Dreams

Book by Wilbur D. Nesbit and Otto Hauerbach

Music by Karl Hoschna, composer of "The Three Twins", "Bright Eyes", "Madame Sherry", ETC, ETC.

First line of chorus: You're my little dream girl, You're the girl I knew,

Front cover: A woman wearing hat with curly hair holding a rose and a small picture of couple on the left bottom corner.

First line of the song: Back in the May - time of my boyhood days, I read of ladies fair and …

Chauncey Olcott's Greatest Song Successes (I Love The Name Of Mary), George Graff Jr., Chauncy Olcott, Ernest R. Ball, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: Picture of a man insert into a circle in a flower

First line of song: I have wandered around but I never have found the heart that was meant for me.

First line of chorus: I love the name of Mary, Gentle and sweet nor airy tender as e'er a fairy Just as true

Moderato

Valse Moderato Tenderly

Moderately, with expression

Includes sheet music samples from the songs "Let Us Have Peace!", "Wild Rose" and "My Dear"

Lyric by George Graff Jr.

Music by Chauncey Olcott & Ernest R. Ball

1 score, (8p), 33x26 cm

Published by M. …

Every Little Movement, Otto A. Hauerbach, Karl Hoschna, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A portrait of a girl in a oval frame in the middle wearing a big hat and dress.

First line of song: No longer does the lithesome miss, Cavort in catchy waltz,

First line of chorus: Ev'ry little movement has a meaning all its own,

Allegretto grazioso

Moderato grazioso

Messrs H H Frazee & George W Leaderer's Presentation of the Fascinating Lina Abarbanell In Madame Sherry A Three Act French Vandeville

Personally Staged by Mr Lederer

Lyrics by Otto A. Hauerbach

Music by Karl Hoschna

Madame Sherry

Lyrics identified for Lulu and Leonard

1 score, (6p.), 34x27 cm …

Come Along My Mandy, Nora Bayes, Jack Norworth, Tom Mellor, Alf. J. Lawrence, Harry Gifford, T. B. Harms & Francis Day & Hunter

Popular Sheet Music of the 1900s-Archive

Front cover: A man embracing a women looking looking to the right.

First Line of Song: Mandy put your best clothes on and come along, Mandy now don't be long!

First Line of Chorus: Come along my Mandy sweet as sugar candy.

Brightly

Includes sheet music samples from the song "In Roseland".

American Version

Written & Sung by Nora Bayes and Jack Norworth

Introduced in Lew Fields Production "The Jolly Bachelors"

Written and Composed by: Tom Mellor, Alf. J. Lawrence, and Harry Gifford

1 score, (6p.), 34x26 cm

Published by T.B. Harms & Francis Day & Hunter, New York

For You Bright Eyes, O. A. Hauerbach, Karl L. Hoschna, Cecil Lean, Florence Holbrook, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a woman with a huge hat on her head while wearing black gloves with her fingers parted up to her face and a smile on her face.

First line of song: I love your cheeks so tender, I love your angels face

First line of chorus: Bright eyes that beam for me, Gleam for me

Includes sheet music samples from the song "Teach me to Pray",

By the writers of "Three Twins"

Book by Charles Dickson

Lyrics by O.A. Hauerbach

Music by Karl L. Hoschna

With Cecil Lean and Florence Holbrook, Direction of Morris URI …

Good Night, Dear (Good-Night Dear), Will R. Anderson, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a rose vine.

First line of song: The moonbeams around us are creeping, while we stand alone in their light.

First line of chorus: Good night, dear, good night

Andantino

By Will R. Anderson

Sung by Billie Burke In her Great Comedy Success "Love Watches"

Direction Charles Frohman

1 score, (6p.), 33x24 cm

Published by M. Witmark & Sons, New York, Chicago, San Francisco, London, Paris

Love Is Like A Rose, Harry Von Tilzer, Stanislaus, Vincent Bryan, Harry Von Tilzer Music Production

Popular Sheet Music of the 1900s-Archive

Front cover: A portrait a woman in the middle of the page surrounded by flowers.

First line of song: My heart unfolds in the love light that gleams,

First line of chorus: Love is like a rose, a rose that grows with fragrance tender

Andante Moderato

Chorus Andante

Music by Harry Von-Tilzer

Book by Stanislaus

Lyrics by Vincent Bryan

John Cort Presents the Comic Opera Success The Kissing Girl

Karl, Christina and Chorus

1 score, 6p.), 34x27 cm

Published by Harry Von Tilzer Music Production, London

Sweet Girl Of My Dreams, Chauncey Olcott, Daniel J. Sullivan, M. Witmarks & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a man in a fence shaped portrait

First line of song: O'er yonder where lilacs so fair scent the air

First line of chorus: Oh! sweet girl of my dreams you have beauty so rare.

Valse lento

By Chauncey Olcott and Daniel J. Sullivan

Chauncey Olcott's Song Successes in his New Production Ragged Robin

By Rida Johnson Young In Collaboration with Rita Olcott

Augustus Pitou Manager

To Margaret

1 score, (6p.), 35x28 cm

Published by M. Witmarks & Sons, New York, Chicago, London, Paris

If I Had A Thousand Lives To Live, Sylvester Macguire, Alfred Solman, Jos. W. Stern & Co.

Popular Sheet Music of the 1900s-Archive

Front cover: No cover art.

First line of song: If I but knew your heart, dear,

High Baritone or Mezzo Soprano in Eb

Animato

Andante moderato

Words by Sylvester Maguire

Music by Alfred Solman, Composer of "with you in eternity"

1 score, (6p.), 32x25 cm

Published by Jos. W. Stern & Co., New York

From The Prince Of Pilsen (The Message Of The Violet), Frank Pixley, Gustav Luders, M. Witmark & Sons

Popular Sheet Music of the 1900s-Archive

Front cover: A bunch of purple flower in the middle.

First line of the song: The rose's lips are warm and red and burning with desire,

First line of chorus: I bring a breath of springtime from woodlands where I grew.

D, A to E

F, C, to G

Andantino

Moderato

pp

Includes sheet music samples from the songs "Carissima", "Star of my Life", and My Dear.

Lyric by Frank Pixley

Music by Gustav Luders

1 score, (8p.), 33x26 cm

Published by M. Witmark & Sons, New York

My Dream Of You, John Terrell Leahy, Duncan Belcher, White-Smith Music Publishing Company

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a small circular image with a woman's profile in the middle

First line of song: I dream of days we spent together

First line of chorus: You've found another for your heart

Andante moderato

Includes sheet music samples from the songs " The Message", "Oh Winds of Eve", "Tell Him I Love Him Yet", "This Rose", and "The Rose Of Love"

Words by John T. Leahy

Music by Duncan Belcher

Respectfully dedicated to Miss Mercy Lewis

1 score, (6p.), 33x26 cm

Published by White-Smith Music Publishing Company, Boston, New York, Chicago

Afterwards (Favorite English Songs), Mary Mark Lemon, John W. Mullen, Mckinley Music Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a rectangular border

First line of song: After the day has sung its song of sorrow, and one by one the golden stars appear

Includes sheet music samples from the songs "Ramona", "Moonlight Fancies", "Let Me Hear The Songs My Mother Used To Sing"

Words by Mary Mark Lemon

Music by John W. Mullen

1 score, (6p.), 35x26 cm

Published by McKinley Music CO., Chicago, New York

Dearie, Clare Kummer, Jos. W. Stern & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of two woman. One is in the upper left of the page in a circle and the other is in the bottom right of the page in a heart.

First line of song: The world's growing older each day, and the world's growing colder they say

First line of chorus: Dearie, my Dearie

Andantino ma non troppo

Includes sheet music samples from the songs "In the Golden Autumn Time, My Sweet Elaine", "Let Me Write What I Never Dared to Tell', "A Social in the Parlor", and "Milo"

Miss Sallie Fisher of the Frank Daniel's Company …

I'M On My Way To Dublin Bay, Stanley Murphy, Jerome H. Remick & Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a women in a dress and cape that appears to be floating over a body of water and fields.

First line of song: Michael Shea he marched away with the Dublin Fusiliers, An he left the town in cheers but he left his girl in tears.

First line of chorus: Goodbye! I'm on my way to dear old Dublin Bay, That's why I'm feelin gay

Marcia

Includes sheet music samples from the songs "Over The Hills To Mary" and "When Our Mothers Rule the World"

Lyric and Music by Stanley Murphy

Popular Edition

1 score, …

Philosophy, David Emmell, B. F. Wood Music Co

Popular Sheet Music of the 1900s-Archive

Front cover: Front cover: A picture of a woman wearing a white dress surrounded by flowers and a man behind a brick wall tilting his hat off at her.

First line of song: A bee once 'lighted on a flow'r, all on a summer day

Includes sheet music sample from the song " An Evening Love Song"

Allegretto grazioso

Words Anonymous

Music by David Emmell

In F (compass C to F)

1 score, (8p.), 30x23 cm

Published by B.F. Wood Music Co, Boston, New York, Leipzig, London

Volume 17, Number 10 (October 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Ages of One Hundred Famous

Singers

On Program Printing

Unprofessional Advertising

Dumb Pianos

About Tuning

How Leschetizky Teaches Memorizing

Little Knowledge

First Step in the Instruction of Young Children

To a Piano (poem)

Mechanical Music

Honesty in Advertising

Actual Effect of Music Upon an Imagination

Types of Teachers, or Mayburn's Madness

Music or Notes?

Development of the Artistic Sense

Lost Ideals

Value of the Musical Magazine

How to Memorize

What Makes Music Successful?

Studio Experiences: Experiences with the Pedal

Uninterested Pupil

Conservatory and Private Teaching: Another Phase of the Subject

Musical Don'ts

What are Musical Clubs For?

Volume 16, Number 01 (January 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Suggestions for the Musical Youth

How Shall We Teach Notation to Beginners

The Gospel of Work

Musical Memory in Its Relation to Pianoforte Playing

How to Make a Living

Problem of American Teaching

Song Writers of the Day

One-Sided Musicians

Nothing But a Name!

Success is the Reward of Toil

Musical Listener

Sight-Reading

Art of Self-Criticism

Helpful Letters to Young Musicians

Cost of Study Abroad

Factors of Musical Expression

Sight-reading in Pianoforte Instruction

Why Do You Take Music Lessons?

Principles of Musical Pedagogy

Thoroughness in Primary Work

Music Education

Moral Influence of Music

Convenient Maxims, Formulas, etc. for Voice Teaching …

Volume 15, Number 09 (September 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Would-Be Paderewski

Music No Hindrance to Getting On

Some Don'ts for Students Who are Going to Germany to Study Music

Playing in Public

From Recent Programmes

Neglected Essential: Music and Languages

Self-Exaltation

Time Values

Flowers by the Wayside

Not Yourself, But Your Art

Four Stages of Student Life

Physical Exercises an Aid to Artistic Piano Playing

How a Pupil Rose to Success

Should Piano Students Attend Piano Recitals?

For the Student's Encouragement

Reading New Music

Extracts from Reinecke's Hints to Music Students

Materials and Workmanship

Ear Training

Study on Phrasing

Reed Organ as an Aid in Piano Instruction

Musical Listener …

Volume 15, Number 08 (August 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Piano and Our Girls

For Juvenile Recital: When Malindy Sings (poem)

Protecting the Artistic Sense

Can a Poor Ear be Improved?

Pianoforte Study

Whither Are We Drifting: Realism in Music

Wit of Composers

Musical Stage Fright

Bach Anecdotes

Liszt and Tausig

Story Teller: For Summer Reading

Counting Time

My Fellow-Students

Aids in Teaching Time Values

Guide to Pianists

Musical Listener

Automatism in Technic

Promising Indication

Musical Inconsistencies

Day's Practice

Appreciative Audience

Plea for Pimary Instruction in Harmony

Thoughts about the Most Salient Features of Music Life—Teaching and Otherwise

Truly Great Musician

How Music Affects Some People

Remarkable Definitions

Study the …

Volume 15, Number 04 (April 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Modern Musical Definitions

Have I Talent?

Peculiarities of Popular Teachers

Mozart's Journey from Vienna to Prague: A Romance of His Private Life

Chat with Students on the Purpose of Study

Teachers Who Scold

How Do We Listen?

Ring-Finger

Hearing Colors

Musical Listener

Reading Course: Outline of Psychology

Leschetizky as a Teacher: Reminiscences of a Pupil

Keep Your Temper

Great Thoughts About the Hands

Dull Pupil

Concerning Practice and Other Points of Interest to Students

Calvé on American Musicians

Pianofore Study: Hints on Piano Playing

Volume 15, Number 03 (March 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Listener

Clayton Johns

On Choosing Music

First Lessons

Why We Have So Few Musicians

Some Wholesome Truths for Teachers

Sieveking's Mode of Practice

W.J. Henderson

Study the Nature of Melody

How Long Should One Practice?

Henry T. Finck

Soul of Music

Music Scrap-Book

Beginning and Development of Pianoforte Playing

Common Sense in Music

Mozart's Journey from Vienna to Prague: A Romance of His Private Life

Why Study Harmony?

Queer Traits of Great Musicians

Art of Programme-Making

Louis C. Elson

Backward Pupils

Volume 14, Number 11 (November 1896), Theodore Presser

The Etude Magazine: 1883-1957

Some Things Which the Musical Profession Owes Itself

Music Chats with Children

American Artists

Class in Ear-Training

Mendelssohn's Piano Playing

Art and Ease

Artist vs. Amateur

Modesty in Music

Chopin's Notes for a Method of Methods

Is the Study of Music Profitable?

Difference Between Studying and Cramming

As a Man Thinketh So Is His Work

Thoughts About the Most Salient Features of Music Life—Teaching and Otherwise

Musical Mischief-Breeders

Beethoven and the Ladies

How to Stimulate Practice

Playing by Ear

Rough and Musical Bülow

Some Mistakes of the Provincial Musician

Correction

Is Mendelssohn to be Ranked Among the Great Composers?

Some …

Volume 14, Number 12 (December 1896), Theodore Presser

The Etude Magazine: 1883-1957

One Hand Alone

Submerged Melodies

Fillmore, John C.

Intention and Success

Playing by Memory

Evil of the Time

Avoidance of the Commonplace

Music Chats with Children

Music Teachers' Problem

Theodor Kullak

Let Singers Beward of Doctors

Humorous Incident

Is Marriage Inimical to Music? If so, Why?

New Story of Paganini

Plea for My Last Teacher

Needs of Piano Students and How They May be Secured

Secret of Musical Expression

Extract

For the Suppression of Din

Why Study Musical History?

Obstacles They Met, and How They Overcame Them: Lessons in Perseverance from the Lives of the Masters

Most Difficult Piece

How …

Volume 13, Number 10 (October 1895), Theodore Presser

The Etude Magazine: 1883-1957

Hardest Piano Piece

Modern Musical Crank

Absent-Minded Musicians

Art and Artlessness

Creed of the Well-Taught Pupil

Other Side of the Story

Difficult Passages as Etudes

That Other Teacher

Types of Piano Teacher

Extemporization

Interesting Interview with Verdin

Listening to One's Own Playing

Discouragements of Piano-Playing

Woman and Music

Reform Needed

Account of the Gavotte

Liszt and Chopin

Suggestions for Musical People

Lecture Recital

Phenomenal Voices

Worse Than Wasted

How Composers are Inspired

Piano in Small Parlors

How I Read the Etude

Study of Music: Small Children be Made to Study Music, Talent or no Talent?

Philosophic Reflections

Points in Music …

Volume 13, Number 09 (September 1895), Theodore Presser

The Etude Magazine: 1883-1957

When to Begin

Organize Organize!!

Beethoven, Mozart, Haydn, and Others for Teaching Purposes

Lesson in Concords and Discords

Parallel

True to Art

Use of the Metronome in Practice

Misconceptions

What Dvorak Says

Why Woman is not a Composer

To Be or Not to Be

Gift of Song

Why Good Music is Good

No Royal Road

Guilmant on American Music

Friends and Their Friendship

Real Study and Its Relation to Playing by Ear

Quality, Rather Than Quantity

What Ought to be Played

Idols Shattered

So-Called Conservatories

Expression and Phrasing

Humorous in Instrumental Music

Nervousness in Piano-Playing

Consideration

Does Music Describe?

Public …

Volume 13, Number 07 (July 1895), Theodore Presser

The Etude Magazine: 1883-1957

One Way to Abuse Classical Music

Music is not Music if it Has No Soul

Lessons in Listening

Musicians' Creed

Musical Prodigies

Neglected Branch of Piano Teaching

How to Succeed in Music Teaching

How to Reach the Pupil: Four R's

Rubinstein: The Man and the Musician

Lack of Public Sympathy for Musical Art

Self-Criticism, an Important Factor in Piano Study

Few More Don'ts

Study Essential

Personality in the Musical Life

Remedies Effected Through the Medium of Four-Hand Playing

Scherzo

Art of Teaching Children

Receptive, But Critical

Volume 13, Number 06 (June 1895), Theodore Presser

The Etude Magazine: 1883-1957

Some Reflections on the Study of Music at the Piano

Music, Home and Wife

How to Work, or the True Gradus ad Parnassum

Crescentic Keyboard

Their Characteristics

Boxing as an Aid to Piano Playing

Country Teacher

Teach Music

Music in Education

Is it a Waste?

Wealth and Poverty of Musicians

Pupil of To-Day

Musical Individuality

Reading, Listening, and Thinking

Little Story

Alphabetical Musical Rhyme

Phrasing

Choosing a Teacher

What Shall be Taught Beginners

Why So Many Failures?

Pianistic Mannerisms

Pushing and Pulling

Use of the Metronome

Liszt and Mendelssohn

Musical Prejudices

Teaching and Playing

Playing for Pupils

How to Sing …

Volume 13, Number 12 (December 1895), Theodore Presser

The Etude Magazine: 1883-1957

Great Composers of Music

Piano Playing and Analysis

Getting Better Work from Pupils

Slow Practice

Taste and Teaching

Difficulties of a Piano Teacher

Music as It is Taught

Ludwig Schytte (autobiography)

Berceuse by Ludwig Schytte

Spoiled Child

Description of Danse Macabre

Limits of the Ear

Study in Dates

Jealousy Among Pianists

How to Become a Pianist

Almost Discouraged

Wrist Training Before Finger

Non-Success

Prejudice in Musical Art

How to Pronounce Them

Why Should We Study Harmony?

Enigmas

Commendable List of Music—Grade I to X

Volume 12, Number 11 (November 1894), Theodore Presser

The Etude Magazine: 1883-1957

Some Methods of Popularizing Songs

Jests That Instruct

Courage in Music

Influence of Music

Two Lessons or One Lesson a Week?

Right Beginning

Ways and Means, and—Results

Egoism

Our Country Teachers—Some Hints for Their Advancement

How to Make Practice Easy

Godard's Characteristics

Machine Pupils

Rheumatism of the Hand and Arm

Foreign Titles and Foreign Names

Hints to Young Composers

Conflict Between Public School Work and Music

Habits of Music Pupils

Does Music Describe?

Portamento Touch

Music (Male) Teacher's Work

Suggestions to Musical People

Power of Association

Amateur Musical Club

Paderewski's Tone and Touch

American Pianists (photos)

Volume 12, Number 10 (October 1894), Theodore Presser

The Etude Magazine: 1883-1957

General Directions to be Observed when Playing for Others

True Ideal of Music Teaching

Accompanying in Theory and Practice

Musical Advancement: A Suggestion to Parents

Proper Scale Practice

Taste

Listening to Music: A Few Words to Concert-Goers

Topics for Reflection

Magazines for Pupils

Strengthening Pianists' Fingers

Worrying

Franz Liszt's Letters

Handel's Sarcasms

How to Learn Music

Why Not a Graded Catalogue of Music With Which to Begin Teaching?

Little Items for Pupils Worth Knowing

Specimen Programmes for Graduating Pupils

Over Our Tea Cups

Whims of Composers

How to Analyze

Longevity of Composers

Pre-Eminence of the Pianoforte as a Medium for …