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Articles 1501 - 1530 of 3772

Full-Text Articles in Music

Minding The Tragic Gap: Conversations Of Invisibility In Early Childhood Music Education, Regina Carlow, Shelly C. Cooper, Julia Church Hoffman Apr 2015

Minding The Tragic Gap: Conversations Of Invisibility In Early Childhood Music Education, Regina Carlow, Shelly C. Cooper, Julia Church Hoffman

Music Faculty Publications

During the last few decades, the music education profession has slowly begun to recognize the impact of music experiences in early childhood. Key publications in the 1970s drew attention to music education for young children (Greenberg 1976, Simons 1978, Zimmerman 1972). Articles focusing on young children's musical development appeared in the 1980s (Hargreaves, 1986; Peery, Peery, & Draper, 1987; Sloboda, 1985; Swanick & Tillman, 1986). MENC (now the NationalAssociation for Music Education-NafME) began to address early childhood music education through "focus days" attached to biennial national conferences and through the establishment of the Early Childhood Special Research Interest Group. Yet …


Recording Review Of Alexis Zoumbas: A Lament For Epirus, 1926-1928 And Five Days Married & Other Laments: Song And Dance From Northern Greece, 1928-1958, Ted Olson Apr 2015

Recording Review Of Alexis Zoumbas: A Lament For Epirus, 1926-1928 And Five Days Married & Other Laments: Song And Dance From Northern Greece, 1928-1958, Ted Olson

ETSU Faculty Works

Review of Alexis Zoumbas: A Lament for Epirus, 1926-1928 and Five Days Married & Other Laments: Song and Dance from Northern Greece, 1928-1958


The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber Mar 2015

The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber

Lawrence University Honors Projects

Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …


Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter Feb 2015

Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter

All Performances

No abstract provided.


Surviving The Holocaust: Catharsis Through Music, Amanda Hassler Feb 2015

Surviving The Holocaust: Catharsis Through Music, Amanda Hassler

Geifman Prize in Holocaust Studies

No abstract provided.


A Note From The Director, Martin Jean Feb 2015

A Note From The Director, Martin Jean

Yale Journal of Music & Religion

No abstract provided.


Empyreal Radiance: An Application Of Sonification In The Field Of Astrophysics, Ryan Loth Feb 2015

Empyreal Radiance: An Application Of Sonification In The Field Of Astrophysics, Ryan Loth

Undergraduate Distinction Papers

Broadly, this paper discusses the application of sonification and its potential for increasing knowledge. The paper is broken up into three sections: the theory of sonification, sonification for artistic purposes, and lastly an extensive look at one process of sonification dealing with solar winds in space. Concerning the theory of sonification, the paper will divulge into the process of sonification and ask questions about the limitations of it as well. The second section discusses how sonification is a way to build the curiosity of not just scientists, but also the general public. The final section addresses my composition Empyreal Radiance …


Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García Feb 2015

Performing Blackness In A Mulatto Society: Negotiating Racial Identity Through Music In The Dominican Republic, Angelina Maria Tallaj-García

Dissertations, Theses, and Capstone Projects

My dissertation analyzes Dominican racial and ethnic identity through an examination of music and music cultures. Previous studies of Dominican identity have focused primarily on the racialized invention of the Dominican nation as white, or non-black, often centering on the building of Dominican identity in (sometimes violent) opposition to the Haitian nation and to Haitian racial identity. I argue that although Dominicans have not developed an explicit verbal discourse of black affirmation, blackness (albeit a contextually contingent articulation) is embedded in popular conceptions of dominicanidad ("Dominicanness") and is enacted through music. My dissertation explores ways in which popular notions of …


What Self-Reported Effect Does Peer Mentoring Have On A Secondary Music Program?, Mark Torsney Jan 2015

What Self-Reported Effect Does Peer Mentoring Have On A Secondary Music Program?, Mark Torsney

Education Graduate Research

No abstract provided.


Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy Jan 2015

Book Review: Dislocated Memories: Jews, Music, And Postwar German Culture, David B. Levy

Touro University Libraries Publications and Research

The author reviews the book Dislocated Memories: Jews, Music, and Postwar German Culture.


Rockin’ Around The Clock: An Exploratory Study Of Music Teachers' Personal Listening Choices, Virginia Wayman Davis Jan 2015

Rockin’ Around The Clock: An Exploratory Study Of Music Teachers' Personal Listening Choices, Virginia Wayman Davis

Research & Issues in Music Education

This study aimed to explore the personal music listening choices of music teachers. Specifically, in which formats do teachers listen to music for personal pleasure, how do they obtain the music they choose, and how frequently do they choose to listen to certain genres of music. Using an online survey, music teachers answered questions about their listening and purchasing habits. Results were then analyzed using simple statistics and Analyses of Variance (ANOVAs) to discover listening preferences for the group as a whole, as well as what differences may occur with regards to age, teaching situation or other factors. Through this …


Music: General, Sheridan Stormes Jan 2015

Music: General, Sheridan Stormes

Scholarship and Professional Work

Sheridan Stormes' contribution to Magazines for Libraries, 23rd Edition.


Review Of Jon Stratton And Nabeel Zuberi's Black Popular Music In Britain Since 1945 (2014), Tim Engles Jan 2015

Review Of Jon Stratton And Nabeel Zuberi's Black Popular Music In Britain Since 1945 (2014), Tim Engles

Faculty Research & Creative Activity

A review of Jon Stratton and Nabeel Zuberi's book Black Popular Music in Britain since 1945.


Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp Jan 2015

Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.


Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp Jan 2015

Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.


Dance With Me Tonight, Yae Ram Jeong Jan 2015

Dance With Me Tonight, Yae Ram Jeong

ETD Archive

Both music and poetry are used to describe experiences and communicate feelings. They express feelings or situations that are meaningful to the artists and speak to every level of emotion. I believe all music has expressive power, some musical works reveal this more than others, but all music carries meaning, with each work uniquely expressing that meaning. Dance With Me Tonight, a poem by Kristi Day, year unknown, has 12 stanzas. The work is mostly used in weddings and anniversaries. As much as I understood of the author's work, the piece begins in a minor mood setting to demonstrate the …


Claude De France: Debussy's Great War Of 1915, Arun Rao Jan 2015

Claude De France: Debussy's Great War Of 1915, Arun Rao

Books/Book Chapters

No abstract provided.


Project 1: Artistes-Musique À Rechercher, Brenda C. Crosby Jan 2015

Project 1: Artistes-Musique À Rechercher, Brenda C. Crosby

French

This unit is very flexible and allows for much student choice. Included are three student projects, each of which allow students to choose what they wish to explore. For the first project, students work alone, and simply research and informally present a French or French language artist or group. For the second project, pairs of students research a musical genre or a period of musical history, and present it to the class. The final project asks students to create a clip for an existing song and to critique the song itself. In between the projects, there are several options to …


Project 2: Un Exposé Genres Et Époques Explication, Brenda C. Crosby Jan 2015

Project 2: Un Exposé Genres Et Époques Explication, Brenda C. Crosby

French

No abstract provided.


Alma Mater To Umass Boston, David Patterson Jan 2015

Alma Mater To Umass Boston, David Patterson

Compositions of David Patterson

The music for the alma mater was composed in 2016 by Professor of Music David Patterson of the Performing Arts Department. The musical setting has the flavor of a 19th century anthem as heard through modern ears. The lyrics were adapted from those of a State Teachers College at Boston class song by a committee of the university’s Faculty Council. In both music and text, "To UMass Boston" evokes images of an ongoing, uplifting pursuit of knowledge and truth.


Use Of Rhetoric In 1960'S Protest Music: A Case Study Of Bob Dylan's Music, Colleen Wilkowski Jan 2015

Use Of Rhetoric In 1960'S Protest Music: A Case Study Of Bob Dylan's Music, Colleen Wilkowski

Honors Program Theses

The purpose of this study is to analyze the use of rhetoric in protest music of the 1960s, using Bob Dylan’s music as a case study. The 1960s was a time of revolution and social change in the United States. Throughout this time, protest music served as an outlet for musicians to voice their support for this change. By conducting a rhetorical analysis, this study assesses the ways in which the tools of classical rhetoric can be applied to the music of this time. The analysis focuses on the rhetorical functions of this music in the context of the protest …


“Becoming One”: Embodying Korean P’Ungmul Percussion Band Music And Dance Through Site-Specific Intermodal Transmission, Donna Lee Kwon Jan 2015

“Becoming One”: Embodying Korean P’Ungmul Percussion Band Music And Dance Through Site-Specific Intermodal Transmission, Donna Lee Kwon

Music Faculty Publications

This article focuses on the P’ilbong p’ungmul transmission center as a case study of a relatively new type of cultural institution in South Korea. I examine how these transmission centers structure the experience of an expressive folk culture form by emphasizing site-specific instruction and employing intermodal pedagogical techniques that specifically heighten an awareness of the body in both place and space. I argue that the P’ilbong p’ungmul transmission center encourages the embodiment of an alternative Korean sensibility that is expressed through music, dance and other social activities, but is further enhanced by situating the body within iconically “Korean” spaces.


The Saxophone Symposium: An Index Of The Journal Of The North American Saxophone Alliance, 1976-2014, Ashley Kelly Jan 2015

The Saxophone Symposium: An Index Of The Journal Of The North American Saxophone Alliance, 1976-2014, Ashley Kelly

LSU Doctoral Dissertations

The Saxophone Symposium is the journal of the North American Saxophone Alliance and is a peer-reviewed academic publication. Since 1976, its readership has enjoyed articles on a variety of saxophone related topics as well as reviews of contemporary recordings and publications. Aside from these academic applications, The Saxophone Symposium is an historical account of some of the saxophone culture in North America and beyond. Academic journals such as this are invaluable to both students and educators, and the ability to access the information within them is vital. Prior to the digital age, the majority of serious academic journals have been …


Managing And Leading Creative Teams, Gabriel De Alba Jan 2015

Managing And Leading Creative Teams, Gabriel De Alba

Whittier Scholars Program

This project was designed to highlight technical details often overlooked in the music industry while analyzing "All You Need to Know About the Music Business" by Donald Passman and "Leading Teams" by Richard Hackman. This project includes information about music artists, how to pick a creative team, the role of a personal and business managers, E&O insurance, advances & recoupment, music numbers, producer/mixer deals, advanced royalty computations, and major/advanced record deal points. Other highlights include independent production and distribution deals, copyright basics, publishing companies, songwriter deals, cop-publishing, touring, and merchandising. Overall this project provides a breakdown of the music industry …


Effects Of Criteria-Referenced Formative Assessment On Achievement In Music, Christopher Valle Jan 2015

Effects Of Criteria-Referenced Formative Assessment On Achievement In Music, Christopher Valle

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this study was to investigate the effects of criteria-referenced formative assessment on music achievement. Archival data from 1,173 students who participated in the first two years of the Arts Achieve project were used to examine the overall and school level effects of criteria-referenced formative assessment on music achievement, as well as its effect on content knowledge, listening, and performance achievement tasks. The relationships between sources of feedback from formative assessment – self, peer, teacher – and music achievement were also investigated. Unbiased causal treatment effects were derived after employing propensity score analysis to minimize selection bias and …


Key Generalization Of Recognition Memory For Melodies, Abigail Lincoln Kleinsmith Jan 2015

Key Generalization Of Recognition Memory For Melodies, Abigail Lincoln Kleinsmith

Legacy Theses & Dissertations (2009 - 2024)

People easily recognize a melody in a previously unheard key, but they also retain some key-specific information. I tested the hypothesis that individuals compare novel melodies to a memory “prototype” representing the central tendency of experienced exemplars. Participants were familiarized with a monotonic eight-note melody in two closely separated keys and tested for discrimination of that melody from others. Test and foil melodies included ones that were the “average” of pitch heights and ones that were more distant in pitch height. Hit rates and discriminability (d') were better for physically closer keys than for harmonically related keys. In follow-up experiments, …


Scenes From Dreams, Michael Krueger Jan 2015

Scenes From Dreams, Michael Krueger

Graduate Thesis Collection

Composition for symphonic wind ensemble.


Evidence Of Pedagogical Content Knowledge Among High School Band Directors And University Applied Music Teachers In The Context Of Student Self-Evaluation, Danielle Jeanette Emerich Jan 2015

Evidence Of Pedagogical Content Knowledge Among High School Band Directors And University Applied Music Teachers In The Context Of Student Self-Evaluation, Danielle Jeanette Emerich

LSU Master's Theses

The purpose of this study was threefold: (a) to seek evidence of pedagogical content knowledge (PCK) in high school band directors’ (generalists) and applied music teachers’ (specialists) evaluations of musical performance; (b) explore the similarities and differences between generalists’ and specialists’ perspectives on PCK; and (c) compare the evidences of PCK to student musicians’ self-evaluations of same performances. A basic interpretive qualitative approach with data collected through a think-aloud procedure applied to evaluation of solo music performance videos revealed four themes indicative of PCK—Aural Concept, Conveying Information, Effecting Change, and Uncertainty—and attendant sub-themes. Generalists and specialists provided a rich trove …


Understanding And Implementing Extended Saxophone Techniques, Tyler R. Bokman Jan 2015

Understanding And Implementing Extended Saxophone Techniques, Tyler R. Bokman

Williams Honors College, Honors Research Projects

Contemporary classical music often pushes the boundaries of how instruments should be played and what kinds of sounds they should produce. A great deal of contemporary music requires the player to utilize playing techniques that may seem very strange and difficult to those who are unfamiliar with them. These unusual practices, known as extended techniques, can include playing in extreme ranges, manipulating pitches in particular ways, and applying abnormal articulations. While once seen as a sort of novelty, these extended techniques are becoming increasingly essential to the contemporary musician. This is especially true of the saxophonist.

While nearly every other …


Opera Education In The Upper Elementary Music Classroom, Carmen Louise Taylor Jan 2015

Opera Education In The Upper Elementary Music Classroom, Carmen Louise Taylor

Electronic Theses and Dissertations

Adults are increasingly becoming uninvolved with the arts and it is therefore important to cultivate a new audience, beginning with a well-rounded musical education for elementary-age children. Opera can easily be implemented as a part of a well-rounded musical education and can be taught in conjunction with multiple subjects. Anecdotal evidence suggests that children are exposed to negative stereotypes about opera without receiving proper education on the subject and are thus more likely to not be interested in opera as they grow older. A short survey was sent to fourth and fifth grade music teachers around the state of Mississippi …