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Articles 211 - 240 of 353

Full-Text Articles in Music

On The Presence Of Christ, William A. Peacock Jan 2018

On The Presence Of Christ, William A. Peacock

Graduate Thesis Collection

On the Presence of Christ is a musical work for septet (three strings, three winds, percussion) exploring Christ’s presence throughout all time as described in Scripture, wherein the individual movements are thematically grounded and arranged from ancient past to coming future. “In the Beginning” is based on Genesis 1:1-2 and John 1:1-5; “At the Throne” is based on Revelation 4:2-11; and “With His Saints Forever” is based in Revelation 21:1-5a and 22-23. I use these chosen Scriptures to guide my musical exploration, allowing my reflections and perspectives on them to give this music its substance and form My hope is …


Frank Zappa And His Conception Of Civilization Phaze Iii, Jeffrey Daniel Jones Jan 2018

Frank Zappa And His Conception Of Civilization Phaze Iii, Jeffrey Daniel Jones

Theses and Dissertations--Music

When Frank Zappa died in 1993, he left Civilization Phaze III as a last testament to both his musical and thematic purpose. The work received a handful of reviews in the popular music press, and has subsequently been ignored by both the popular press and, with few exceptions, academia.

Many are the composers whose careers have been thought describe a mid-period mastery, followed by later decline. This presumption seems to have fallen upon Frank Zappa, apparently due to his retirement from the concert stage, and final years writing music on the Synclavier. This thesis seeks to demonstrate that Zappa's compositional …


The Interaction Between Postminimalist Music And Contemporary Dance, Azariah Felton Jan 2018

The Interaction Between Postminimalist Music And Contemporary Dance, Azariah Felton

Theses : Honours

This dissertation examines the manner in which postminimalist compositional techniques such as phasing, polymeter, etc., can be used to aid the creation of music for dance. Music presented with dance generally serves at least two crucial roles: providing the dancers with a framework and impetus to aid movement; and reflecting the concept and meaning, where applicable, of the choreography. Many composers writing for dance must find ways to unite these goals in a way that best suits the total work, and find a balance between supporting the concept and assisting the dancers. This dissertation discusses the relationship between choreography and …


And God Said..., Bryan Sanoshy Jan 2018

And God Said..., Bryan Sanoshy

Graduate Thesis Collection

And God Said… is a modern interpretation of the well-known Biblical story about the creation of the world. Scriptures tell us that the entire world was formed in mere seven-day span. Each movement is very unique and specific to the corresponding day they represent.


Spectral Radiance, Coleman Rowlett Jan 2018

Spectral Radiance, Coleman Rowlett

Graduate Thesis Collection

Spectral Radiance is a concerto for alto saxophone and chamber orchestra. In this paper, the influence of Franz Schreker's Kammersymphonie on Rowlett's compositional inspiration is discussed in detail. In addition, the various compositional elements that make up the work are explained. These include elements of form, motivic development, sharing themes between movements, and harmony. Rowlett's use of these compositional elements aims to create cohesion throughout the work as a whole. The paper acts as a guide, retracing the steps taken by the composer during the composition of the concerto.


Gradus Ad Parnassum: A Reader's Edition And Commentary, Sara Miller Schulte Dec 2017

Gradus Ad Parnassum: A Reader's Edition And Commentary, Sara Miller Schulte

Masters Theses

The seminal eighteenth-century counterpoint treatise Gradus ad Parnassum by Johann Joseph Fux exists in Latin, German, French, Italian, Spanish, and a host of other languages in its entirely, but in English only the second book of two has been translated, and even that is available only in a collection of partial translations. While a complete English translation is well beyond the scope of this project, toward that end, this research makes a case for its completion and provides a modernized edition and commentary of the as-yet-untranslated first book.


Tremors: A Musical Exploration Of Modern Faith, Asher Bay, Christian Asplund Jun 2017

Tremors: A Musical Exploration Of Modern Faith, Asher Bay, Christian Asplund

Journal of Undergraduate Research

Under the guidance of Professor Christian Asplund, I composed and produced a concept EP addressing the complexity of modern faith. The purpose of the project was to validate trials of faith that often are otherwise unspoken in our community and to encourage people to continue authentically seeking truth, despite the pain that often transpires. The EP contains seven tracks totaling twelve minutes of music. Its Internet release is scheduled for the beginning of 2017 and will be accompanied by a listening event.


Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi May 2017

Looking Through The Glass: An Album Of Original Music And Accompanying Artist Book, Sam Genualdi

Lawrence University Honors Projects

“Looking Through the Glass” is a 12 track, 38-minute long album of original songs accompanied by a hand-bound artist book. The book houses the CD as a well as an accordion-structure text block of original prints. The content and form of the work draw upon the experiences of the author to create a unique and personal take on memory as a human experience. Sam Genualdi composed and produced all of the music as well as created all of the art.


Spirits' Dance: Sunrise Overture, Jeonghun Kim May 2017

Spirits' Dance: Sunrise Overture, Jeonghun Kim

Theses and Dissertations

The subtitle of Spirits’ Dance is Sunrise Overture. This overture is composed with five different themes of spirits’ dances: Light, Air, Water, Earth and Fire. The piece starts with the wind breeze in the darkness, mimicked by woodwinds and brass blowing their instruments without producing a tone. When the Sun rises the piece quietly begins. The beginning and ending express the sunrise and the sunset with the Light spirits’ dance. Air spirits softly introduce Water spirits. Mischievous Earth spirits pop up and carry a practical joke after the beautiful water sprits’ dance. Marching of Fire spirits brings dryness to the …


Affirmation, Validation, And Empowerment: Influences Of A Composition Competition On Students’ Self-Concepts As Musicians, Daniel Albert May 2017

Affirmation, Validation, And Empowerment: Influences Of A Composition Competition On Students’ Self-Concepts As Musicians, Daniel Albert

Faculty Authored Articles

The purpose of this study was to determine if participation in a composition competition influenced four K–12 students’ self-concepts as musicians. Research questions explored motivations for these four students to enter into a composition competition, influences of the competition on students’ self-concepts as musicians (if at all), and effects of the competition besides those of self-concept as a musician (if at all). Data sources for this multiple case design study included semi-structured interviews, journals, and wiki interactions. Findings determined that acceptance to the competition, performance of students’ works, and the reception that students received validated and strengthened their self-concepts as …


Requiem, Jacob K. Lee May 2017

Requiem, Jacob K. Lee

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Traditionally, the requiem form began as a Catholic mass to honor the dead. Today, the requiem is generally composed conveying messages of solace to troubled hearts. Many composers, such as Britten and Rutter, choose to abandon some of the orthodox text of the mass to provide an added measure of connection for the audience. The result of these later requiems is often a baring of the composer’s soul – something profoundly personal shared in the hope of inspiring others. This latter process is my aim in creating my Requiem. I approach this end in several ways, compositionally: There is a …


The War Never Ends: A Composition For Large Jazz Ensemble In Three Movements, Derek James Molacek May 2017

The War Never Ends: A Composition For Large Jazz Ensemble In Three Movements, Derek James Molacek

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

“The War Never Ends” is a three-movement programmatic suite for large jazz ensemble plus additional instruments, dedicated to the military service personnel who suffer from Post- Traumatic Stress Disorder. The piece is comprised of three movements:I.“The Call to Serve”; II. “The Call to War”; and III. “The Call for Peace.” Each movement tells a different part of a story of a person who has signed up for military service.

“The Call to Serve” serves as the beginning to our service member’s journey; from recruitment, to training, to assignment. “The Call to War” illustrates deployment: Specifically, deployment to the Middle-East. This …


Barfield, Kazik, Nazaykinskaya, And Beyond: A Discussion Of The Commission Process Regarding Trombone Literature, S. Kyle Moore May 2017

Barfield, Kazik, Nazaykinskaya, And Beyond: A Discussion Of The Commission Process Regarding Trombone Literature, S. Kyle Moore

Honors Theses

There has historically been limited repertoire for trombonists to perform outside of orchestral writing—so limited that the first trombone solo recital was performed by Davis Shuman in 1947. The trombone has been present in the musical community since the mid-fifteenth century, yet it has only recently emerged as a unique, virtuosic instrument. Due to its delayed emergence and limited repertoire, the need to advance the instrument and its musical literature has led to the commission process between artists and composers: Interested parties approach composers with the prospect of writing music for compensation. In this manner, the composer is compensated for …


Red Note New Music Festival Poster, 2017, School Of Music, Carl Schimmel, Roy Magnuson Apr 2017

Red Note New Music Festival Poster, 2017, School Of Music, Carl Schimmel, Roy Magnuson

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.


Red Note New Music Festival Composition Competition Announcement, 2017, School Of Music, Carl Schimmel, Roy Magnuson Apr 2017

Red Note New Music Festival Composition Competition Announcement, 2017, School Of Music, Carl Schimmel, Roy Magnuson

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.


The Bended Tree, Graeme Shields Apr 2017

The Bended Tree, Graeme Shields

Masters Theses

The Bended Tree is a multi-movement, 40-minute cantata for chorus, organ, piano, flute, oboe, clarinet, trumpet, violin, and percussion. It explores timbral, textural, and harmonic development within loosely a symmetrical form divided in the center by 30 seconds of silence. The text for the cantata stems from a series of Lutheran hymns and Biblical passages, set to original music.

In the interest of facilitating flexibility for performances, the movements are written so that they can be performed individually, in any subset, or in the piece’s entirety. The instrumentation is also variable: the core ensemble is comprised of chorus, piano, and …


Composing Musical Branes, Liam Flenady Feb 2017

Composing Musical Branes, Liam Flenady

Directions of New Music

This paper presents the compositional logic of my most recent piece, braneworlds, a 15-minute work for seven musicians, according to three basic concepts: musical space, polymorphic counterpoint, and ‘branes’, as inspired by the popular book Warped Passages by experimental physicist Lisa Randall. The idea of musical space is outlined, in which musical parameters—conceived broadly as variable characteristics of music—are taken as dimensions and each work may define its own set of basic dimensions. Musical identities or objects are formed, located at different points within this space. The idea of ‘polymorphic counterpoint’, in which larger-scale internally-elaborated musical structures, rather than lines …


Belsen Silence, Monica Gil Jan 2017

Belsen Silence, Monica Gil

Geifman Prize in Holocaust Studies

I often look to text for musical inspiration, and after searching through swaths of Holocaust poetry online, I discovered "Belsen Silence" by Iolo Lewis. Its message is less graphic than some of the other texts I found, but that in no way detracts from its power of emotion. It is about looking back, tending to old wounds that are no longer fresh but are still healing. The Holocaust may have happened over fifty years ago, but it is still relevant, even alarmingly so at times. Today's reflections on yesterday's shortcomings are arguably the only way we learn, and that is …


The Application Of Konokol To Guitar Improvisation And Composition, Glenn Andrew Rogers Jan 2017

The Application Of Konokol To Guitar Improvisation And Composition, Glenn Andrew Rogers

Theses: Doctorates and Masters

This dissertation is an exploration of the rhythmic concepts used in two South Indian musical theory concepts, solkattu and konokol. Konokol application largely depends on instrument limitations and musical contexts. The principle focus here is on my personal application of konokol to the guitar both through composed and improvised music. A detailed study of konokol was undertaken through private lessons in India and personal experimentation to determine how these concepts could be adapted to Western improvisation, harmony and composition, as well as right--‐hand classical guitar and plectrum techniques. This was done intuitively by exploring guitar techniques and konokol simultaneously. …


Red Note New Music Festival Program, 2017, School Of Music Jan 2017

Red Note New Music Festival Program, 2017, School Of Music

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.


Blacklight Symphony No. 1, William J. Cook Jan 2017

Blacklight Symphony No. 1, William J. Cook

Undergraduate Theses, Professional Papers, and Capstone Artifacts

This symphony written, rehearsed and premiered by William Cook in Spring of 2016 at the Composer's Showcase. The full score, video of the premiere, and his reflection of the events are all attached.

William Cook worked on Blacklight Symphony No. 1 from 2014 - 2016. Ultimately, it can be said that he tried to impress all, though none feigned to understand him, and he is pleased, upon reflection, that he gave the project his all.


Joshua: Symphonic Suite No. 2 And James Aikman, The Violin Concerto, And The Principle Of Limited Economy, Chad Edward Hughes Jan 2017

Joshua: Symphonic Suite No. 2 And James Aikman, The Violin Concerto, And The Principle Of Limited Economy, Chad Edward Hughes

LSU Doctoral Dissertations

The objective of this dissertation is to present an original work that represents this writer’s perspective as a composer and to examine the work, Violin Concerto No.1, by American composer and educator, James Aikman. The first component of this dissertation is this writer’s composition Joshua: Symphonic Suite No. 2. This work, which portrays the Old Testament Bible story of Joshua, son of Nun, is a neo-tonal ballet, which features the violin extensively. The ballet is divided into four movements, each of which corresponds to a segment of Joshua’s story, including “Joshua and Caleb,” “Rahab and the Spies,” “The River Jordan,” …


Anders Åstrand: A Paragon Of The Modern Musical Aesthetic, Matthew Geiger Jan 2017

Anders Åstrand: A Paragon Of The Modern Musical Aesthetic, Matthew Geiger

Theses and Dissertations--Music

Swedish musician Anders Åstrand sustains a career as a performing soloist and chamber musician, composer for small and large chamber ensembles, and improviser in a vast variety of styles. His career represents the future within the musical world as it shifts from the orchestras and concert halls to a society more interested social media outlets such as YouTube and Facebook Live. His compositions integrate elements of improvisation in concept and execution.

The primary aim of this study examines the life and career of Anders Åstrand and the correlation of those influences with his compositional aesthetic. The secondary objective connects the …


Sketches Of A Life, Alexander D. Morris Jan 2017

Sketches Of A Life, Alexander D. Morris

Williams Honors College, Honors Research Projects

Sketches of a Life is a work for a small chamber ensemble and depicts small sections of an unidentified person's life. It is scored for 13 instruments and runs eight minutes in length. The piece itself is supplementary to this project, which is largely a descriptive and theoretical analysis of the work. The analysis and score are submitted as PDFs. A link to the recording is included in the appendix.


Finding Home: Creating A Video Game Soundtrack, Samantha Chase Jan 2017

Finding Home: Creating A Video Game Soundtrack, Samantha Chase

Theses and Dissertations

The purpose of this lecture recital was to reflect on the characteristics of video game music, how those characteristics were shaped through technological advancements in the industry, and how to apply them to composition. Due to the limitations of early video game technology and memory space, video game composers were extremely limited. Composers worked through these limitations by composing with limited range and timbres, looping, and extensive use of ostinato. Even though modern day composers are not faced with this challenge, many still rely heavily on these techniques as they have become iconic of video game music. Video game composers …


Concerto For Cello And Orchestra And A Comparative Study Of The Pedagogical Methods Of Nadia Boulanger And Dr. Dinos Constantinides, Harold Curtuss Mims Jan 2017

Concerto For Cello And Orchestra And A Comparative Study Of The Pedagogical Methods Of Nadia Boulanger And Dr. Dinos Constantinides, Harold Curtuss Mims

LSU Doctoral Dissertations

The first part of this dissertation is an original music composition for orchestra entitled, Concerto for Cello and Orchestra. In studying the life of pianist and conductor Daniel Barenboim (November 15, 1942-), I discovered a recording of his beautiful and gifted wife Jacqueline Mary Du Pré, (January 26, 1945 – October 19, 1987) performing Edward Elgar's Cello Concerto in E minor, Op. 85. This experience was the beginning of a love triangle between Elgar, Barenboim, and Du Pré. An attraction to Jacqueline goes deeper than just the music and the cello. Her career was not long due to multiple sclerosis …


Selected Musical Works From 2013 - 2016, Christian M. Newman Dec 2016

Selected Musical Works From 2013 - 2016, Christian M. Newman

Music ETDs

This manuscript is a collection of musical compositions written by Christian Newman while a graduate student at the University of New Mexico. Each musical work fulfills at least one composition portfolio requirement as stated in the 2012 – 2013 Music Theory/Composition Student Handbook: the basic requirements include a piece with large orchestration, a piece featuring the voice, a piece featuring electronics, and a collaborativepiece. Newman’s composition portfolio includes numerous works in addition to the requirements that illustrate the depth and consistency of his progress as a composer while a student in the program.

The pieces included in this collection are …


Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek Dec 2016

Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek

Capstone Research Projects

As of late there has been much interest in the creative process of musical composition. Most studies to date have taken the form of quantitative and/or psychological analyses performed upon composers by researchers who are not themselves composers. In contrast, this project takes a more philosophical and historical approach in that it takes time to reflect upon the context and manner in which music has been composed throughout history. Additionally, this study offers a more personal perspective as it draws information from the author’s own compositional process–as recorded in a composition journal–as well as the thoughts and reflections of composers …


Indigiana, Elizabeth A. Knox Dec 2016

Indigiana, Elizabeth A. Knox

Graduate Thesis Collection

Indigiana, for orchestra and audio soundscape, is dedicated to the 2016 bicentennial celebration of the State of Indiana. The title is derived from the words, ‘Indiana,’ ‘Digital,’ and ‘Indigenous.’ Its programmatic style is based on the natural landscape and my reflections on four Indiana state parks. In addition to the state's bicentennial honor, Indiana celebrated its 100th anniversary of the purchase of its first two recreational facilities, McCormick's Creek and Turkey Run State Park.2 To honor the state and my family’s longstanding heritage as Hoosiers, I used the natural landscape and environmental sounds of four Indiana state parks …


Jane O’Leary And Her Approach To Contemporary Music For Clarinet And Bass Clarinet, Pablo Manjón-Cabezas Guzmán Sep 2016

Jane O’Leary And Her Approach To Contemporary Music For Clarinet And Bass Clarinet, Pablo Manjón-Cabezas Guzmán

Research Theses

American-born Irish composer Jane O’Leary is one of the most accomplished participants on the Irish New Music scene. Although trained as a pianist, her career has also been closely linked to the clarinet and bass clarinet through collaborative work she has undertaken with outstanding performers such as Paul Roe and Harry Sparnaay. Thus, this thesis explores this composer’s contributions to the contemporary repertoire for clarinet and bass clarinet.

In order to examine O’Leary’s oeuvre for clarinet and bass clarinet, this research project analyses two of her most remarkable solo pieces for these instruments, Within/Without and a piacere, by determining …